Two girlfriends visit a big Brazilian beach festival and decide to just let go. They enjoy the music, booze, drugs and on one steamy afternoon even each other. They also meet a young man and things can't be better. Can this paradise last?
Lívia de Bueno
Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all ... See full summary »
Sandro do Nascimento,
Luiz Eduardo Soares
After a prison riot, former-Captain Nascimento, now a high ranking security officer in Rio de Janeiro, is swept into a bloody political dispute that involves government officials and paramilitary groups.
Documentary about Estamira, a 63-year-old woman who's been working for over 20 years at a landfill in Rio de Janeiro. Schizophrenic, but very charismatic, she's the leader of a small ... See full summary »
The field of anthropology goes under the magnifying glass in this fiery investigation of the seminal research on Yanomami Indians. In the 1960s and '70s, a steady stream of anthropologists ... See full summary »
Napoleon A. Chagnon
The most amazing thing about this documentary is that it was made at all, i.e., that the companies that produce charcoal used to make pig iron for (primarily automobile) manufacturers in the US, Europe, and Japan allowed the filmmakers access to the laborers who work for them at all, since they surely would have realized that a documentary about deforestation surely would not have been sympathetic. That having been said, this documentary makes it clear that deforestation is a problem to which there is no easy solution. As devastating as deforestation is, it provides a living to those who perform the work, and, as one worker after another states, this is the only work they can get. (A problem, by the way, that I am sure is not limited to Brazil.) The interviews are especially poignant. We see a lithe 76 year old man working as hard as his younger counterparts. We learn of the exploitation of these workers by some employers. We see a 16 year old wife of one of the workers who looks as if she is 30, with 2 children and another on the way. It also becomes abundantly clear that if deforestation is stopped, something for which the film makes a plea, then the Brazilian government will have to find an alternative for these people. This should not be missed.
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