A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
The Taliban are ruling Afghanistan, they being a repressive regime especially for women, who, among other things, are not allowed to work. This situation is especially difficult for one ... See full summary »
Mohammad Arif Herati
In 1942 British soldier Jack Celliers comes to a Japanese prison camp. The camp is run by Yonoi, who has a firm belief in discipline, honor and glory. In his view, the allied prisoners are ... See full summary »
The film is based on the true story of Zishe Breitbart, a Jewish blacksmith's son from Poland who becomes a sensation in Weimar, Berlin as a mythical strongman. His employer Hanussen dreams of establishing an all-powerful Ministry of the Occult in Hitler's government. Yet as Hitler's hold on power grows more sure, and Berlin erupts in a ferment of anti-Semitism, Zishe must decide how he will use his strength. Plagued by nightmares, he takes counsel from a local rabbi. He becomes convinced that he has been chosen by God to warn his people of the grave danger they face. Written by
Sujit R. Varma
The film is set in 1932, prior to the Nazis coming to power in Germany, yet most of the S.S. and S.A. uniforms show insignia which the Nazis did not use until after Hitler became Chancellor in 1933. See more »
[after outlifting and defeating a circus strongman in hand-to-hand]
I can do more! I can do more!
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Thanks to The People of Kuldiga and The People of Vilnius See more »
Sweet and Lovely
Music and Lyrics by Gus Arnheim / Neil Moret (as Charles Daniels) / Harry Tobias
Performed by Max Raabe and his Palast Orchestra
Published by EMI Robbins Catalog Inc / Anne Rachel Music / Redwood Music Ltd / Range Road Music / Harry Tobias Music
Courtesy of EMI Music Partnership Musikverlag GmbH/ Greenhorn Musikverlag GmbH/ Warner-Chappell Music GmbH Germany,
Munich/ Chappell & Co GmbH/ Range Road Music/ Harry Tobias Music See more »
Werner Herzog's Invincible tells the story of a Polish blacksmith in Nazi Germany who in his provincial integrity thinks he can protect his people after becoming the star at the Palace of the Occult in Berlin, which is overseen by a sinister man who dreams of becoming the Nazis' Minister of the Occult. Much of the movie's uncanny appeal comes from the contrast between the simple-mindedly innocent blacksmith-come-strongman and Tim Roth's wicked Hanussen, who trickles with studied malice. Standing between them is a young woman under Hanussen's mental force, who the strongman loves. The movie is supposedly based on a true story. I can conceive of various ways it could've been told unspectacularly, but Herzog has turned it into a movie in which we mostly have no clue what could possibly happen next.
The movie has the evocativeness of a German silent film, bold in its expressionism and moralistic insistence. Its casting is critical, and intuitively right. Tim Roth is a menacing deceiver, posing as a man with extrasensory abilities, using hocus-pocus and theatrics as he hustles for position within the rising Nazi majority. There's a scene where he hypnotizes the strongman's love interest, and as he stares dauntlessly toward us, I wondered if it was feasible to hypnotize us as well. As for the untrained actor playing the strongman, the camera can look as closely as you like and never see anything insincere.
Herzog always works to push us into the mythic and the mysterious. And here, there are shots of a stark, craggy seashore where the stones are covered with thousands of bright red crabs, all clambering away on their crustaceous errands. As with similar imagery in most of Herzog's other films, there can be no exact interpretation of this. And like most of his other films, Invincible is a unique experience. Herzog has gotten outside the tropes and confines of conventional movie storytelling, and confronts us where our sense of trust and belief keeps its skeletons.
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