A secretive renegade counter-terrorist co-opts the world's greatest hacker (who is trying to stay clean) to steal billions in US Government dirty money.
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Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Director:
Tony Scott
Stars:
Denzel Washington,
John Travolta,
Luis Guzmán
John McClane and a Harlem store owner are targeted by German terrorist Simon Gruber in New York City, where he plans to rob the Federal Reserve Building.
Director:
John McTiernan
Stars:
Bruce Willis,
Jeremy Irons,
Samuel L. Jackson
John McClane, officer of the NYPD and hero of the Nakatomi Hostage Crisis, attempts to avert disaster as rogue military officials seize control of Dulles International Airport in Washington, D.C.
Director:
Renny Harlin
Stars:
Bruce Willis,
Bonnie Bedelia,
William Atherton
When the DEA shut down its dummy corporation operation codenamed SWORDFISH in 1986, they had generated $400 million which they let sit around; fifteen years of compound interest has swelled it to $9.5 billion. A covert counter-terrorist unit called Black Cell, headed by the duplicitious and suave Gabriel Shear, wants the money to help finance their raise-the-stakes vengeance war against international terrorism, but it's all locked away behind super-encryption. He brings in convicted hacker Stanley Jobson, who only wants to see his daughter Holly again but can't afford the legal fees, to slice into the government mainframes and get the money. Written by
Jeff Cross <blackjac_1998@yahoo.com>
John Travolta turned down the part of Gabriel a total of six times. He changed his mind when he heard director Dominic Sena's take on it. See more »
Goofs
When Stanley is talking to his ex-wife Melissa on the phone, the length of her cigarette changes several times. See more »
Quotes
[first lines]
Gabriel:
You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic ...
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Crazy Credits
The opening studio logos for Warner Bros and Village Roadshow Productions flicker as if they were on a problematic computer screen. Other than those logos and the movie's title, there are no opening credits. See more »
I thought the script was too predictable. The sexual content and nudity served no purpose in the plot whatsoever and were total distractions from the plot. The boob scene was obviously JUST a boob scene that did not enhance or move the story forward in any way. The same for the oral sex scene which shows up in the first 15 minutes.
3 of 4 people found this review helpful.
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I thought the script was too predictable. The sexual content and nudity served no purpose in the plot whatsoever and were total distractions from the plot. The boob scene was obviously JUST a boob scene that did not enhance or move the story forward in any way. The same for the oral sex scene which shows up in the first 15 minutes.