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Swordfish (2001)

 -  Action | Crime | Thriller  -  8 June 2001 (USA)
6.5
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Ratings: 6.5/10 from 141,741 users   Metascore: 32/100
Reviews: 531 user | 166 critic | 33 from Metacritic.com

A secretive renegade counter-terrorist co-opts the world's greatest hacker (who is trying to stay clean) to steal billions in US Government dirty money.

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Title: Swordfish (2001)

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Cast

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Torres (as Angelo Pagán)
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Storyline

When the DEA shut down its dummy corporation operation codenamed SWORDFISH in 1986, they had generated $400 million which they let sit around; fifteen years of compound interest has swelled it to $9.5 billion. A covert counter-terrorist unit called Black Cell, headed by the duplicitious and suave Gabriel Shear, wants the money to help finance their raise-the-stakes vengeance war against international terrorism, but it's all locked away behind super-encryption. He brings in convicted hacker Stanley Jobson, who only wants to see his daughter Holly again but can't afford the legal fees, to slice into the government mainframes and get the money. Written by Jeff Cross <blackjac_1998@yahoo.com>

Plot Summary | Plot Synopsis

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Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language and some sexuality/nudity | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

8 June 2001 (USA)  »

Also Known As:

Passwort: Swordfish  »

Filming Locations:

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Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

$220,064 (Austria) (2 November 2001)

Gross:

$30,393,888 (Europe) (16 November 2001)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

John Travolta turned down the part of Gabriel a total of six times. He changed his mind when he heard director Dominic Sena's take on it. See more »

Goofs

Marco holds a gun to Stanley's head in the nightclub hacking-under-pressure scene. In the shots looking upward at Marco, he is holding the gun with just his right hand. In the closeup shots of Stanley, Marco is holding the gun with both hands. See more »

Quotes

[first lines]
Gabriel: You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic ...
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Crazy Credits

The opening studio logos for Warner Bros and Village Roadshow Productions flicker as if they were on a problematic computer screen. Other than those logos and the movie's title, there are no opening credits. See more »

Connections

References The Sugarland Express (1974) See more »

Soundtracks

Lapdance (Paul Oakenfold Swordfish Mix)
Written by Pharrell Williams, Chad Hugo and Malice (as Gene Thornton)
Performed by N.E.R.D. (as N*E*R*D) featuring Lee Harvey and Vita
Courtesy of Virgin Records America, Inc.
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User Reviews

 
Too much gloss can't hide a middling action thriller - 53%
9 March 2005 | by (Hampshire, England) – See all my reviews

There are, in my mind, two things that the film "Swordfish" is famous for. The first is the fact that it features what I think is the most beautiful car ever produced - the British-made TVR Tuscan. It's the sort of car you'd like to see parked in your drive every morning, even if you weren't going to drive it. The second is that it's the first film that Halle Berry decided to get her baps out in and unnecessarily so, as it turns out. While I debated with myself which one of the two I'd rather look at, the film continued on it's crash-bang-wallop course of international computer hackery and stylish but maniacal villains.

In "Swordfish", we enter the world of Gabriel Shear (John Travolta, looking all the world like a 21st century Dracula) - renowned playboy, super-fly criminal genius and determined to pull off the heist of the century. He's James Bond, Shaft and Austin Powers in one, if you can imagine so much ego fitting into an Armani suit. He recruits washed-up former hacker Stanley Jobson (Hugh Jackman) to provide various worm programs and hacking expertise to steal 9.5 billion dollars from under the US Government's nose. As you do. For Stanley, it's a no-win situation. Enticed by the prospect of a major pay-off and custody of his daughter from his ex-wife, Jobson would tell Gabriel to shove his job if it wasn't for the mysterious but sexy Ginger (Halle Berry) egging him on. And jitters are the last thing the ruthless Gabriel needs.

Despite his enthusiasm for the picture, producer Joel Silver has gone down a notch on my list of favourite people in Hollywood. This is as disposable action as you can get, almost as if he's trying to out-do Jerry Bruckheimer. The explosions are bigger, the stakes are higher (nine and a half billion, for God's sake!) and the characters are cooler. Or so he thinks. Truth is, the near-constant kaboom of special effects and pyrotechnics drown out what might have been an intelligent thriller. By the time of the ridiculous finale (which makes no sense at all), you've already forgotten everything else. And aside from Jackman and Travolta who have most of the dialogue, Berry and Gabriel's henchman Marco (Vinnie Jones, bizarrely if your name's Marco) have next to nothing to do. Berry strips and Jones grimaces like their lives depended on it. Berry should know better but for the inexperienced former soccer thug, this should be a lesson well learnt. But then again, this didn't stop him from remaking "The Mean Machine".

As action films go, it is undeniably entertaining. The plot twists its way around the action, revealing more about Gabriel and why he's such a sanctimonious prat. And the set-pieces are also very impressive, if slightly over the top. Simply by shooting a SUV can one cause the vehicle not only to explode like the Manhatten project but also make the now flaming wreckage flip through the sky like a Romanian gymnast. Physics clearly don't apply in LA, like the strange time-bubble surrounding the city which allows Gabriel to fly to Oregan and back in less than an afternoon. Hmmm, says I. Clearly, the film-makers were trying to make as entertaining a piece as possible but they over-did it. Less is more, or so they say and it is advice Silver and director Dominic Sena would be wise to listen to. Shame, really. That TVR is just gorgeous...


116 of 177 people found this review helpful.  Was this review helpful to you?

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I have a love/hate relationship with this movie... eyeonyouproductions
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