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Windtalkers (2002)

R  |   |  Action, Drama, War  |  14 June 2002 (USA)
6.0
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Ratings: 6.0/10 from 51,393 users   Metascore: 51/100
Reviews: 449 user | 150 critic | 35 from Metacritic.com

Two U.S. Marines in WWII are assigned to protect Navajo Marines who use their native language as an unbreakable radio cypher.

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Cast

Cast overview, first billed only:
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Rita
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Major Mellitz
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Fortino
Cameron Thor ...
Mertens
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Ear Doctor
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Colonel Hollings
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Storyline

During World War II when the Americans needed to find a secure method of communicating they devised a code using the Navajo language. So Navajos were recruited to become what they call code talkers. They would be assigned to a unit and would communicate with other units using the code so that even though the enemy could listen they couldn't understand what they were saying. And to insure that the code is protected men are assigned to protect it at all costs. One of these men is Joe Enders, a man who sustained an injury that can make him unfit for duty but he manages to avoid it and is told of his duty and that the man he is suppose to protect is Ben Yahzee. Initially there is tension but the two men learn to get along. Written by rcs0411@yahoo.com

Plot Summary | Add Synopsis

Taglines:

The Navajo Has the Code. Protect the Code at All Costs. See more »

Genres:

Action | Drama | War

Motion Picture Rating (MPAA)

Rated R for pervasive graphic war violence, and for language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

| |

Release Date:

14 June 2002 (USA)  »

Also Known As:

Wind Talkers  »

Filming Locations:

 »

Box Office

Budget:

$115,000,000 (estimated)

Opening Weekend:

$14,520,412 (USA) (14 June 2002)

Gross:

$368,655 (Brazil) (1 November 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The desert scene in the opening credits uses the same stock footage of the Sonoran Desert in Arizona as Back to the Future Part III (1990) and City Slickers II: The Legend of Curly's Gold (1994). See more »

Goofs

When Sergeant Enders sits down with his food during the first time he meets the Navajo radio operators, for a brief moment a modern radar site on a mountain top comes into view. See more »

Quotes

Charlie Whitehorse: [explaining to Ben why he enlisted] Didn't want your white brothers thinking you were the best we had.
See more »

Connections

Referenced in Jeopardy!: Episode #22.223 (2006) See more »

Soundtracks

IÄ 'OE E KA LÄ
Traditional
Performed by Kunewa Mook and Hula Hälau 'O Kamuela
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Director's Cut is an improvement
26 October 2005 | by (Netherlands) – See all my reviews

I just watched the director's cut on DVD after having seen the theatrical cut some time ago.

Plot summary: In WWII, a code based on the Navajo language was used to securely communicate between US troops in the Asian Pacific, without the Japanese eavesdropping. We follow two Navajo code talkers and their US Marine "bodyguards" as they go into combat on a Japanese island.

A lot has been written about this somewhat flawed John Woo movie. After having seen both versions, my main disappointment is still that the two code talkers seem like background characters. A movie with a lower budget, without big Hollywood stars put in the foreground would probably have been more satisfying. Maybe that movie should have been done by another director too, I don't know.

Enough good "general" war movies have been made. The code talker part of the story should have been made much more pivotal as was done here.

I'm a fan of Woo's Hong Kong and Hollywood work. The director's cut of Windtalkers doesn't turn a mediocre Woo film into a masterpiece, but it is certainly an improvement.

Main advantages of the DC are more fleshed out characters. You get more background on all main characters, including the two Navajo code talkers. I felt more involved. As a result, the code talker part of the story is served better, but still not enough to my taste. The DC also has more uncut battlefield scenes. Woo really shows his talent here, with raw yet beautifully shot war action. You get the sense that you are in the middle of the action.

I was particularly interested if a scene was put back in where a US soldier takes a golden tooth from a Japanese corpse. This scene was described in several documentaries about censorship by the US Army. Not completely surprisingly, this scene was also absent from the DC.

If you are a Woo fan or already appreciated the theatrical cut, it may be worth checking out the director's cut.

My ratings: 6/10 for the original cut. 8/10 for the director's cut.


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