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Invincible (2001)

PG-13 | | Drama, War | 17 January 2002 (Germany)
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A Jewish strongman performs in Berlin as the blond Aryan hero Siegfried.

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Cast

Cast overview, first billed only:
...
Herschel Steinschneider / Erik Jan Hanussen
...
Zishe Breitbart
Anna Gourari ...
Marta Farra
...
Master of Ceremonies
Jacob Wein ...
Benjamin Breitbart
Gustav-Peter Wöhler ...
Alfred Landwehr (as Gustav Peter Woehler)
...
Herbert Golder ...
Rabbi Edelmann
Gary Bart ...
Yitzak Breitbart
...
Mother Breitbart
Ben-Tzion Hershberg ...
Gershon
Rebecca Wein ...
Rebecca
Raphael Wein ...
Raphael
Daniel Wein ...
Daniel
Chana Wein ...
Chana
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Storyline

The film is based on the true story of Zishe Breitbart, a Jewish blacksmith's son from Poland who becomes a sensation in Weimar, Berlin as a mythical strongman. His employer Hanussen dreams of establishing an all-powerful Ministry of the Occult in Hitler's government. Yet as Hitler's hold on power grows more sure, and Berlin erupts in a ferment of anti-Semitism, Zishe must decide how he will use his strength. Plagued by nightmares, he takes counsel from a local rabbi. He becomes convinced that he has been chosen by God to warn his people of the grave danger they face. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content and thematic elements | See all certifications »
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Details

Official Sites:

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Release Date:

17 January 2002 (Germany)  »

Also Known As:

Invencible  »

Filming Locations:

 »

Box Office

Opening Weekend:

$14,293 (USA) (20 September 2002)

Gross:

$80,636 (USA) (18 October 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| | (DVD edition)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The actress Anna Gourari who plays the character Marta Faria is an actual world class pianist and plays all the pieces in the movie with out having to fake it at playing the piano. See more »

Goofs

When the story is told about the Japanese man that bet on black and it is said the Japanese man had a 50/50 chance. Roulette tables have a 0 and sometimes a 0 and double 0 which gives the house an advantage. The house always has the odds in their favor, there is never a 50/50 chance. See more »

Quotes

Hanussen: No jew should be as strong as you are.
See more »

Crazy Credits

Thanks to The People of Kuldiga and The People of Vilnius See more »

Connections

Follows Hanussen (1988) See more »

Soundtracks

Sweet and Lovely
(1931)
Music and Lyrics by Gus Arnheim / Neil Moret (as Charles Daniels) / Harry Tobias
Performed by Max Raabe and his Palast Orchestra
Published by EMI Robbins Catalog Inc / Anne Rachel Music / Redwood Music Ltd / Range Road Music / Harry Tobias Music
Courtesy of EMI Music Partnership Musikverlag GmbH/ Greenhorn Musikverlag GmbH/ Warner-Chappell Music GmbH Germany,
Munich/ Chappell & Co GmbH/ Range Road Music/ Harry Tobias Music
See more »

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User Reviews

 
Familiar Herzog
25 November 2002 | by (United States) – See all my reviews

Werner Herzog has always been one of my favorite filmmakers and it was hard to keep up with him when I joined the military so this was the first film of his I have seen in a theater since "Fitzcarraldo". I did like this film but its clearly not one of his best. As I watched this film I could not help but think of the other actors Herzog has used in the past and how they could be cast in this film. Of course Tim Roth would have had Klaus Kinski in his role. Eva Mattes would be Marta who's played by Anna Gourari and how many times has Herzog used a non actor in the lead? The cinematography is terrific and the period is beautifully detailed. The music is by Hans Zimmer and he is a legend but his score doesn't evoke the same haunting sounds that Popol Vuh did. I didn't mind the fact that Jouko Ahola as Zishe cannot act. He really isn't suppose to. Herzog is going for a more realistic response to the complexities of what is going on around him. Herzog has done this before with Bruno S. Tim Roth is excellent and I also liked the charm of Anna Gourari. And its always good to see Udo Kier! This film is certainly not up to "Aguirre" or "Nosferatu" or "Fitzcarraldo" but it is better than "Kaspar Hauser". Not great but its pure Herzog.


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