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High Noon (2000)

TV Movie  -   -  Drama | Western  -  20 August 2000 (USA)
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High Noon tells the story of a lawman named Will Kane (Skerritt) who has just married a young bride, Amy (Thompson), promising to leave his dangerous career and settle down for a quiet life... See full summary »



(magazine story "The Tin Star"), , 2 more credits »
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Title: High Noon (TV Movie 2000)

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Cast overview, first billed only:
Sam Beattie
Matthew Walker ...
Frank C. Turner ...
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Terry King ...
Henry Munchhausen (as Terry M. King)
Kate Newby ...
Janet Munchhausen
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High Noon tells the story of a lawman named Will Kane (Skerritt) who has just married a young bride, Amy (Thompson), promising to leave his dangerous career and settle down for a quiet life. Just as they are about to leave, word comes that a vicious killer Kane had sent to prison years earlier, is coming to town on the noon train seeking vengeance. Kane attempts to rally the town to fight the gunman, but not even his former deputy Harvey (Diamond) is willing to help. Harvey's cowardice infuriates his girlfriend, Helen (Alonso), whose romantic past with both Kane and with the arriving gunman convinces her to pack up and leave town. As the dreaded noon hour approaches, Kane realizes he must stand alone against the coming storm. Written by Anonymous

Plot Summary | Add Synopsis

Plot Keywords:

gunman | deputy | train | killer | bride | See more »


Courage stands alone.


Drama | Western

Motion Picture Rating (MPAA)

Rated PG-13 for some violence and a scene of sensuality | See all certifications »





Release Date:

20 August 2000 (USA)  »

Also Known As:

A Vingança de um Pistoleiro  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:


Aspect Ratio:

1.78 : 1
See  »

Did You Know?


In the opening ride through town, the camera vehicle can be seen in the store windows as they film the reaction from residents. See more »


Will Kane: [after killing one of Miller's men] You should have paid the man, Miller. For dying that hard.
See more »


Remake of High Noon (1952) See more »

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User Reviews

worthy remake
12 March 2014 | by (Ohio/PA border) – See all my reviews

This is a 2000 made-for-TV remake of the 1952 classic Western with Tom Skerritt in the Gary Cooper role. Both films are based on the novel "The Tin Star" by John W. Cunningham.

Skerritt plays just-retired, just-married Marshal Will Kane. He and his bride are informed that a man Kane put in the slammer years ago has been paroled; this owlhoot swore he'd kill Kane when he got out and he's coming in on the noon train. His henchmen are even waiting for him at the train station. Kane and his bride are encouraged to flee for their lives and start their new life together. Why not? -- he's not even a sheriff anymore. But the new Marshal won't arrive for another day or so and something in Kane prevents him from running like a cur with his tail between his legs. He has about an hour and fifteen minutes to marshal up help to make a stand. In addition to all this, his wife is a Quaker who doesn't believe in violence and threatens to leave him if he insists on staying and fighting.

One interesting facet of this Western is that the story plays out in real time. The film runs 88 minutes and Marshal Kane has just over an hour to prepare for the confrontation.

Skerritt does a good job depicting an aging man who is about to face a fight-to-the-death, most likely alone. I'm sure Marshal Kane has better things to do, like enjoy his honeymoon with his beautiful wife (Sussanna Thompson), but his manhood and sense of duty force him to courageously make a stand. This reminds me of times back in High School where I was scheduled to fight someone (after school or whatever). I knew at such-and-such time I was going to face so-and-so and a bunch of people would be watching. The anticipation wasn't fun but my manhood wouldn't let me back down. Of course there's no comparison since Marshal Kane is anticipating a gunfight wherein he could very likely die, not a mere fistfight, but if the anticipation before a fistfight is intense, how much more so a gunfight?

Some criticize the story of "High Noon" on the grounds that it makes the citizens of the average Western town out to be a bunch of cowards but, really, there are no less than four people who are willing to help the Marshal. Many of the others who decline have valid reasons for staying out of the fracas, although some are just plain yella.

Since Kane's new wife is a Quaker the film brings up the idea of total pacifism. While the idea is attractive and I understand her reasoning, total pacifism does not work in this present world. The New Testament does not support the idea of absolute pacifism. It teaches, rather, that pacifism is proper in certain situations and not in others. Jesus' ministry team had a treasury box with loads of money and some of his workers carried swords for protection from thieves and murderers. Also, Romans 13 clearly states that the righteous laws of human governments are God-ordained for the purpose of punishing criminals, including the right to execute when appropriate. Even in cases where pacifism is called for a disciple is not to idly sit on his/her rump but to fight on a spiritual level and overcome evil with good. The vast majority of sane Christians realize this, but there are a few extremists who refuse to be BALANCED with the Scriptures on this subject and insist that conflict and especially armed conflict is NEVER appropriate. Kane's wife in the film is such a person, but perhaps she'll discover the error of her beliefs. In any case, "High Noon" makes an important point: Some people are so morally degenerate and evil that execution is the only just ultimate reaction (notice I said "ultimate").

There are quite a few good parts, e.g. Kane's brief talk with the wife of a coward, the church scene and, of course, the ending gunfight.

As for comparisons to the original film, I have no bias or nostalgia. It's been years since I saw it (the '52 version) so it's not fresh in my memory, but I don't see how this remake pales in comparison as many of the reviewers here contend. This rendition is in color, has a good score, good actors and locations (CL Ranch, Calgary, Alberta). What more do you want? It may not have the cinematic pizazz of modern Theatrical Westerns but, if given the choice between the two, I'd probably choose Skerritt's version over the original. Besides, I loathe black & white.

So, why not a higher rating? Despite the story's potential and the anticipation of the gunfight, something prevents "High Noon" (both versions) from being truly captivating. In fact, it almost has a laid-back vibe. Needless to say, those with ADHD should avoid like the plague. Don't get me wrong, I love great drama and intelligent dialogue-driven stories but something needed done to make it a bit more engrossing and emotionally stirring. Still, this is a very worthwhile Western.


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