A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
In order to foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan turns from bad to worse when the same criminal impersonates the cop.
During World War II when the Americans needed to find a secure method of communicating they devised a code using the Navajo language. So Navajos were recruited to become what they call code talkers. They would be assigned to a unit and would communicate with other units using the code so that even though the enemy could listen they couldn't understand what they were saying. And to insure that the code is protected men are assigned to protect it at all costs. One of these men is Joe Enders, a man who sustained an injury that can make him unfit for duty but he manages to avoid it and is told of his duty and that the man he is suppose to protect is Ben Yahzee. Initially there is tension but the two men learn to get along. Written by
During the "Blue Bus" Scene at the Beginning, they originally had a person riding a horse around the trading post. But, somehow the Horse got spooked, bucked off the rider and ran around "frantic" around the set, crew, cast, extras and cameras at Vasquez Rocks Park in Los Angeles county. They finally caught the horse and it was cut out of the scene immediately. See more »
The battleship firing in support of the troops on Saipan is identified as the USS Colorado. The Colorado's main battery was eight guns in four two-gun turrets. All of the scenes of a battleship show the three-gun turrets of an Iowa class battleship. See more »
Sergeant, I'm telling you I won't freeze up again.
Because your buddy smeared ash on your forehead?
That's right, because my buddy smeared ash on my forehead.
See more »
Well, at least it has an interesting original concept.
A war movie done John Woo-style sounded like such a good idea on paper. The slow-motion action sequences and other typical Woo-ism elements are often even more laughable than beautiful or realistic. Same goes for the deeper and sentimental meanings of the movie.
It's obvious John Woo wanted to make a "Saving Private Ryan" realistic like war movie but the movie gets stuck somewhere between Hollywood action/war entertainment and a serious war movie.
The battle sequences look too fabricated and planned out, which is of course a killer for the movie its realism. Sure the battle sequences all look fine and it obvious cost some serious money to make this movie.
Between all of the battles and action within the movie, there are lots of slow moments. Guess it tries to be deep or something, also about the Navajo-culture, in those moments but it instead feels pointless and often like a drag. Same goes for most of the sentiments within the movie. It's also the reason why the movie is quite long.
The movie is an underwritten one that for a genre movie is too formulaic. It's mostly a predictable movie that offers very few surprises or original moments. A shame, since the concept of the movie is definitely an original one. The movie also doesn't bother to tell where and why they are fighting. What are all these battles? Why are they being fought? And yes, of course the movie also finds room to put in a love-story. All of the character also remain pretty shallow one's, no matter how far they dig into their past.
Nicolas Cage just wasn't made for these sort of movies. The movie is filled with some other well known names in it and most of them do a good job. It's not like the acting is one of the weakest elements of the movie but that still doesn't mean that everyone was correctly cast.
It's definitely a watchable movie but its shortcomings just prevent this movie from being a great or really memorable one.
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