A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
When the DEA shut down its dummy corporation operation codenamed SWORDFISH in 1986, they had generated $400 million which they let sit around; fifteen years of compound interest has swelled it to $9.5 billion. A covert counter-terrorist unit called Black Cell, headed by the duplicitious and suave Gabriel Shear, wants the money to help finance their raise-the-stakes vengeance war against international terrorism, but it's all locked away behind super-encryption. He brings in convicted hacker Stanley Jobson, who only wants to see his daughter Holly again but can't afford the legal fees, to slice into the government mainframes and get the money. Written by
Jeff Cross <email@example.com>
2600 "The Hacker Quarterly" magazine was approached by Warner Bros. for permission to use their magazine and name in the film. Warner Bros. was suing 2600 at the time, for linking to the DVD deciphering program DeCSS. The magazine said no. See more »
In the film's opening speech, Gabriel Shear discusses Dog Day Afternoon as being a "1976" work of "fiction" that didn't "push the envelope" and showed Hollywood's "lack of realism." Dog Day Afternoon was a true story, not fiction, depicted realistically. The film ended the way the true story ended. It was released in 1975, and the film's action takes place in 1972. See more »
You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic ...
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The opening studio logos for Warner Bros and Village Roadshow Productions flicker as if they were on a problematic computer screen. Other than those logos and the movie's title, there are no opening credits. See more »
Here's a film I really liked the first time, and was totally turned off on the second viewing as the Hollywood bias machine was in high gear again, and you can guess in what director (left or right). Anyway, two things remained the same: John Travolta as "Gabriel Shear" was riveting as an anti-terrorist terrorist. The explosion scene where people are flying sideways is awesome, particularly in the sound department if you have surround system. Oh, and yes, Halle Berry and her figure was on display in this film and quite a sight. Wowzer!
Some of this script is a takeoff on Dog Day Afternoon, which Travolta's character re-enacts a role from that famous '70s film. "Shear" talks about that movie during the film.
I almost got discouraged watching this in the first half hour because there is so much computer terminology that I was lost. However, if you find yourself in a similar spot, take heart because that that ends after that first 30 minutes and is no longer a problem.
Credibility and bias aside, it's still a fun movie for at least one viewing, with that early bomb scene most memorable.
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