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|Index||75 reviews in total|
I was very surprised how much I enjoyed this film. I thought it was funny, sexy, painful, and warm. Andie MacDowell's performance was nuanced and vulnerable. For once, the director of a MacDowell film did not make her beauty another character in the film. The romance between Kate and her young man is lovely to watch and it plays out very well. Her relationship with her friends is both a thorn and a balm in her life. Imelda Stalinson, who has been a MVP in so many British films, does a great job in this. There is some tragedy in this but I think the film is saved in the end by the brilliant acting, clean direction, and witty writing.The film quality is excellent and the music is good, too, though unavailable on sound track.
*** This review may contain spoilers ***
This film was choppy, incoherent and contrived. It was also an extremely
mean-spirited portrayal of women. I rented it because it was listed as a
comedy (that's a stretch), and because the cover said Andie McDowell was
acting up a storm in it. She wasn't. I'm a gal, I watched this film with
guys, and we spent an hour afterwards exclaiming over how bad it
WARNING: PLOT SUMMARY BELOW! RAMPANT SPOILERS!
The movie starts out with a fairly hackneyed plot about an older woman who takes up with a younger man, to the severe disapproval of her two jealous single girlfriends. They want her to marry a boring guy their own age who is kind of in love with her. But she's so happy with her oversexed puppy that you're rooting for them to stick it out, and sure enough, she decides to marry the guy. But her harpy girlfriend, aided by the wishy-washy one, sets up a plot to trick our heroine into thinking the guy is cheating on her. It works. She has a fight with him, he runs out of the house and is crushed by a truck (Remember the movie's title?) So now he's dead, two-thirds of the way through the film. And although our heroine is a school headmistress who spends her time watching over girls, she apparently forgot to use birth control and is pregnant.
She's already broken off relations with her girlfriends, because they were so unsupportive. Alone and pitiful, she decides to marry the boring guy. Did I mention that the boring guy who kind of loves her is a minister? She had asked him to marry her to the young guy (nice, huh?), but now she tells him she'll marry him, and apparently he has no objections to being dicked around in this fashion. But her girlfriends rescue her at the altar and take her home, where they not-quite-confess that they were mostly responsible for the love of her life getting smushed. She has the kid. In the final scene, they leave it in a crib inside her house while they go out on the porch to drink, smoke and be smug. I kid you not, it's that bad. I left out the part about the cancer red-herring and the harpy's ridiculous lesbian moment.
*** This review may contain spoilers ***
This film is a calculated attempt to cash in the success of Sex in the
City and Four Weddings and a Funeral. In fact, if they'd called it Sex
at a Funeral, they might have done better at the box office.
But the film falls between two stools and can't get up. The characters spout improbably bright dialog, but never act in any way remotely recognizable as human. One arbitrary, senseless action follows another to advance what passes for a plot, and one soon tires of the falsity of the whole enterprise.
Andie MacDowell gets points for acting her little heart out, but the performing honors are stolen by Imelda Staunton, as of all things, a police detective (don't they have a height requirement over there?). Ms. Staunton seems unable to make a false move. Would that we could say the same about the writer-director.
If Notting Hill annoyed you as being bogus, stay away from this one. Phonus bolognus on the half-shell.
I really truly enjoyed this movie. (Which is why it surprised me that it got such a low rating from so many users at this site!) I am not saying that it is a cinematic masterpiece but it was a great way to spend a cold, snowy Saturday night. It is funny, poignant, and a great tales of the ups and downs of female friendships lasting through difficult times and the bad things that female friends tend to do to each others! (fess up ladies, we have ALL BEEN THERE!) Bill Paterson shines as the Reverand Gerald Marsden and Andie McDowell proves that she can be a fine actress when the role is right and she puts her mind to it. (And truly, there is the best "wedding escape" that I have ever seen or dreamed up in this film ... more guts than anyone I have ever known!) You will laugh and you will cry --- ignore any marketing campaigns and how this film is being marketing .... it is a hidden gem that should have done TONNES of box office. (now I have to look around to purchase a copy!)
For all its faults, I found more poignancy in this movie than I expected.
admit that I
purposely avoided this movie because Andie McDowell was in it -- who is a
overrated (though beautiful) actress. I was surprised to discover depth
where she has
never shown it before -- and very subtly, so much so, that it was
I've always enjoyed how many of the English movies I've seen have a tendency to mix comedy, tragedy, and drama in a way that Americans find hard to comprehend. Is not life itself a mix of all these? Do we not have situations so painful that we have to laugh?
I don't want to make this movie more than it was, but I thought it was a sweet, quiet story about a woman who may not have had the chance to find love -- and it comes along unexpectedly, in a very unconventional form. It is rather sad to watch her struggle with her somewhat immature feelings (and as I noted, Andie M. did a superb job) and disbelief over whether she was involved in just a "crush" (ahem, perhaps where the title came from -- surely not, as some reviewer noted, from the fate of one of the characters) or true love. I also enjoyed the genuine concern of her friends -- despite their misguided, and perhaps implausible efforts to dissuade her.
The movie showed how the type of love Kate wanted, may not have been possible in her small community, in the position she held, and with the life she had already created for herself. I thought the writer/director did a fine job of showing her struggle with the implausibility of the relationship she found.
Not the best movie ever made -- but nice to see a film that focuses on friendship, which often gets pushed aside as true love prevails (an implausible plot that movie viewers most want to see -- and who find anything other than true love to be implausible!).
The tag line for "Crush" is "Three female friends behaving badly". I
beg to differ. It's more like three middle-aged women complaining about
men. This won't be enjoyable for many men.
But now on to the good things. It's dramatic, it's sad, it's funny and it combines all those elements with beauty. It's primarily about Kate (Andie MacDowell) trying to find love. MacDowell stands out in this film. She does have two best friends played by Imelda Staunton and Anna Chancellor but to me they were just annoying and continuously acted inappropriately.
But then into Kate's life comes Jed (Kenny Doughty). The entire theatre audience sighed as Doughty appeared on the screen. Very handsome, and he had the smouldering stare down pat as he melted our hearts. I had predicted that he would go on to be a star, and that might still happen, but slowly, as he toils around in some small roles.
The film was shot beautifully with the location in England being spectacular. The filmmakers also made a number of beautiful subtle contrasts to the men in Kate's life. These filmmakers definitely know how to make a great film. Too bad they don't know how to write characters very well. Andie MacDowell's Kate is the only great character, unless you count Kenny Doughty's looks.
"Crush" is not for men, and only for fans of Andie MacDowell, Kenny Doughty and technically superb and beautiful film-making.
Crush wasn't a terrible movie, but it could have been better. Instead
of the great movie it had the potential to be it was a rather average
movie. The film is nicely filmed, with lovely scenery and swift
cinematography. The performances from the three leads Andie McDowell,
Imelda Staunton and Anna Chancellor were believable in their roles, and
there is a decent supporting turn from Bill Patterson. The music is
lovely too, and the direction from first-time director John McKay is
However the film has several failings, namely the weak characterisations despite the actors' stellar performances. The script is implausible at best, and lacked wit. The plot is also predictable and contrived in places, that has been done many times and better, and there are uneven transitions from comedy into tragedy though there are many valiant attempts. There was a scene where Molly says to Kate "I can smell man on you", and I just wondered whether that was rather inappropriate to say that to another woman. There is a lack of chemistry between Kate and Jed, and the conclusion of the film is rather unsatisfying. All in all good, but could have been better. 6/10 Bethany Cox
Having no knowledge of this film prior to seeing it on Rialto Channel I
found it to be a pleasant, poignant and enriching film.
The casting was excellent. I loved all the characters, they were a little exaggerated in places, (but this IS a film). The way it looked and the enjoyably giddy ride the main character took until it turned badly, as real life can and does. Yes, I thought Andy MacDowell was great. I was particularly interested to watch this film once it began because people so often joke about her acting abilities (I find this quite wierd because she's always a solid actress in my opinion).
I loved the bit at the end where Andy's character said "sometimes I feel he was never here" etc., it was so completely how it really is in a situation like that (which I can personally identify with), then there was that gorgeous classical piece "Nocturne" I think by Chopin, which was a beautiful way to end (bar the light comedy at the end, which was probably unnecessary).
I say "well done" to the film makers - I have seen 1,000s of worse films!
Crush provides a combination of drama, humor and such irony that I find the English establish very well when it concerns matters of the heart. Mostly known for directing John McKay wrote this wonderful screenplay about three forty-something friends in a small town in England. All three professional women down-out of luck with men formed a ritual ladies night gathering with gin, fags and sweets intake included with endless chatter of their dates erroneous behavior or the needs of their libidos. Andie MacDowell once again thrown by the surrounds of the British (which is where I find she exudes the most) is absolutely charming as the head mistress of a prestigious school who becomes involved with a younger man. Small town gossip and the disapproving jealous friends (great supporting cast) conflicts with her relationship. Unfolding a series of brutal unfortunate events and showing us the many difficulties when one is in pursuit of true happiness. Keep in mind the main premise of this film is friendships and the ending shows us exactly that. This is the type of film you either love or hate, which is why I believe a lot of mix reviews and not that greatest success resulted when this film was released. As I'm sure most are just unearthing the film now. I very much enjoyed this film and highly recommend for those in the likes of such films as "Love Actually", and "Three Weddings and a funeral". Not to mention the soundtrack is extraordinary perfectly capturing those crucial moments.
This is a refreshing, enjoyable movie. If you enjoyed, "Four Weddings and A Funeral", "Peter's Friends", etc., you will see a number of familiar and talented actors. Made me laugh, made me sad. I view movies for entertainment, and English-set movies generally fit that bill for me. Enjoy!
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