The feared bandit Cobra Verde (Klaus Kinski) is hired by a plantation owner to supervise his slaves. After the owner suspects Cobra Verde of consorting with his young daughters, the owner ... See full summary »
About the daring adventure of exploring rainforest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur Falls... See full summary »
On Crete, a wounded German paratrooper named Stroszek is sent to the quiet city of Kos with his wife Nora, a Greek nurse, and two other soldiers recovering from minor wounds. Billeted in a ... See full summary »
In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
This film shows the disaster of the Kuwaitian oil fields in flames. In contrast to the common documentary film there are no comments and few interviews. What must have been the hell itself ... See full summary »
German-American Dieter Dengler discusses his service as an American naval pilot in the Vietnam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Vietcong, recreating many events for the camera.
The film is based on the true story of Zishe Breitbart, a Jewish blacksmith's son from Poland who becomes a sensation in Weimar, Berlin as a mythical strongman. His employer Hanussen dreams of establishing an all-powerful Ministry of the Occult in Hitler's government. Yet as Hitler's hold on power grows more sure, and Berlin erupts in a ferment of anti-Semitism, Zishe must decide how he will use his strength. Plagued by nightmares, he takes counsel from a local rabbi. He becomes convinced that he has been chosen by God to warn his people of the grave danger they face. Written by
Sujit R. Varma
The actual Zishe Breitbart died on October 12 1925, almost eight years before the events of the film. In the film he dies on January 28, 1933, "only two days before Hitler's ascent to power". This inaccuracy is a deliberate choice and should be regarded as "poetic license" on the part of the director. See more »
First of all, i have to state that i'm a big fan of Werner Herzog, I consider him to be one of the greatest and one of the most underrated directors of all time. But let's not waste the time with that and let's get back to the topic.
INVINCIBLE is a drama based on the true story of Zishe Breitbart, a
very strong blacksmith that is discoverd in a Poland village and ends up working for Erik Jan Hanussen (Tim Roth), a "mystic" man who is the leader of a cabaret variety show.
First i have to tell you what didn't work with the movie and than
continue with the things that worked.
* The movie runs 133' (minutes) and yet it gives you a feeling that you haven't seen enough, it leaves you disappointed a bit, but no way you can blame the director... the whole problem stands with the writing... The Screenplay doesn't work, it doesn't center on anything concrete but it tries to include all this long story... starting with Breitbart's being discovered in "this" Poland village after he wrestles this "big dude" etc etc... then he moves in Berlin (after 25+ minutes) and then the interesting story begins... so by all means Herzog disappoints with this clumsy and not so dimensional screenplay... - Something else that didn't work and everyone can notice it, is the acting of Jouko Ahola who plays Zishe Breitbart... his acting is just "dull" and simply "bad", it's one of the factors that hurt the movie in general.
On the other hand:
*/* Hans Zimmer score is good, he is on his level and that serves as a strong element of the movie. +/+ Herzog as the director does a superb job, he does his magic and this serves as the strongest point of the movie, to let us carry on... +/+ Also i have to praise Tim Roth, who delivers a strong performance, even thou he's supporting. No wonder why he has worked with great directors such as Tarantino, Haneke, Wenders, Coppola, Allen etc etc.
THE VERDICT 7/10 - with a better screenplay and someone else in the leading role these one could've been a real contender.
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