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Mark L. Lester
Merrie Lynn Ross,
Timothy Van Patten
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The setting is Camp Firewood, the year 1981. It's the last day before everyone goes back to the real world, but there's still a summer's worth of unfinished business to resolve. At the center of the action is camp director Beth, who struggles to keep order while she falls in love with the local astrophysics professor. He is busy trying to save the camp from a deadly piece of NASA's Skylab which is hurtling toward earth. All that, plus: a dangerous waterfall rescue, love triangles, misfits, cool kids, and talking vegetable cans. The questions will all be resolved, of course, at the big talent show at the end of the day. Written by
Sujit R. Varma
In late 2014, Netflix announced that they would shoot and air a miniseries continuation of this movie featuring nearly all of the same actors. However, instead of being a sequel, the new miniseries would be a prequel, with the actors (most of whom were already up to a decade too old to play their teenage characters back in 2001) playing even younger versions of the same characters they portrayed in the first movie. See more »
During the baseball speech, one of the campers is wearing a New Jersey Nets hat. The logo on his hat wasn't adopted until the 1990-1991 season, while the film is set in 1981. See more »
Hey, you; penny for your thoughts.
Beth, tomorrow is the least of our problems.
Don't tell me, oh, don't tell me, don't even tell me you have crabs!
No... Yes, but that's not the point.
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After the credits is a "10 years later" epilogue. See more »
When It's Over
Written by Paul Dean and Mike Reno (as Joseph Reno)
Performed by Loverboy
Courtesy of Columbia Records and Sony Music Entertainment (Canada) Inc.
By Arrangement with Sony Music Licensing See more »
"It's fun to get away from the camp, even if it's just for an hour."
The strangest point in this film is a point, about a half hour through, when all of the seemingly normal camp counselors go out in to the city. In a montage shot, they slowly go from reading books at the library, to smoking cigarettes, to smoking joints, to buying cocaine from a guy on the street, to becoming prostitutes, then becoming strung out heroin-addicts at the local crack house. This is not your parent's parody movie.
From this point on, the film is never the same. Seemingly normal character development goes out the window, and characters jump from one complete different personality to another within seconds. We get brilliant lines of dialogue that could only be brought from members of The State, like: "Hey, there's a problem. I've got something I need to tell you." "Oh no! You have crabs." "No. Well, yeah, but that's not the problem." "Oh good."
Pure genius!!! Why don't more comedies have lines of dialogue like this?
Some other great points: "There is a way we could save everyone's lives. Well, no that couldn't work. In order for it to work, we would need to have a device that could randomly generate numbers between 1 and 20." "That's impossible. That would take some sort of highly advanced supercomputer to work." "Not necessarily. No dungeon master goes anywhere without his...20 sided die."
I sort of wish I had known what films were being parodied in this movie. I saw strands that sort of matched what I had seen from old Summer Camp movies I had seen back in high school during the wee hours in the morning during comedy central. But, there were many things here that seemed like they must be references to other films. Oh well. It's just all crazy.
Anyway, I guess I should say that this isn't a really good...movie, per se, but...well, I have no excuses for it. Wet Hot American Summer rules! Dolphins suck it!!!
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