In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him ... See full summary »
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed.... See full summary »
Rosie returns to her home city on the death of her father, a former policeman. His diaries hint at corruption, and she also receives hints and veiled threats which support her suspicions. ... See full summary »
Charlotte, a young Scottish woman, who has studied in France, is living in London during World War II. Within weeks she both falls in love with a young pilot and is recruited by the Secret Service to act as a courier for the French Resistance. However her mission behind enemy lines becomes a personal mission to find her lover who has been shot down. Assigned to a Communist Resistance group she encounters acts of betrayal from sometimes unexpected sources, but meets the violence of war and her own disappointment with hope.... Written by
The agreement for the crew to film in Saint-Antonin-Noble-Val, France was that they must allow the local residents to be filmed as extras. Because of this, most of the citizens seen in the Saint-Antonin-Noble-Val shots are real citizens of the town. See more »
In some shots of the departing deportation train, it can clearly be seen that the goods wagons used bear the inscription "UIC St" and a rather long wagon number. Both things belong to the international UIC numbering system, not introduced before 1965. See more »
It all seemed so simple. We were at war. The Nazis were the enemy. And because good must triumph over evil, so we would triumph over them. How could we have know that war ever trades in such certainty? That we are nothing is unthinkable. Anything could be true. Even a lie.
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Charlotte Gray was something of a box-office disaster in the States, which damaged its reputation in the rest of the world. While it's not hard to see why American audiences didn't go for it, it's harder to understand the malice European critics greeted it with. It's a pretty good portrait of resistance infighting (the Communists are setup by the De Gaullists as liberation approaches), local collaboration (the schoolteacher gladly helps the Nazis root out Jewish families) and the nuts and bolts of resistance work. No great heroics or big setpieces, which is probably why it tanked: the big climax is more an emotional risk than the rescue audiences probably wanted. Performances are mostly good - Blanchett is much better than contemporary reviews would have you believe in particular. There are better films, but it's a good movie and for my money better than the alright Lucie Aubrac. I liked it enough to buy the DVD.
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