The classic Shakespeare tragedy is revisioned in America at the turn of the 20th Century. Campbell Scott (Singles, The Spanish Prisoner) adapted, co-directed and stars in the title role ... See full summary »

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The classic Shakespeare tragedy is revisioned in America at the turn of the 20th Century. Campbell Scott (Singles, The Spanish Prisoner) adapted, co-directed and stars in the title role with Tony Award winner Blair Brown (Copenhagen) as his mother Gertrude. Written by Anonymous

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10 December 2000 (USA)  »

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I ekdikisi  »

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Strong Hamlet, weak support
4 May 2001 | by (Israel) – See all my reviews

In Shakespeare's play, not only Hamlet has more than one side. But here, the supporting characters are one-dimensionalized. Polonius, who a generation ago was often played as too silly, is played as too dignified; his speech seems not to wander but to march triumphantly on thin air. Claudius misses the chance in the prayer scene to show a private self appreciably unlike his public self. And Ophelia does the mad scene without any development or continuity of feeling. It's a good contrast to Hamlet's madness-- he's possessed; she's, as it were, dispossessed-- but that's all it is; neither she nor anyone else really counterbalances Campbell Scott's Hamlet. It's a good, energetic, intelligent but lonely performance.


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