IMDb > Michael Jordan to the Max (2000)

Michael Jordan to the Max (2000) More at IMDbPro »

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Michael Jordan to the Max -- Michael Jordan Is Praised as the Greatest Basketball Player of All Time in This Documentary!
Michael Jordan to the Max -- Michael Jordan to the Max


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Release Date:
5 May 2000 (USA) See more »
Up close some heroes get even bigger.
Michael Jordan Is Praised as the Greatest Basketball Player of All Time in This Documentary! | Add synopsis »
1 nomination See more »
User Reviews:
The message doesn't fit the medium See more (13 total) »


  (in credits order)

Michael Jordan ... Himself

Phil Jackson ... Himself
Doug Collins ... Himself
Bob Greene ... Himself

Bob Costas ... Himself
Dean Smith ... Himself
Deloris Jordan ... Herself
Fred Lynch ... Himself
Walter Iooss Jr. ... Himself

Bill Murray ... Himself

Laurence Fishburne ... Narrator (voice)
rest of cast listed alphabetically:
David Falk ... Himself
Ken Griffey Jr. ... Himself
Johnny Kerr ... Himself (as Johnny 'Red' Kerr)
Steve Kerr ... Himself

Spike Lee ... Himself

Willie Mays ... Himself
Stan Musial ... Himself
Jack Ramsay ... Himself

Ahmad Rashad ... Himself

Pat Riley ... Himself

Directed by
Don Kempf 
James D. Stern 
Writing credits
(in alphabetical order)
Jonathan Hock 

Produced by
Debbie Bisno .... associate producer
David Falk .... executive producer
Don Kempf .... producer
Steve Kempf .... producer
Curtis Polk .... executive producer
Adam Silver .... executive producer
Jon Skattum .... line producer
James D. Stern .... producer
Gregg Winik .... executive producer
Original Music by
John Debney 
Cinematography by
John Bailey 
Joe D'Alessandro 
David Kessler 
James Neihouse (director of photography)
Rodney Taylor 
Film Editing by
Jonathan Hock 
Production Management
Leslie Neihouse .... production manager
Donna Skattum .... production manager
Sound Department
Tim Archer .... supervising sound editor
Roderick Beltran .... sound editor
Brian Eimer .... sound designer
Brian Eimer .... sound re-recording mixer
Brian Eimer .... supervising sound editor
Daniel Fernandez .... sound editor
Katherine Lisi .... sound editor
Grant McAlpine .... sound editor
Regan Ramos .... sound editor
Arya Shirazi .... sound editor
Greg Smith .... sound
Michael Stern .... additional recording mixer
Special Effects by
Michael Coulson .... special photographic effects
Visual Effects by
Roy Berkowitz .... visual effects editor
George Borshukov .... research & development
Matt Dessero .... lead bullet-time compositor
Steve Emerson .... digital compositor
Fortunato Frattasio .... visual effects
Kim Libreri .... visual effects supervisor
Carina Ohlund .... visual effects
Dan Piponi .... research and development
Thomas Proctor .... digital compositor
Daniel Sunwoo .... visual effects
Mark H. Weingartner .... visual effects shoot supervisor: Bullet time
Karen Jine .... visual effects production assistant (uncredited)
Brion Porter .... digital film recorder operator (uncredited)
Camera and Electrical Department
Wayne Baker .... assistant camera: VistaVision camera, bullet time
Andy Borham .... first assistant camera
Kevin Boyd .... key video assist operator
Mark Castelaz .... gaffer
Thomas S. Ciciura .... second assistant camera
Joe Gajewski .... key grip
Robert Jolley .... assistant camera
Brian Kelly .... electric
Daniel F. Larkin .... first assistant camera
Andy Lombardo .... second assistant camera
Michelle Mann .... assistant camera
James Matlosz .... first assistant camera
Jim Matlosz .... first assistant camera
Rick Page .... first assistant camera: Utah
Kira Parser .... assistant camera
Darrell B. Sheldon .... dolly grip
Jason Storandt .... key grip
Andy Sydney .... assistant camera
Dan Urbain .... grip
Editorial Department
Philip A. Aromando .... assistant editor
David Keighley .... executive in charge of post-production
Craig Edward Rogers Jr. .... post-production assistant
Music Department
Brad Dechter .... orchestrator
Tom Gire .... musician: piano solo
Camara Kambon .... composer: additional music
Michelle Kuznetsky .... music supervisor (as Michelle Silverman)
Michael Mason .... music score co-producer
Mary Ramos .... music supervisor (as Mary Ramos-Oden)
Ken Ross .... music supervisor
John Sponsler .... score producer
Richard Ziegler .... music editor
Other crew
Mark Baby .... production assistant
Scott Baby .... production assistant
Steven Baby .... production assistant
Debbie Bisno .... associate to producer
Leah Callaghan .... assistant to director
Brandon Crawford .... intern
Leslie Anne Engel .... segment producer
Tom Gire .... electronic loop and design
Marc Kamler .... production assistant
Richard Marzo .... assistant to producer
Ryan Schaetzle .... assistant location manager
Jon Skattum .... unit producer
John Sponsler .... electronic loop and design
Nick Suttner .... production assistant
E. Michael Hewett .... location scout: North Carolina (uncredited)
Joe Hobeck .... special thanks

Production CompaniesDistributorsSpecial Effects

Additional Details

Also Known As:
46 min
Aspect Ratio:
1.44 : 1 See more »

Did You Know?

Factual errors: When the film starts showing a few highlights of Game 3 of the NBA Finals, one of the clips is of Michael Jordan doing a side-to-side (right side of the hoop to the left side of it) reverse move and scoring. This is a move that he did in Game 2 of the 1997 NBA Finals, more than a year earlier. Although the Bulls are playing the Utah Jazz in the same instance, this documentary is supposed to be based on the 1998 season.See more »
Movie Connections:
Super Bon BonSee more »


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1 out of 3 people found the following review useful.
The message doesn't fit the medium, 29 June 2000
Author: debsever

This is a case of trying to fit a nice little picture into the wrong frame. The IMAX screen works wonderfully with expansive sites as was the case with Everest. This film is filmed too close up to make it work for anything except a sore neck or a headache. The only shots that were effective were those wide angle shots of the stadium of the skyline. I could not follow the action under the basket shot from floor level. The images were just too big. Besides this fundamental flaw - it just didn't work - the content felt like one big commercial or promotion. Come on now, using clips of three of Michael's TV ads to show what a great personality he has???? I can see how this project might have taken root. Take a bigger than life superstar and make him even bigger. I sure like Michael, but not because of this piece but in spite of this.

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