This optimistic Melissa Etheridge-narrated composition dials up the pixels of a period in history and sees it as a storm of individual memories and personal epiphanies accented by palpable benchmarks like disco, San Francisco, Anita Bryant, Harvey Milk, AIDS, Rock Hudson and the betrayal that was "Don't Ask, Don't Tell." It is illuminating that more than once in this relatively positive and buoyant doc, everyone seems as if to have a particular, inimitable remembrance in which they declare to have understood that their task in the gay movement has reached its fulfillment.
Despite the fact that the ultimate breakdown exposing a documentary that on the whole simmers three decades of the gay rights movement down to disjointed, particular separate acts, it would be unreasonable to consider each remote epiphany in doubt. With expressive, colloquial interviewees like Allison, Larry Kramer, Barbara Gittings, and Charles Ching offering review, isolated moments of clarification come out seemed like t. Nor is it to After Stonewall's detriment to suggest that it pretty much organized itself, and all Scagliotti had to do was keep the pace up in the editing room.
Toward the end of the documentary, the Rev. Troy Perry declares that the most important thing gays and lesbians have done to change the world has been coming out of the closet. In other words, forget all the pride parades, the political lobby efforts, the letters to congressmen, the increasing commercialization of the gay dollar the last piece of the puzzle, both he and the patchwork After Stonewall (alright, and me) seem to be saying, in staving off what could easily turn out to be an extremely lean period in social history for gay rights is to ensure that as many people as possible can put the face of a close individual on the complex, volatile, and nebulous identity of what is so often viciously attacked as "The Gay Agenda."