| Photos (See all 39 | slideshow) |
| Andie MacDowell | ... | Kate Scales | |
| Imelda Staunton | ... | Janine | |
| Anna Chancellor | ... | Molly Cartwright | |
| Kenny Doughty | ... | Jed Willis | |
| Bill Paterson | ... | Rev. Gerald Marsden | |
| Caroline Holdaway | ... | Pam | |
| Joe Roberts | ... | Brendan | |
| Josh Cole | ... | PC Darren Blake | |
| Gary Powell | ... | Sergeant | |
| Christian Burgess | ... | Kate's Frenchman | |
| Morris Perry | ... | Bishop | |
| Richenda Carey | ... | Lady Governor | |
| Roger Booth | ... | Hearty Governor | |
| Derek Deadman | ... | Little Crematorium Man | |
| Andrew Bicknell | ... | Mr. Yacht | |
| Jeremy Gittins | ... | Mr. Horse | |
| Timothy Walker | ... | Mr. Bundesbank (as Tim Walker) | |
| Louis Hammond | ... | Mr. Sensitive | |
| John Voce | ... | Boring Martin | |
| Anthony Renshaw | ... | Minicab Driver | |
| Mathilda Thorpe | ... | Stationer | |
| Sarah Rickman | ... | Assistant #1 | |
| Eve Rose Cooper | ... | Assistant #2 | |
| Claire Nicolson | ... | Nurse #1 (as Claire Nicholson) | |
| Elizabeth Hurran | ... | Nurse #2 | |
| David Nicholls | ... | Bill | |
| James Vaughan | ... | Mr. Unspeakable Lying Bastard | |
| Louise Gold | ... | Eleanor | |
| Lauren Stone | ... | Smoking School Girl | |
| Maureen Bennett | ... | Parent | |
| Kevin Sargent | ... | Teacher | |
| Rosie Scanlon Jones | ... | Little Girl in Garden | |
| rest of cast listed alphabetically: | |||
| Greg Bennett | ... | Policeman | |
| Jo Cameron Brown | ... | Wendy (uncredited) | |
| Carlton Jarvis | ... | Casualty Doctor (uncredited) | |
Directed by | |||
| John McKay | |||
Writing credits | ||
| John McKay | (written by) | |
Produced by | |||
| Julia Chasman | .... | executive producer | |
| Elinor Day | .... | co-producer | |
| Hanno Huth | .... | executive producer | |
| Miara Martell | .... | line producer: additional photography (as M. Martell) | |
| Fiona Morham | .... | line producer | |
| Lee Thomas | .... | producer | |
| Paul Webster | .... | executive producer | |
Original Music by | |||
| Kevin Sargent | |||
Cinematography by | |||
| Henry Braham | (director of photography) | ||
Film Editing by | |||
| Anne Sopel | |||
Casting by | |||
| Michelle Guish | |||
Production Design by | |||
| Amanda McArthur | |||
Art Direction by | |||
| John Reid | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Elaine Browne | .... | makeup assistant: dailies, second unit | |
| Sam Broyder | .... | makeup assistant: dailies, second unit | |
| Jane Cole | .... | makeup assistant: dailies, second unit | |
| Christine Greenwood | .... | makeup assistant: dailies, second unit | |
| Tonia Noor | .... | makeup assistant: dailies, second unit | |
| Gill Rees | .... | makeup assistant | |
| Roseann Samuel | .... | hair designer | |
| Roseann Samuel | .... | makeup designer | |
| Allison Sing | .... | makeup assistant (as Alison King) | |
| Karen Sullivan | .... | makeup assistant: dailies, second unit | |
| Tania Wanstall | .... | makeup assistant: dailies, second unit | |
Production Management | |||
| Caroline Hewitt | .... | executive in charge of production: FilmFour | |
| Alistair Hopkins | .... | post-production supervisor | |
Art Department | |||
| Gareth Abbott | .... | props assistant (as Gareth Abbot) | |
| Mark Allett | .... | property master | |
| Gerard Bryan | .... | prop hand (as Ged Bryan) | |
| Ken Burnett | .... | stand-by props: additional photography | |
| Brian Christie | .... | stand-by carpenter | |
| Nick Cosens | .... | dressing props | |
| Joshua Critcher | .... | stand-by props (as Josh Critcher) | |
| Greg Long | .... | stand-by props | |
| Steve Parnell | .... | prop dresser | |
| Shelly Pond | .... | prop buyer | |
| Joe Saunders | .... | prop dresser | |
| Pete Steward | .... | construction manager (as Peter Steward) | |
| Pete Steward | .... | stand-by carpenter (as Peter Steward) | |
| Lucienne Suren | .... | stand-by art director | |
Sound Department | |||
| Paula Boram | .... | foley artist | |
| Richard Finney | .... | boom operator: additional photography (as Richie Finney) | |
| Peter Gleaves | .... | foley mixer | |
| Matthew Gough | .... | assistant dubbing mixer | |
| Terry Isted | .... | foley mixer | |
| Adam Laschinger | .... | sound trainee | |
| Adam Margetts | .... | boom operator | |
| Mike Prestwood Smith | .... | dubbing mixer | |
| Cindy Schwalbe | .... | first assistant sound editor | |
| Steve Schwalbe | .... | supervising sound editor | |
| Nigel Stone | .... | adr supervisor | |
| Nigel Stone | .... | dialogue editor | |
| Jason Swanscott | .... | foley artist | |
| Keith Tunney | .... | production sound mixer | |
| Richard Welsh | .... | dolby sound consultant | |
| Bruce White | .... | sound recordist: additional photography | |
| Harry Barnes | .... | foley editor (uncredited) | |
Visual Effects by | |||
| Jonathan Fawkner | .... | compositor | |
| Gregory Salter | .... | sequence supervisor/compositor | |
Stunts | |||
| Tina Maskell | .... | stunt coordinator | |
Casting Department | |||
| Gaby Kester | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Russell Barnett | .... | wardrobe assistant: dailies/second unit (as Russell Barnet) | |
| Karen Beale | .... | wardrobe assistant: additional photography | |
| Celia Griffiths | .... | assistant costume designer | |
| Polly Lister | .... | wardrobe trainee | |
| Caron Newman | .... | wardrobe assistant | |
| Chrissie Wrench | .... | wardrobe assistant: dailies/second unit | |
Editorial Department | |||
| Diane Bodger | .... | post-production assistant (as Diana Bodger) | |
| Anuree De Silva | .... | film conform editor | |
| Louisa Drysdale | .... | first assistant editor | |
| Katya Jezzard | .... | film conform editor | |
| Tomomi Kitamura | .... | editor trainee | |
| John Stanborough | .... | color grader: laboratory, Technicolor Film Services | |
| Sylvia Wheeler | .... | negative cutter | |
| Louisa Harding | .... | assistant editor (uncredited) | |
Music Department | |||
| Andrew Barnes | .... | music mixer assistant | |
| Simon Changer | .... | music recording assistant | |
| Matt Cullen | .... | music recording assistant | |
| Roo Kawashima | .... | music recording assistant | |
| Jeremy Kimberlin | .... | music supervisor: FilmFour | |
| Steve Parr | .... | music mixer | |
| Nic Raine | .... | conductor (as Nick Raine) | |
| Nic Raine | .... | orchestrator (as Nick Raine) | |
| Mike Ross-Trevor | .... | music recordist (as Mike Ross Trevor) | |
| Dana Sano | .... | music consultant | |
| Kevin Sargent | .... | orchestrator | |
Transportation Department | |||
| Mark Allen | .... | driver: makeup truck | |
| Simon Barker | .... | unit driver | |
| Mathew Byrne | .... | driver: camera truck | |
| Del Cardy | .... | driver: generator tow | |
| Brian Christie | .... | driver: stand-by carpenter truck | |
| Fergus Cotter | .... | unit driver | |
| Jeff Edwards | .... | driver: wardrobe truck | |
| Melvin Kiernan | .... | unit driver | |
| Aiden Lynch | .... | driver: motorhome towing trailer (as Aden Lynch) | |
| Bob McGovern | .... | driver: grip truck | |
| Steve Rogers | .... | unit driver | |
| Graham Ward | .... | driver: dressing prop truck | |
| Adrian York | .... | driver: motorhome towing trailer | |
Other crew | |||
| Giles Bristow | .... | location runner | |
| Mitch Brown | .... | chef | |
| Gus Buchan | .... | floor runner | |
| Trisha Caney | .... | assistant accountant | |
| Valentina Coccia | .... | production assistant: additional photography | |
| Sarah Critchley | .... | legal clearances | |
| John Ensby | .... | laboratory contact: Technicolor Film Services | |
| Leah Foley | .... | stand-in | |
| Linda Gamble | .... | unit publicist | |
| Jeremy Gawade | .... | legal services: Lee & Thompson | |
| Natasha Gormley | .... | production assistant | |
| James Grant | .... | location assistant | |
| Andrew Hildebrand | .... | business affairs: FilmFour | |
| Duncan Iron-Monger | .... | caterer: Hoit Goblins | |
| Rachel James | .... | post-production accountant | |
| Carlton Jarvis | .... | medical advisor: Mediscene | |
| Polly Jefferies | .... | production coordinator | |
| Susanna Lenton | .... | script supervisor | |
| Richard Lever | .... | legal services: Lee & Thompson | |
| Erwan Martineau | .... | location assistant: paris | |
| Vicki Mission | .... | location scout: additional photography | |
| Debbie Moore | .... | production accountant | |
| Mike Noble | .... | production runner | |
| Gail Pattinson | .... | business affairs: FilmFour | |
| Roger Phillips | .... | title designer | |
| Emma Pill | .... | location manager | |
| Eleanor Pitt | .... | assistant: Kevin Sargent | |
| Kristin Rathje | .... | floor runner: dailies/second unit (as Kris Rathje) | |
| Bill Ridealgh | .... | unit nurse: additional photography | |
| Christian Rigg | .... | floor runner | |
| Sherrie Robinson | .... | stand-in | |
| Sharon Saunders | .... | caterer | |
| Rebecca Shepherd | .... | stand-in | |
| Ludo Smolski | .... | assistant to producers | |
| Amanda Street | .... | international sales: FilmFour | |
| Kim Vincent | .... | production runner: additional photography | |
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Crush wasn't a terrible movie, but it could have been better. Instead of the great movie it had the potential to be it was a rather average movie. The film is nicely filmed, with lovely scenery and swift cinematography. The performances from the three leads Andie McDowell, Imelda Staunton and Anna Chancellor were believable in their roles, and there is a decent supporting turn from Bill Patterson. The music is lovely too, and the direction from first-time director John McKay is average.
However the film has several failings, namely the weak characterisations despite the actors' stellar performances. The script is implausible at best, and lacked wit. The plot is also predictable and contrived in places, that has been done many times and better, and there are uneven transitions from comedy into tragedy though there are many valiant attempts. There was a scene where Molly says to Kate "I can smell man on you", and I just wondered whether that was rather inappropriate to say that to another woman. There is a lack of chemistry between Kate and Jed, and the conclusion of the film is rather unsatisfying. All in all good, but could have been better. 6/10 Bethany Cox