With World War 2 looming, a prominent family in China must confront the contrasting ideas of traditionalism, communism and Western thinking, while dealing with the most important ideal of all: love and its meaning in society.
McGriff and Albaby are probably doing the worst law enforcement job in the world - they are plain clothes U.S. military policemen on duty in war-time Saigon. However, their job becomes even... See full summary »
Beckman driving a '55 Thunderbird on Route 66 hooks up with Johnny after hoodlum Hoot and his gang shoot his car. Continuous conflicts between Hoot and Beckman make Beckman and Johnny ... See full summary »
A play-based erotic anthology about Manhattan's vibrant, lusty and seedy nightlife and 9 sleazy trysts of the rich and the streetwise New Yorkers. Features Penthouse Pet Corinne Alphen and then unknown Willem Dafoe in a cameo.
Maas and Hosaka are two large Corporations in the future world. They are fighting to get control over the best minds of the world. The best is Hiroshi and at the moment he is working for ... See full summary »
In 1915, T.S. (Tom) Eliot and Vivienne Haigh-Wood elope, but her longstanding gynecological and emotional problems disrupt their planned honeymoon. Her father is angry because Tom's poetry ... See full summary »
In 1938, Ailian is the forty years old wife of a wealthy man, Mr. Wu, who belongs to the traditional Wu Family in China. In order to get rid off her sexual obligations with her husband, Ailian gives Chiuming, a very young concubine to him. Andre is an American priest and doctor who takes care of an orphanage and becomes the tutor of her eighteen years old son Fengmo Wu. Father Andre starts giving classes to Fengmo, Ailian and Chiuming. Then, two forbidden loves will rise: between the priest and the first wife, and between the son and the concubine, having the invasion of China by the Japanese in a big picture. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Am I the only one out here who read 'Pavilion of Women'? This film took a great book and what would have been a fantastic female role and turned them both into porridge. In the book, the relationship between Brother Andre and Madame Wu was that of a wise teacher and a brilliant pupil until, literally, the day he died: it wasn't until that day that she realized that she loved him. Pavilion of Women is not a 'romance': it is the awakening of a woman to her own humanity, and, through the transforming power of love, to the humanity of others, whom she has previously regarded only as problems to be solved or duties to be performed. To turn it into a 'romance' is an insult to the author, Pearl Buck, who, for the record, did not write Harlequin-level trash, and the audience, who would have been quite capable of understanding the story as it was originally written. Whoever's responsible for foisting this 'dumbed-down' mess on the universe should be ashamed of themselves.
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