A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
In order to foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan turns from bad to worse when the same criminal impersonates the cop.
Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads,... See full summary »
When the DEA shut down its dummy corporation operation codenamed SWORDFISH in 1986, they had generated $400 million which they let sit around; fifteen years of compound interest has swelled it to $9.5 billion. A covert counter-terrorist unit called Black Cell, headed by the duplicitious and suave Gabriel Shear, wants the money to help finance their raise-the-stakes vengeance war against international terrorism, but it's all locked away behind super-encryption. He brings in convicted hacker Stanley Jobson, who only wants to see his daughter Holly again but can't afford the legal fees, to slice into the government mainframes and get the money. Written by
Jeff Cross <email@example.com>
In the scene where Axl Torvalds arrives at the airport, the customs officer checks his passports: one is a German one and the other a Finnish passport. See more »
When they all leave the bank and get on the bus. Gabriel says "No one wants a repeat of what happened this morning. Keep your distance. Clear the airspace for five miles." Ok, so how can the big helicopter get in that restricted airspace, then get to the freeway to pick up the bus without being intercepted? Even if it was parked on top of a building 7 blocks from the bank before the bank robbery/hostage incident took place, as soon as it took off, LAPD helicopters would order it out of the area, by force if they had to. See more »
You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic ...
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The opening studio logos for Warner Bros and Village Roadshow Productions flicker as if they were on a problematic computer screen. Other than those logos and the movie's title, there are no opening credits. See more »
I think people have been a little to harsh on this movie. No it is not revelatory but it is a nice glossy diversion. The all-star cast, especially Hugh Jackman, is more than competent though they aren't really challenged. There are enough special effects and stunts intermixed with a fairly compelling narrative (it is not confusing if you just pay attention) to make the film more than worthwhile. Overall good entertainment, 7/10.
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