André, relatively poor, falls in love with Silvia, a neighbor whom he spies with a telescope. Falling more and more in love with her, he begins to follow her around the city and realizes ... See full summary »
Renata de Lélis,
Short stories revolving around a bar and a hotel in Recife, unveil a mosaic of exotic characters living in the Brazilian underground: a butcher married with an evangelical woman, a ... See full summary »
Brazilian baroque. The young son that ran from his dominant family, descends into decadence and then returns to the nest. With melodramatic themes of tyrannical fathers, incest, fierce ... See full summary »
Luiz Fernando Carvalho
Juliana Carneiro da Cunha
The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small Northeast Brazil town. But when they die, they have to be judged by ... See full summary »
A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs... See full summary »
Cássia Kis Magro
Darlene, earthy and unmarried, returns to the cane fields of Bahia with her young son. There, over time, she balances the pride, desire, jealousy, and tolerance of three men. Osias, an older man, proud of a house he's built, proposes marriage; she accepts. He retires to his hammock, she works hard, and in a few years births a second son, much darker than Osias. Then, he takes in his cousin Zezinho, almost as old as he, a good cook, so Osias is happy. Darlene smiles at Zezinho. Another son arrives, light-skinned like Zezinho. Next, Darlene meets Ciro, young and handsome, and invites him to dinner. Osias insists Ciro stay. When another son arrives, what will the proud Osias do? Written by
This film portrays the life of the Brazilian poor in the arid interior, and that life is hard. You take your pleasures where and when you can. Regina Case gives a vivid performance as the polyamorous wife-lover; she is no more "ugly" than Frances McDormand, Maggie Smith or a host of other actresses who don't do Vogue covers. Gilberto Gil's music is very evocative, it's like an actor in the story.
Finally, I want to praise Lima Duarte's performance as the husband; he knows life is passing him by and death is approaching, so he doesn't let Darlene's sexual habits bother him. It is a very expressive star turn in the Philippe Noiret tradition.
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