In the scene during which Chihiro squashes the small worm like thing that inhabited Haku with her foot that, Kamaji tells Chihiro to "Cut the line!" Cutting the line is a Japanese good-luck charm performed by making a chopping gesture through another person's connected index fingers. This is done whenever someone is affected by some impurity. During footage of the dubbing process in the "Spirited Away" Nippon-TV Special, Rumi Hiiragi, playing Chihiro, was not aware of this concept and had it explained to her by Hayao Miyazaki. One of the sound engineers commented "The young don't know it these days."
In order to animate the scene where Chihiro force feeds Haku the medicine in his dragon form, Hayao Miyazaki had his animators study a dog's mouth as they fed it treats while a veterinarian held its lower jaw.
To do the voice of Chihiro's mother talking while eating, actress Yasuko Sawaguchi actually spoke the dialog (in the original Japanese-language version) while eating a piece of Kentucky Fried Chicken. Actress Lauren Holly did the same thing in the English version with an apple.
Miyazaki accepts that the film is not just a children's fantasy film but also throws light on the problem of Prostitution in Japan. In the some period in Japan, big cities had bathhouses strictly for men where women masseurs also known as "Yuna" gave sexual pleasure to the customers. The owner of the bathhouses brothels were called "Yubaba". It is shocking to note that even in Spirited Away, the women are referred to as "Yuna" and the villainous keeper of the bathhouse is also called "Yubaba". Chihiro is forced to change her name to Sen, the same tradition is followed in the world of prostitution where prostitutes change their names. This also explains the weird behavior of No Face. In the film he tries to give "money" to her. This is because he is attracted to Chihiro. Miyazaki in an interview revealed that he was unhappy with the problem of prostitution in Japan where young girls are exposed to this "dirty business". Miyazaki's sole purpose was to symbolize this problem in an artistic and thought-provoking way so as to make this sound like a powerful fantasy film too.
The song over the closing credits ("Itsumo Nando Demo"/"Always With Me") was intended for a Hayao Miyazaki film that was never made. Miyazaki played it relentlessly while making this film and decided to include it in the end credits.
Chihiro's father drives a first-generation Audi A4 sedan. The level of detail included by the director includes the Audi's trademark "Quattro" four-wheel drive system when Chihiro's father decides to take the car in the forest. Along with the ABS (anti-lock brake system) which pushes the brake pedal back when Chihiro's father brakes hard seeing the statue.
The city that Chihiro and her parents are moving to at the beginning is the fictional city of Tochinoki along Route 21, just north of Nagoya. Tochinoki is also the name of an amusement park to the north of Tôkyô and a spa resort in the south of Japan. The large hill in their neighborhood where the dirt road begins is named Green Hill.
Executive Producer John Lasseter of Pixar supervised the English-language dubbing of the film and tried to match the actors' English-language dialog with the mouth movements of the animated characters.
In the English-language version, John Ratzenberger (Aniyaku) completely improvised the ditty he sings when he is extolling the virtues of the rich customer No-Face. ("Welcome the rich man, he's hard for you to miss...") The original script's song was "Welcome the rich man - he's pretty big, you see/so all bow down and get on bended knee."
The trivia items below may give away important plot points.
The character No Face greatly resembles a silkworm, an important animal in Japanese culture. No face seems to have a white face and a mouth below it. Silkworms have markings that look like facial features, and their mouths are below these markings. Silkworms and No Face eat constantly and grow rapidly. At the end of the movie, No Face goes with Sen to visit Zeniba. No Face stays with Zeniba spinning silk.
The kanji names of many of the characters provide clues to their identities: Yubaba - hot-water crone; Zeniba - money crone; Kaonashi - no face; Bô - young boy/child; Kamajii - kettle/boiler pot/old man; Chihiro - thousand fathoms or thousand searches; Sen - thousand (pronunciation of chi kanji when isolated).
A minor dubbing error causes Haku's name to be slurred. His actual given name in "Sen to Chihiro no kamikakushi" is Kohakunushi Nigihayami, while "Spirited Away" just refers to the Kohaku River, ignoring the rest of his name entirely, and therefore changing the meaning of his name drastically.
Lines were added in the English-language-dubbed version that do not exist in the original version: when Sen says that Haku is a dragon after she sees her parents in the barn; and the last lines between Chihiro and her parents in the car at the end.
It is said that this movie refers to prostitution and many signs of that can be seen throughout the film, for example; The sign above the bathhouse has the sign "yu" which means hot water (bathhouse), and during the Edo period bathhouses were often associated with brothels, places where men and women would exchange sexual favors. The women who worked at these kinds of brothels were called "Yuna" while the madam working at the brothel would be called "Yubaba" which, coincidentally enough, is the name of the witch running the bathhouse. Another noticable thing is that Chihiro has to sign a contract in which she changes her name (to Sen) which was also very common in these bathhouses. Also, "No face" tries to buy Chihiro with gifts and money, representing an obsessive client wanting to own her. Another noticable point that could be speculated about is that the dirty spirits visiting the bathhouse is how these women view their costumers.