| Photos (See all 12 | slideshow) | Videos (see all 5) |
| Anders W. Berthelsen | ... | Andreas | |
| Anette Støvelbæk | ... | Olympia | |
| Ann Eleonora Jørgensen | ... | Karen | |
| Peter Gantzler | ... | Jørgen Mortensen | |
| Lars Kaalund | ... | Hal-Finn | |
| Sara Indrio Jensen | ... | Giulia | |
| Karen-Lise Mynster | ... | Kirsten, the real estate dealer | |
| Rikke Wölck | ... | Lise, the nurse | |
| Elsebeth Steentoft | ... | Kirketjener | |
| Bent Mejding | ... | Reverend Wredmann | |
| Lene Tiemroth | ... | Karen's Mother | |
| Claus Gerving | ... | Klaus Graversen | |
| Jesper Christensen | ... | Olympia's Father | |
| Merete Voldstedlund | ... | Andreas' mother (scenes deleted) | |
| Henning Jensen | ... | Leif (scenes deleted) | |
| Carlo Barsotti | ... | Carlo | |
| Alex Nyborg Madsen | ... | Sportsman / Church Singer 1 | |
| Steen Svare | ... | Sportsman / Church Singer 2 (as Steen Svare Hansen) | |
| Susanne Oldenburg | ... | Lady | |
| Martin Brygmann | ... | Night School Teacher | |
| Alexander Noval | |||
| Matteo Valese | ... | Marcello, the Italian teacher | |
| Armando Battiston | |||
| Silvio Zanon | |||
| Radu Zaplini |
Directed by | |||
| Lone Scherfig | (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Lone Scherfig | ||
Cinematography by | |||
| Jørgen Johansson | |||
Film Editing by | |||
| Gerd Tjur | |||
Production Management | |||
| William Knuttel | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Niels Reiermann | .... | assistant director | |
Art Department | |||
| Jette Lehmann | .... | production design consultant | |
Sound Department | |||
| Graham Edmondson | .... | dolby consultant | |
| Mikkel Groos | .... | boom operator | |
| Kasper Munck-Hansen | .... | sound assistant | |
| Rune Palving | .... | sound editor | |
| Dan Edelstein | .... | supervising sound editor: US release (uncredited) | |
Camera and Electrical Department | |||
| Thomas Holm Deleurang | .... | focus puller (as Thomas Holm Christensen) | |
| Lars Høgsted | .... | still photographer | |
| Michael Tøt | .... | second assistant camera | |
Casting Department | |||
| Nicola Minghetti | .... | extras casting | |
Costume and Wardrobe Department | |||
| Malin Birch-Jensen | .... | costume consultant | |
Editorial Department | |||
| Anne Katrine Andersen | .... | post-production coordinator | |
| Helle Tang | .... | post-production assistant | |
Other crew | |||
| Troels Asmussen | .... | assistant to producer | |
| Enrico Ballarin | .... | location manager | |
| Helle Bønnelykke | .... | location assistant | |
| Marco Cadò | .... | production assistant | |
| Sarita Christensen | .... | production assistant | |
| Silvia Donati | .... | production assistant | |
| Anders Gadegaard | .... | consultant | |
| William Knuttel | .... | location manager | |
| Ingrid Kofoed | .... | production coordinator | |
| Ann Køj | .... | production accountant | |
| Charlotte Lange | .... | script supervisor (as Charlotte Lange Poulsen) | |
| Niels Reiermann | .... | consultant | |
| Jasper Veissman | .... | consultant | |
| Ann Vognsen | .... | production accountant | |
| Marco Zanon | .... | production assistant | |
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| The Best of Youth | The Lonely Passion of Judith Hearne | Kings & Queen | The Official Story | Spider-Man 3 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Denmark section |
I had the pleasure of seeing Italiensk for begyndere in a pretty small, intimiate cinema, which set the audience up beautifully for this movie.
The characters really drive this story, rather than the film pushing the characters around. What results is a movie that takes its own time to say what it needs to say, and that allows us to gain insight on what really is a broad spectrum of very human, very diverse personalities.
Romantic comedies-dramas, by and large, are pretty hit-and-miss, though more miss than hit if they come from Hollywood. They're bogged down in clichés, saccarine melodrama and characters that don't at all behave like real people. Italiensk for begyndere avoids all that, giving us characters that could just as well be the person sitting three seats from you in the cinema, that's how human they are.
I didn't feel at all cheated with this film, and left the cinema feeling like I saw a film that speaks to people. Superb.