| Photos (See all 83 | slideshow) | Videos (see all 7) |
| John Travolta | ... | Gabriel Shear | |
| Hugh Jackman | ... | Stanley Jobson | |
| Halle Berry | ... | Ginger Knowles | |
| Don Cheadle | ... | Agent J.T. Roberts | |
| Sam Shepard | ... | Senator James Reisman | |
| Vinnie Jones | ... | Marco | |
| Drea de Matteo | ... | Melissa | |
| Rudolf Martin | ... | Axl Torvalds | |
| Zach Grenier | ... | Assistant Director Bill Joy | |
| Camryn Grimes | ... | Holly Jobson | |
| Angelo Pagan | ... | Torres (as Angelo Pagán) | |
| Chic Daniel | ... | SWAT Leader | |
| Kirk B.R. Woller | ... | Axel's Lawyer | |
| Carmen Argenziano | ... | Agent | |
| Tim DeKay | ... | Agent | |
| Laura Lane | ... | Helga | |
| Tait Ruppert | ... | Ad Agency Executive | |
| Craig Braun | ... | Coroner | |
| William Mapother | ... | Gabriel's Crew | |
| Ilia Volok | ... | Gabriel's Crew | |
| Jonathan Fraser | ... | Gabriel's Crew | |
| Shawn Woods | ... | Gabriel's Crew | |
| Leo Lee | ... | Gabriel's Crew | |
| Marina Black | ... | Hostage | |
| Kerry Kletter | ... | Hostage | |
| Ryan Wulff | ... | Hostage | |
| Ann Travolta | ... | Hostage | |
| Margaret Travolta | ... | Hostage | |
| Dana Hee | ... | Hostage | |
| Denney Pierce | ... | Hostage | |
| Jeff Ramsey | ... | Hostage | |
| Joey Box | ... | Hostage | |
| Debbie Evans | ... | Hostage | |
| Sam Travolta | ... | Hostage (as Samuel J. Travolta) | |
| Tim Storms | ... | Hostage | |
| Jason Christopher | ... | Club Kid | |
| Jonathan Pessin | ... | Club Kid | |
| Scott Burkholder | ... | FBI Geek | |
| Mark Soper | ... | FBI Geek | |
| Craig Lally | ... | Customs Agent | |
| Rusty McClennon | ... | Customs Agent | |
| Mark Riccardi | ... | Customs Agent | |
| Debbie Entin | ... | Helga's Friend | |
| Natalia Sokolova | ... | Helga's Friend | |
| Anika Poitier | ... | Helga's Friend | |
| Nick Loren | ... | Dark Suit | |
| Tom Morris | ... | Policeman | |
| Richard Householder | ... | Policeman | |
| Michael Arias | ... | Policeman | |
| Brenda Eimers | ... | Holly's Teacher | |
| Timothy Omundson | ... | Agent Thomas | |
| Astrid Veillon | ... | Bank Executive | |
| Dean Rader-Duval | ... | Security Guard (as Dean Rader Duval) | |
| rest of cast listed alphabetically: | |||
| George A. Chase | ... | Bystander (uncredited) | |
| Corinne Chooey | ... | Hostage (uncredited) | |
| Russ Cootey | ... | School Guard (uncredited) | |
| Mark Donnell | ... | Bar Fighter (uncredited) | |
| Tate Donovan | ... | Senator Reisman's Assistant (uncredited) | |
| Sierra Farber | ... | Little Girl (uncredited) | |
| Mimi Fletcher | ... | (uncredited) | |
| Andrew Lakey | ... | Officer (uncredited) | |
| Alex Morissen | ... | Nightclub Character (uncredited) | |
| Cory Parella | ... | Nightclub Goer (uncredited) | |
| Gary Rodriguez | ... | Precision Driver (uncredited) | |
| Travis Rosario | ... | School Child (uncredited) | |
| George Marshall Ruge | ... | Advertising Executive (uncredited) | |
| Kevin F. Sherry | ... | Los Angeles Times Reporter (uncredited) | |
Directed by | |||
| Dominic Sena | |||
Writing credits(WGA) | ||
| Skip Woods | (written by) | |
Produced by | |||
| Bruce Berman | .... | executive producer | |
| Dan Cracchiolo | .... | co-producer | |
| Anson Downes | .... | associate producer | |
| Linda Favila | .... | associate producer | |
| Jonathan D. Krane | .... | producer | |
| Joel Silver | .... | producer | |
| Jim Van Wyck | .... | executive producer | |
| Skip Woods | .... | co-producer | |
| Paul Winze | .... | producer (uncredited) | |
Original Music by | |||
| Paul Oakenfold | |||
| Christopher Young | |||
Cinematography by | |||
| Paul Cameron | (director of photography) | ||
Film Editing by | |||
| Stephen E. Rivkin | (as Stephen Rivkin) | ||
Casting by | |||
| Lora Kennedy | |||
Production Design by | |||
| Jeff Mann | |||
Art Direction by | |||
| Geoff Hubbard | |||
| Andrew Laws | |||
| Jeff Wallace | |||
Set Decoration by | |||
| Jay Hart | |||
Costume Design by | |||
| Ha Nguyen | |||
Makeup Department | |||
| Joseph 'Neeko' Abriol | .... | hair stylist: Halle Berry | |
| Sheryl Blum | .... | hair stylist | |
| Mary Burton | .... | makeup artist: Halle Berry | |
| Michelle Bühler | .... | makeup artist: Mr. Travolta (as Michelle Buhler) | |
| Debra Coleman | .... | makeup artist | |
| Mindy Hall | .... | makeup supervisor | |
| Rob Hinderstein | .... | special makeup effects artist | |
| Susan V. Kalinowski | .... | hair stylist: Mr. Travolta (as Sue Kalinowski) | |
| Mary L. Mastro | .... | key hair stylist (as Mary Mastro) | |
| Steven R. Soussanna | .... | hair stylist | |
| Christien Tinsley | .... | key makeup artist | |
| Barbara Wilder | .... | hair stylist | |
| Cheryl Ann Nick | .... | makeup artist (uncredited) | |
| Eden Orfanos | .... | makeup artist (uncredited) | |
Production Management | |||
| Frédéric Bovis | .... | production manager (as Frederick Bovis) | |
| Mark Scoon | .... | executive in charge of production | |
| Ronald G. Smith | .... | unit production manager | |
| Elizabeth Miller Gavcus | .... | post-production executive (uncredited) | |
Second Unit Director or Assistant Director | |||
| Dan Bradley | .... | second unit director | |
| Katie Carroll | .... | second second assistant director | |
| Mark Cotone | .... | first assistant director (as Mark G. Cotone) | |
| John Elmore | .... | second assistant director | |
| Christina Fong | .... | second assistant director | |
| Basil Grillo | .... | second second assistant director | |
| Gil Kenny | .... | assistant director | |
| Jayson Merrill | .... | second assistant director: second unit | |
| Craig A. Pinckes | .... | first assistant director: second unit (as Craig Pinckes) | |
| Lisa C. Satriano | .... | first assistant director: second unit (as Lisa Satriano) | |
| Nick Satriano | .... | second assistant director: second unit | |
| Robert 'Skid' Skidmore | .... | dga trainee | |
| Nicholas Wolfert | .... | second assistant director: second unit | |
Visual Effects by | |||
| James Balsam | .... | motion control camera operator | |
| Peter Baustaedter | .... | digital matte painter | |
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor | |
| Chris Bond | .... | visual effects supervisor: Frantic Films | |
| Jason Booth | .... | rotoscope artist | |
| Kristen Branan | .... | executive producer: digital.art.media | |
| Serena Chang | .... | texture artist | |
| Patrick Clancey | .... | digital compositor: The Post Group | |
| Bill Coffin | .... | digital compositor | |
| Michael Condro | .... | visual effects | |
| Andrea D'Amico | .... | visual effects producer: R!OT Pictures | |
| Avishkar Dahiya | .... | president: Digital Art Media | |
| Mitchell S. Drain | .... | visual effects supervisor: Digital.Art.Media | |
| Conrad Dueck | .... | 3D lead/supervisor | |
| Dennis Fitzsimmons | .... | digital effects artist | |
| Adam Francis | .... | motion control technician | |
| Derry Frost | .... | director of production: Amalgamated Pixels | |
| Gina Galvan | .... | digital effects producer | |
| Jared Gray | .... | production assistant: digital.art.media | |
| Rhonda C. Gunner | .... | visual effects producer (as Rhonda Gunner) | |
| Jongwoo Heo | .... | visual effects | |
| Mark Intravartolo | .... | digital compositor | |
| Joni Jacobson | .... | digital compositor | |
| Oded Yosef Kassirer | .... | digital artist (as Oded Kassirer) | |
| Joe Ken | .... | digital compositor | |
| Scott Kirvan | .... | technical advisor | |
| Marc Kolbe | .... | visual effects supervisor: Digital.Art.Media | |
| Sean Konrad | .... | digital compositor | |
| Richard Kratt | .... | digital compositor | |
| Ken Lam | .... | digital compositor | |
| Don Lee | .... | digital compositor | |
| Spencer Levy | .... | digital artist | |
| Tom Mahoney | .... | digital compositor | |
| Matt McFarland | .... | scanning & recording manager | |
| Rob Meyers | .... | visual effects | |
| Michael Morreale | .... | executive producer: Amalgamated Pixels Inc. | |
| Craig A. Mumma | .... | visual effects supervisor: Digital.Art.Media | |
| Jaime Norman | .... | visual effects coordinator | |
| Josh Novak | .... | lead compositor: main title sequence | |
| Jeremy Oddo | .... | digital artist | |
| Phillip Palousek | .... | visual effects coordinator: Amalgamated Pixels Inc. | |
| Marco S. Paolini | .... | digital compositor | |
| Rocco Passionino | .... | digital effects supervisor: Visionart | |
| Brad Pitre | .... | digital artist | |
| Rafe Sacks | .... | digital compositor | |
| Gregory S. Scribner | .... | digital artist | |
| Michael Shand | .... | 2D lead: Frantic Films | |
| Boyd Shermis | .... | visual effects supervisor | |
| Mark Shoaf | .... | digital artist | |
| Bridget M. Taylor | .... | digital artist: Digital Art Media/Vision Art | |
| Esdras Varagnolo | .... | lead digital artist | |
| Archie Villaverde | .... | digital artist | |
| Chad Wiebe | .... | visual effects: Frantic Films | |
| Ken Zorniak | .... | visual effects producer | |
| David Alexander | .... | digital artist (uncredited) | |
| Tom Baker | .... | digital effects coordinator (uncredited) | |
| Matt Broeska | .... | CG artist (uncredited) | |
| Jordan Byrne | .... | assistant visual effects coordinator: Amalgamated Pixels, Inc. (uncredited) | |
| Brenda Campbell | .... | digital compositor (uncredited) | |
| Marla Carter Barrett | .... | Flame compositor: The Post Group (uncredited) | |
| Paolo deGuzman | .... | digital artist: TSL (uncredited) | |
| Sam Edwards | .... | digital compositor (uncredited) | |
| Robert Green | .... | digital artist (uncredited) | |
| Kyle J. Healey | .... | technical assistance: TSL (uncredited) | |
| Todd Isroelit | .... | visual effects producer: TSL (uncredited) | |
| Jon-Marc Kortsch | .... | digital artist (uncredited) | |
| Mark Lipsmeyer | .... | tracker/matchmover: VisionArt/digital.art.media (uncredited) | |
| Erin May | .... | visual effects producer: Post Logic (uncredited) | |
| Didier Muenza | .... | tech support (uncredited) | |
| Kate Neumann | .... | executive assistant: Digital.Art.Media (uncredited) | |
| Michael Pecchia | .... | digital compositor (uncredited) | |
| Travis Price | .... | digital artist (uncredited) | |
| Marc Scott | .... | digital compositor (uncredited) | |
| James D. Tittle | .... | facility manager: digital.art.media (uncredited) | |
| Chris 'Willie' Williams | .... | digital artist (uncredited) | |
| Deborah Wiltman | .... | digital compositor (uncredited) | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
| Belinda Gardea | .... | casting associate | |
Costume and Wardrobe Department | |||
| Charlene Amateau | .... | costume supervisor | |
| Elena Balshem | .... | costumer | |
| James P. Cullen | .... | costumer: Mr. Travolta (as Jim Cullen) | |
| Carol Demarti | .... | head dyer and ager | |
| Perri Kimono | .... | key costumer | |
| Bob Moore Jr. | .... | set costumer | |
| Lisa D. Quercioli | .... | costumer: Halle Berry (as Lisa Quercioli) | |
Editorial Department | |||
| Catherine Chase | .... | first assistant editor: film | |
| Brigitte Daloin | .... | assistant editor | |
| Janice Friedman | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Ian Slater | .... | first assistant editor | |
| Kurt Smith | .... | color timer | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Bruce Babcock | .... | orchestrator | |
| Samantha Barker | .... | assistant to composer | |
| Tom Boyd | .... | musician: oboe soloist | |
| Kostas Christides | .... | orchestrator (as Konstantinos Christides) | |
| Kostas Christides | .... | score coordinator (as Konstantinos Christides) | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Andrew Dorfman | .... | music editor | |
| Robert Fernandez | .... | scoring mixer | |
| M.B. Gordy | .... | musician: Percussion | |
| Paul S. Henning | .... | orchestrator | |
| Tanya Noel Hill | .... | music editor | |
| Jon Kull | .... | orchestrator | |
| Bill Liston | .... | orchestrator | |
| Gerard K. Marino | .... | music producer: electronic score | |
| Thomas Milano | .... | music editor | |
| Flavio Motalla | .... | score producer | |
| Don Nemitz | .... | orchestrator | |
| Paul Oakenfold | .... | music supervisor | |
| Steven L. Smith | .... | music preparation | |
| Jasper Randall | .... | scoring coordinator: Christopher Young (uncredited) | |
| Gernot Wolfgang | .... | scoring coordinator (uncredited) | |
Transportation Department | |||
| Steve Bonner | .... | driver: special equipment | |
| Alberto Coto | .... | driver | |
| Vic Cuccia | .... | transportation captain | |
| Bruce Fox | .... | transportation | |
| James R. Guillory | .... | insert car driver | |
| Buck Holland | .... | driver | |
| William P. Lafon | .... | driver | |
| Leo Landa | .... | driver: insert car | |
| Randy Luna | .... | driver | |
| Kenneth Newland | .... | driver | |
| Jim Petti | .... | transportation | |
| Dan Romero | .... | transportation coordinator | |
| Michael Sean Ryan | .... | transportation co-captain | |
| William Smallwood | .... | rigging electric driver | |
| Jay Thompson | .... | driver | |
| Erik Von Hof | .... | picture car department | |
| Randy White | .... | picture car coordinator | |
| Dean Winton | .... | driver | |
| Bill Young | .... | precision driver coordinator | |
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| The Dark Knight | Bad Boys II | Salt | The A-Team | The Professional: Golgo 13 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Swordfish was one of my anxiously awaited summer flicks. And after seeing it a couple hours ago, I am not at all disappointed. It's been awhile since I've seen a truly enjoyable, mature action movie. With the slew of PG-13 action movies of recent years, it's refreshing to see one that at least acknowledges that many intense situations do involve language, sex, and mixed character reactions - it wasn't just another black and white, good and bad movie where the good guy does only good things and the bad guy has only evil intentions. The good guy (Jackman) didn't always do the right thing, and the bad guy (Travolta) could hardly be accused of sinister motives.
The film starts off with a bang ... literally. A big-time action sequence to get out attention, then a flashback to show how the climax of the film came to pass. The out-of-order editing was actually effective and interesting, rather than seeming like yet another failed attempt to mimic Pulp Fiction and those other movies that brought attention to the idea of showing a film out of chronological order.
Jackman was great as computer hacker Stanley Jobson, devoted father who just happened to get brought down for computer-related felonies after hacking into and making public an FBI e-mail surveillance operation. Forbidden to even touch a computer for the rest of his days, he is lured back into the life by Travolta, who offers him $100,000 just to meet him (and take an interesting version of an initiation). Jackman is quickly becoming Hollywood A-list material, and with his performance in Swordfish, it's easy to see why. He can keep up with the smooth-talking, fast-moving Travolta as well as show enough emotion to make him seem like a real person and not just a run-of-the-mill action hero.
The plot of the film is fantastic. It's not just a typical heist film, or action plot where the hero has to save the hostages, blowing the hell out of the bad guys in the process. The plot is complex, interwoven, and has a point. The plot was crucial to keeping interest during the slow parts of the film. Starting out with an action sequence carries the danger of losing audience interest if not followed up by more and more action. Thankfully, the plot manages to retain interest during those points in the film where things aren't exploding and buses aren't flying through metropolitan airspace, suspended from a heavy loading chopper.
The best part about this film was the interractions between the characters. Stanley is a smart guy, and Gabriel's smarter. Just when Stanley (and the audience) thinks they have Gabriel in a tight spot, he'll surprise everyone with some improvised ingenuity. There are so many films in the action genre that result to dumbing down the smart villains, just so the hero of the story will look good when he comes up with a relatively weak solution to the complex plot. The villains often slip up or make some kind of fatal faux pas in judgment that allows the hero to triumph. There's none of that here. The hero and villain are both smart, and both stay that way until the very end.
This is a great summer movie. See it. See it twice or three times, even. If you're looking for high art or something that really speaks to you and changes the way you see the world, don't see it. But if you want to see a movie for the sake of entertainment and having a good time, Swordfish is the movie to go to. If Swordfish is any indication of the rest of this summer's big action blockbusters, we're certainly in good shape this year.