| Photos (See all 21 | slideshow) |
| Nien-Jen Wu | ... | N.J. | |
| Elaine Jin | ... | Min-Min | |
| Issei Ogata | ... | Ota | |
| Kelly Lee | ... | Ting-Ting | |
| Jonathan Chang | ... | Yang-Yang | |
| Hsi-Sheng Chen | ... | Ah-Di | |
| Su-Yun Ko | ... | Sherry | |
| Shu-shen Hsiao | ... | Hsiao Yen | |
| Adriene Lin | ... | Li-Li | |
| Pang Chang Yu | ... | Fatty | |
| Ru-Yun Tang | ... | NJ's Mother | |
| Shu-Yuan Hsu | |||
| Hsin-Yi Tseng | ... | Yun-Yun | |
| rest of cast listed alphabetically: | |||
| Josephine A. Blankstein | (as An-an Hsu) | ||
| Yiwen Chen | |||
| Lawrence Ko | ... | The Soldier (as Yulun Ke) | |
| Kai-Li Peng | ... | Cellist in cello concert scene | |
| Tsung Sheng Tang | ... | Blue Shirt | |
| Edward Yang | ... | Pianist in cello concert scene | |
Directed by | |||
| Edward Yang | |||
Writing credits(in alphabetical order) | ||
| Edward Yang | written by | |
Produced by | |||
| Shin'ya Kawai | .... | associate producer | |
| Osamu Kunota | .... | associate producer | |
| Yoshiko Okura | .... | assistant producer | |
| Michiyo Satô | .... | assistant producer | |
| Naoko Tsukeda | .... | associate producer | |
| Wei-yen Yu | .... | associate producer | |
Original Music by | |||
| Kai-Li Peng | |||
Cinematography by | |||
| Wei-han Yang | |||
Film Editing by | |||
| Bo-Wen Chen | |||
Production Design by | |||
| Peng | |||
Makeup Department | |||
| Hua Kao | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| Yu-Hui Wang | .... | assistant director | |
| Shih-Ping Yang | .... | assistant director | |
Sound Department | |||
| Du-Che Tu | .... | sound (as Du-Chih Du) | |
Camera and Electrical Department | |||
| Lung-Yu Lee | .... | gaffer | |
Other crew | |||
| Tony Rayns | .... | subtitles: English | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Taiwan section |
This is without a doubt the best film of 2000, a masterpiece of sublety and understatement. It is long--just under three hours--but during that three hours, the entire range of human experience is covered. It is about life--that's it. But, to make a statement about life, you have to illustrate it with lives, and this Yang does exquisitely. There is a tragic undercurrent running through this film, and while I was watching it I thought of Thoreau's observation that "most men lead lives of quiet desperation." Yet, in spite of the travails the film's characters undergo, it is ultimately a work of affirmation. This is about as good as the art of cinema can get.