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Manhattan. Halley loves Dag, a philanderer who claims he's reformed. Peter, Dag's best friend, loves Rebecca, a suicidal dancer who sleeps around without Peter's knowing. When Halley and Peter learn that Dag and Rebecca have slept together (it started with just a kiss), Halley leaves Dag, and Peter is wounded. In their suffering, Halley meets Andre, a cellist; Peter meets Colleen, Andre's wife; and, a remorseful Dag meets Paula, an edgy waitress with a crush on Peter. Couplings follow; then, several characters end up in hospital. Paula becomes an avenging angel, and Peter may be her next victim. Is there any way these relationships can be set right? Can we go back to that kiss? Written by
<jhailey@hotmail.com>
Don't be so hard on this film, all of you who are putting it down. It's not going to win an oscar for any reason, but it's different and it's not stupid. It's definitely worth a rental fee. The film dabbles in black humor and Tomei is sexy as always. There are some silly moments which make it worth seeing, for instance a certain commercial actor. The soundtrack is inspiring, as it is trippy groove music, and the animation parts make it different. The acting is fine on all levels. Definitely worth seeing if you like the actors in the film. 7.5/10
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Don't be so hard on this film, all of you who are putting it down. It's not going to win an oscar for any reason, but it's different and it's not stupid. It's definitely worth a rental fee. The film dabbles in black humor and Tomei is sexy as always. There are some silly moments which make it worth seeing, for instance a certain commercial actor. The soundtrack is inspiring, as it is trippy groove music, and the animation parts make it different. The acting is fine on all levels. Definitely worth seeing if you like the actors in the film. 7.5/10