A Los Angeles artist with everything seemingly going for him, suddenly finds a change in his life, when an art curator cancels his upcoming one-man show. His model girlfriend immediately ... See full summary »
After losing her job, making out with her soon-to-be former boss, and finding out that her daughter plans to spend Thanksgiving with her boyfriend, Claudia Larson faces spending the holiday with her family.
Robert Downey Jr.
Grand Canyon revolved around six residents from different backgrounds whose lives intertwine in modern-day Los Angeles. At the center of the film is the unlikely friendship of two men from ... See full summary »
When two college students, Sam and Thea, meet Coles at a party, their mutual attraction is immediate, leading to a passionate and awkward night together, and the onset of an intensely charged bond. As they continue to push the sexual boundaries of their friendship, however, they are tested by Sam and Coles' incipient romance and Thea's increasing recklessness, until the relationship dissolves amid a cloud of fear, resentment and mistrust. Eight years later they reunite. An animator for a high-profile ad agency, Coles now lives with Claire, his girlfriend of five years. Thea is happily married to Miles, with whom she owns a flourishing restaurant. And Sam has just returned to Manhattan after working in London where she recently broke off her engagement. Yet upon reconnecting, the three are drawn back into the complicated dynamic that defined their relationship from the start and are forced to confront the true meaning of commitment and love. Written by
Sujit R. Varma
Mama's Always Onstage
Written by Todd A. Thomas, Buddy Guy and Junior Wells
Performed by Arrested Development
Courtesy of Chrysalis Records
Under license from EMI-Capitol Music Special Markets
Published by Mic-Shau Music (BMI)
Administered by Bug Music and Used by permission of
EMI Blackwood Music, Inc. (BMI)/Bluesharp Music (BMI) See more »
After suffering through "Closer," I honestly was not prepared for another depressing film filled with artificial dialogue that purportedly deals with contemporary "adult" relationships. But that is precisely the kind of clichéd material that "XX/YY" recycles in this embarrassing film experience. How is it possible for an actor to say the line "there is no room for honesty in a healthy relationship" with a straight face?
The characters, story, and even the film's style were all unbearable. The editing of this film was amateurish, and there were too many awkward close-ups on the characters smoking, drinking, kissing, vomiting, and even flossing their teeth!
The story traces the development of three characters who bounce around to different relationships. We see the threesome in their exuberant, youthful phase. And at the midpoint of the film, we meet them in their "mature" phase. But the problem with the screenplay is that the characters do not really change. By the end of the film, I wanted to take Mark Rufalo's character aside and give him some good advice, as follows: "Grow up!"
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