Seventy-six-year-old Cuban street musician Miguel Del Morales, known as El Gallo (The Rooster), travels around Cuba with his guitar, making music in the homes of friends, in bars, and on ... See full summary »

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Cast

Credited cast:
Miguel Del Morales ...
Himself
Pepín Vaillant ...
Himself
Mirta Gonzáles ...
Herself
Aníbal Ávila ...
Himself
Alberto Pablo ...
Himself
Armandito Machado ...
Himself
Mario Sanchez Martinez ...
Himself
Zaida Reyte ...
Herself
Gilberto Mendez ...
Himself
Alejandro Almenares ...
Himself
Paisan Mallet ...
Himself
Eulises Sanchez ...
Himself
Carlo Boromeo Planchez ...
Himself
Rest of cast listed alphabetically:
Cándido Fabré ...
Himself
Edit

Storyline

Seventy-six-year-old Cuban street musician Miguel Del Morales, known as El Gallo (The Rooster), travels around Cuba with his guitar, making music in the homes of friends, in bars, and on street corners, in courtyards and stairwells. His rich voice, colored by a lifetime of cigarettes and rum, weathered by the sun and rain, bespeaks the joys and sufferings of his countrymen. An urban troubadour, Del Morales has been called "a living memory of Cuban bolero." Written by Sujit R. Varma

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Documentary | Music

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Release Date:

7 June 2000 (France)  »

Also Known As:

Kubai ritmusok  »

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Box Office

Opening Weekend:

$2,267 (USA) (16 August 2002)

Gross:

$22,071 (USA) (15 November 2002)
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User Reviews

the anatomy of a people...
6 November 2004 | by (United States) – See all my reviews

The anatomy of a people spills out of their music and onto the streets of Cuba in this simple road movie. El Gallo, "the rooster" troubadour singer travels through different parts of Cuba, welcomed by old and new friends alike. No "interviews" or story line of the conventional sense, just heartfelt bravado and slice-of-life charisma flows out of the instruments and vocal chords of these musicians. Its not the destination but the journey that matters in this film.

There are a few poignant scenes: one scene, older musicians improvise songs with ease in a kind of musical cipher called a changui, when a younger kid/ rapper tries to jump in the mix with a few lines but he's not really allowed to continue. Another musician explains tradition to him: in order for the the younger generation to truly learn the music and how to improvise in a changui, they must listen first. The kid reluctantly concedes, but manages to sneak in a few rhymes to be "tested out" in his protest. In another scene, a 70+yr old trumpeter peacefully performs his morning stretching/mediation ritual, trumpet in hand.

Hey, if you're going to watch a devoid European filmmaker explore (and envy) the rich vitality of a people, forget about Buena Vista Social Club folks! At least Dridi leaves Cuban music to the Cubans...Surely not a groundbreaking film but an enlightening journey all the same.


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