Kresten has moved from his parents farm on a small Danish island to Copenhagen in order to pursue his working career. When his father dies he has to move back to the farm, where nothing ... See full summary »
Anders W. Berthelsen,
The good-hearted Harbour has spent his whole life trying to take care of his motherless and suicidal little brother, Wilbur. The brothers are inseparable. When in their thirties, they lose ... See full summary »
A modern fable about an invisible man who gets the chance to become a real human being. He has to learn to be brave, honest and conscientious. 'P' is a fantasy figure, living behind the ... See full summary »
Nikolaj Lie Kaas,
Kaj is an alcoholic living on the money the Danish state is providing him. Him and his friends spend their time drinking beer at a public bench. One day Kaj's life turns upside down when a young lady and her child moves in next to him.
Marius Sonne Janischefska,
Stine Holm Joensen
Fabián, a magician from Buenos Aires, saves his money from weddings, birthdays, and bar mitzvahs, and uses a hidden camera to document a week-long trip to the Falkland Islands where he has ... See full summary »
A drug dealer, after getting arrested, beat-up in jail and his first felony conviction, vows to make one final score and a fresh start; but instead winds up in a showdown with a malicious ... See full summary »
A young minister, a widower, is temporarily assigned to a church whose suspended pastor drove parishioners away; he stays at a hotel where he meets Jørgen, who's alone approaching middle age. Jørgen's friend Finn, a temperamental restaurant manager, may be about to be fired. Finn's assistant is Giulia, a lovely young Italian who prays for a husband. Olympia, a clumsy bakery clerk, has an ornery father; Karen, a hairdresser, has a mother who is very ill. The paths of these six characters cross at church, in the restaurant, at the hotel, and at an Italian class at the local adult school. Loneliness, grief, solace, romance, and love may meet 'nel mezzo del cammin di nostra vita.' Written by
I have to admit, after the first few minutes I was wondering if I'd even manage to finish the whole thing. Also, as this was the first Dogme film I'd seen, I was also really questioning the whole concept. The opening scenes seemed amateurish in both filming and acting, with jerky editing and camera movements, and seemingly one-dimensional characters. But it really grew on me as I kept watching. The more the characters revealed themselves, the more sympathetic and complex they became. It actually became quite engrossing as the film progressed. There were just so many moments of geniune warmth and humor. In fact, what really struck me about this film after it was all over was its geniuneness. I haven't seen anything so heartwarming in a long time. 8/10.
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