A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
In order to foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan turns from bad to worse when the same criminal impersonates the cop.
Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads,... See full summary »
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
When the DEA shut down its dummy corporation operation codenamed SWORDFISH in 1986, they had generated $400 million which they let sit around; fifteen years of compound interest has swelled it to $9.5 billion. A covert counter-terrorist unit called Black Cell, headed by the duplicitious and suave Gabriel Shear, wants the money to help finance their raise-the-stakes vengeance war against international terrorism, but it's all locked away behind super-encryption. He brings in convicted hacker Stanley Jobson, who only wants to see his daughter Holly again but can't afford the legal fees, to slice into the government mainframes and get the money. Written by
Jeff Cross <email@example.com>
During the surveillance of Gabriel's house, when the pictures later sent to the senator are taken, we see three freezes of the image, ostensibly the pictures being taken - between each freeze frame, the W-T indicator in the bottom left corner of the image moves. That indicator shows the state of zoom of the camera (Wide-Tele), so since the indicator moves towards the W, the picture should zoom out, which it doesn't. See more »
You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic ...
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The last credit reads "Final Password: Vernam", which is part of the website game. (See Trivia). A Vernam cypher is a method of encrypting a message. See more »
Here's a film I really liked the first time, and was totally turned off on the second viewing as the Hollywood bias machine was in high gear again, and you can guess in what director (left or right). Anyway, two things remained the same: John Travolta as "Gabriel Shear" was riveting as an anti-terrorist terrorist. The explosion scene where people are flying sideways is awesome, particularly in the sound department if you have surround system. Oh, and yes, Halle Berry and her figure was on display in this film and quite a sight. Wowzer!
Some of this script is a takeoff on Dog Day Afternoon, which Travolta's character re-enacts a role from that famous '70s film. "Shear" talks about that movie during the film.
I almost got discouraged watching this in the first half hour because there is so much computer terminology that I was lost. However, if you find yourself in a similar spot, take heart because that that ends after that first 30 minutes and is no longer a problem.
Credibility and bias aside, it's still a fun movie for at least one viewing, with that early bomb scene most memorable.
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