A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
In order to foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan turns from bad to worse when the same criminal impersonates the cop.
Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads,... See full summary »
When the DEA shut down its dummy corporation operation codenamed SWORDFISH in 1986, they had generated $400 million which they let sit around; fifteen years of compound interest has swelled it to $9.5 billion. A covert counter-terrorist unit called Black Cell, headed by the duplicitious and suave Gabriel Shear, wants the money to help finance their raise-the-stakes vengeance war against international terrorism, but it's all locked away behind super-encryption. He brings in convicted hacker Stanley Jobson, who only wants to see his daughter Holly again but can't afford the legal fees, to slice into the government mainframes and get the money. Written by
Jeff Cross <email@example.com>
At one point during Stanley's attempt to hack into the Department of Defense database, his screen shows six numbers that appear to be IP addresses. (The first is 213.225.312.5.) The numbers between decimal points in an IP address, called "octets", are decimal representations of 8-bit numbers (8 binary digits of either 0 or 1). Therefore, the range of decimal numbers for an octet is 0 to 255, because 11111111 in binary is 255 in decimal. The IP addresses on Stanley's screen each contain one octet higher than 255 (such as 312 in the first example), which is apparently the filmmakers' way of ensuring that no one's real IP address appeared. See more »
When hacker Axl Torvalds presents his passport to the customs officer it clearly shows the Bundesadler watermark. The second customs officer then finds the second passport which also has the Bundesadler watermark. Yet, when the first customs officer holds up both passport, one has the watermark and the other doesn't. The unmarked passport was not seen until that moment. See more »
You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic ...
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The opening studio logos for Warner Bros and Village Roadshow Productions flicker as if they were on a problematic computer screen. Other than those logos and the movie's title, there are no opening credits. See more »
What is the highest pressure job interview you've ever had?
Well, Stanley Jobson (Hugh Jackman) a convicted Hacker, fresh out of prison and desperate to see his daughter again, can beat you, i'll bet on it. He has to hack into the FBI Computers in a fairly public place, with a gun to his head and a beautiful woman performing an act of Felacio on him, and he has just one minute to do it. (A Great Scene, Not Explict, just cool)
Anyway, he is recruited by John Travolta to hack into a dormant DEA Fund worth 9.5 Billion Dollars to finance his terrorist activities.
Full of Slick Dialogue, cool Direction and the simply gorgeous Halle Berry, this turns out to be a very enjoyable Thriller, with some clever twists (some of which don't quite work) but are forgivable anyway.
Not a classic, but a good film none the less. 8/10
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