Yi yi (2000)

Director:

Edward Yang

Writer:

Edward Yang (written by)

Release Date:

20 September 2000 (France)

Genre:

Drama | Music | Romance

Plot:

Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries...

Plot Keywords:

Love | Neighbor | Money | Coma | First Love

Awards:

9 wins & 11 nominations

Cast

Nien-Jen Wu	...	N.J.
Elaine Jin	...	Min-Min
Issei Ogata	...	Ota
Kelly Lee	...	Ting-Ting
Jonathan Chang	...	Yang-Yang
Hsi-Sheng Chen	...	Ah-Di
Su-Yun Ko	...	Sherry
Shu-shen Hsiao	...	Hsiao Yen
Adriene Lin	...	Li-Li
Pang Chang Yu	...	Fatty
Ru-Yun Tang	...	NJ's Mother
Shu-Yuan Hsu
Hsin-Yi Tseng	...	Yun-Yun
rest of cast listed alphabetically:
Yiwen Chen
An-an Hsu
Yue-Lin Ko	...	The Soldier (as Ke Yulun)
Kai-Li Peng	...	Cellist in cello concert scene
Congsheng Tang	...	Blue Shirt
Edward Yang	...	Pianist in cello concert scene

Also Known As:

Yan Yan - Natsu no omoide (Japan)
Yi yi: A One and a Two... (International: English title)

Runtime:

173 min

Country:

Taiwan | Japan

Language:

Mandarin | Taiwanese | Hokkien | English | Japanese

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Portugal:M/12 | Finland:S | France:U | Germany:6 | Hong Kong:IIA | South Korea:All | Spain:13 | Sweden:7 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:15 | USA:Not Rated | Singapore:PG

Filming Locations:

Taipei City, Taiwan

Company:

AtomFilms

Trivia:

Chosen by "Les Cahiers du cinéma" (France) as one of the ten best pictures of 2000 (#7, tied with The Virgin Suicides (1999)).

Movie Connections:

References Wild Wild West (1999)

Soundtrack:

A Smile in Hand

About as good as film can get

This is without a doubt the best film of 2000, a masterpiece of sublety and understatement. It is long--just under three hours--but during that three hours, the entire range of human experience is covered. It is about life--that's it. But, to make a statement about life, you have to illustrate it with lives, and this Yang does exquisitely. There is a tragic undercurrent running through this film, and while I was watching it I thought of Thoreau's observation that "most men lead lives of quiet desperation." Yet, in spite of the travails the film's characters undergo, it is ultimately a work of affirmation. This is about as good as the art of cinema can get.