In 2000, David Wain and Michael Showalter set out to make their first film Wet Hot American Summer. It was a low budget independent film and they cast their friends and a handful of unknown... See full summary »
Michael Ian Black,
Left without men in the dying days of the American Civil War, three Southern women - two sisters and one African-American slave - must fight to defend their home and themselves from two rogue soldiers who have broken off from the fast-approaching Union Army.
Fred and Mick, two old friends, are on vacation in an elegant hotel at the foot of the Alps. Fred, a composer and conductor, is now retired. Mick, a film director, is still working. They ... See full summary »
When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse.
The setting is Camp Firewood, the year 1981. It's the last day before everyone goes back to the real world, but there's still a summer's worth of unfinished business to resolve. At the center of the action is camp director Beth, who struggles to keep order while she falls in love with the local astrophysics professor. He is busy trying to save the camp from a deadly piece of NASA's Skylab which is hurtling toward earth. All that, plus: a dangerous waterfall rescue, love triangles, misfits, cool kids, and talking vegetable cans. The questions will all be resolved, of course, at the big talent show at the end of the day. Written by
Sujit R. Varma
When Beth gets kissed, an instrumental version of "Beth" by KISS starts to play. See more »
While eating breakfast on the last day of camp it is raining outside of the mess hall windows, but during all exterior shots it is dry. See more »
OK, stop. I feel like I'm watching regional theatre, you guys. God! Am I in the Cleveland Playhouse or something? Your craft is a muscle, you need to exercise it. Take a break; think about what you've done.
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"It's fun to get away from the camp, even if it's just for an hour."
The strangest point in this film is a point, about a half hour through, when all of the seemingly normal camp counselors go out in to the city. In a montage shot, they slowly go from reading books at the library, to smoking cigarettes, to smoking joints, to buying cocaine from a guy on the street, to becoming prostitutes, then becoming strung out heroin-addicts at the local crack house. This is not your parent's parody movie.
From this point on, the film is never the same. Seemingly normal character development goes out the window, and characters jump from one complete different personality to another within seconds. We get brilliant lines of dialogue that could only be brought from members of The State, like: "Hey, there's a problem. I've got something I need to tell you." "Oh no! You have crabs." "No. Well, yeah, but that's not the problem." "Oh good."
Pure genius!!! Why don't more comedies have lines of dialogue like this?
Some other great points: "There is a way we could save everyone's lives. Well, no that couldn't work. In order for it to work, we would need to have a device that could randomly generate numbers between 1 and 20." "That's impossible. That would take some sort of highly advanced supercomputer to work." "Not necessarily. No dungeon master goes anywhere without his...20 sided die."
I sort of wish I had known what films were being parodied in this movie. I saw strands that sort of matched what I had seen from old Summer Camp movies I had seen back in high school during the wee hours in the morning during comedy central. But, there were many things here that seemed like they must be references to other films. Oh well. It's just all crazy.
Anyway, I guess I should say that this isn't a really good...movie, per se, but...well, I have no excuses for it. Wet Hot American Summer rules! Dolphins suck it!!!
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