A film crew are making a Reality TV show about a couple brought together by a dating agency. However, the couple are so incompatible that the crew must manipulate the relationship to get the footage they need.
The Tongan Ninja is sent by his master, to the island of New Zealand to help a floundering Chinese restaurant, but the mysterious Mister Big tries to stop the eatery's way by sending numerous villains.
Sami hilariously transforms into acutely observed and very different characters all living in our country's super city. In season two, Ofa is a welfare case-manager demanding everyone ... See full summary »
Alice (Lynskey) lives in suburban Christchurch, the 'safest place in the world', but she longs for an adventure of American proportions (guns, murder, sex, drugs etc). Her best friend Craig (O'Gorman) changes his name to Johnny because Craig isn't heroic enough for Alice. He is in love with her and waiting for her to settle down so that he can be with her. She likes hanging out with him because of the hot as car he did up himself, a convertible Valiant. Together they roam the roads around SE NZ picking up hitchhikers and looking for excitement. One day they pick up Seth, an American Texas type, with snakeskin boots and a cowboy hat. He is on the run from a gang of skinheads who he stole money from, a Mr. Trippy truck with a couple who he stole a whole crap load of drugs off, and a big Moari dude on a motorcycle. Alice is immediately enchanted by Seth, Johnny jealous. Seth tricks Alice into taking a trip with him. The chase leads them away from their home and toward the hazardous roads... Written by
Kiwis have this really odd approach to our films. We automatically assume that if a film has come from the States, and if it's showing in Hoyts, then it's better than anything ever made in New Zealand, let alone the smelly ol' Mainland.
As Snakeskin aptly shows, this is damn wrong, and it's fitting that it uses the Kiwi appropriation (obsession) with the American Dream as its central theme. In fact, the characters know more about Elvis and Marrilyn ("The patron saints of America guiding us on our journey") than about the small plastic Tiki they have in their car.
It's a very clever, very well directed, *excellent* film. With a kicking soundtrack. This is very important.
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