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Kill Me Later (2001)

Shawn Holloway has a miserable life since she was eleven, when her father left her mother and she stayed alone with her problematic mother. Presently she is graduated, works in a bank and ... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
Agent McGinley
...
Agent Reed
...
Mathew Richmond
...
Billy
...
Jason Thompson
David Adams ...
Ara
...
Officer Larry
...
Heather (as Keegan Tracy)
Pam Hyatt ...
Lucy
Stacy Fair ...
Elizabeth Richmond
Marcel Maillard ...
Lyle Holloway
Keith Martin Gordey ...
Elevator Cop (as Keith Gordy)
...
Suzan Holloway
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Storyline

Shawn Holloway has a miserable life since she was eleven, when her father left her mother and she stayed alone with her problematic mother. Presently she is graduated, works in a bank and is the mistress of her married colleague Matthew Richmond. When she finds that Matthew's wife is pregnant, she decides to commit suicide. She goes to the roof of the building, drinks some vodka, trying to get enough courage to jump to the floor. The neighbors see the scene and call the police to save Shawn. Meanwhile, the bank where she works is being robbed by Charlie Anders and two friends of him. When the cops arrive to save Shawn, the heist is in progress and the police shoot one robber, the driver escapes and Charlie runs to the top of the building. There, he does not allow Shawn to jump off and saves her. They make an agreement: she would help him to escape, and he would give US$ 50,000.00 to her and kill her later with a shot in the head. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Not every hostage wants to be saved!

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for some language | See all certifications »
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Details

Country:

Language:

Release Date:

14 September 2001 (USA)  »

Also Known As:

Take My Life  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Dana Lustig, the director, makes an on screen appearance as Shawn's stepmother. See more »

Goofs

As Shawn and Charlie are escaping, Shawn turns the wheel to the left, as the car is turning right. See more »

Quotes

Charlie Anders: We're gonna have to jump.
Shawn Holloway: I feel sick.
Charlie Anders: We'll have sharpshooters around us any minute now.
Shawn Holloway: I'm not jumping.
Charlie Anders: Hold on. Just a minute ago, you were gonna jump thirteen floors. What's the difference?
Shawn Holloway: Well, that's different. Then I was gonna die for sure. Now I'm probably just gonna break my neck or my legs, and become a quadriplegic, and then what if...
Charlie Anders: What if you? What if you? What if you? What if you actually make it, and we get away from here? Jesus, are you always such a downer? No wonder you ...
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Connections

References Rugrats (1990) See more »

Soundtracks

The Old Fashioned Way
Written by Dean Wareham, Justin Harwood, Sean Eden and Lee Wall
Published by Luna Music Partnership (BMI)
Performed by Luna
Courtesy of Jericho Cello
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User Reviews

 
HITS AND MISFIRES
16 September 2003 | by (Waynesville, OH) – See all my reviews

Directed by Dana Lustig. Written by Annette Goliti Gutierrez and Dana Lustig. Running time: 89 minutes. Classified R (for some language).

The premise sizzles with potential: a suicidal loan agent (Selma Blair) becomes the hostage of a bank robber (Max Beesley) who promises to kill her if she helps him escape. Kill Me Later could have been a winning dark comedy, a sleeper hit, and even earn a cult following -- but it never does full justice to the concept behind it. The first half-hour is highly entertaining: Shawn Holloway (Blair) is having an affair with her married boss, one of those guys who promises to leave his wife but never does. As he walks out of her apartment to go to work, she secludes herself in the bathroom and playfully slices her wrist with a razor; she smokes a few cigarettes and then heads off to work. Once there, she handles the case of a couple of newlyweds applying for a loan, and manages to scare them into backing out. She then learns that her boss's wife is pregnant and, seeing no point in going on living, goes up to the roof of the building and drowns her sorrows in a bottle of liquor. She stands on the edge of the building and is about to jump when she's abruptly pulled back by a masked figure. The man in the mask is Charlie Anders (Beesley), whose bank robbery has turned into a police chase, and whose decision to hold Shawn hostage by threatening to kill her backfires when he comes to the realization that this is precisely what she wants. Director Dana Lustig makes the wise decision of not focusing too much on the irony of the situation, and the few jokes that are made in reference to it are perfectly timed. The adrenaline keeps building for another ten minutes or so, and then things start to get iffy: a new subplot enters involving a pair of policemen on the trail of Charlie, and it only intrudes on what was once an intense thrill ride. Lustig makes an attempt at humanizing the cops and forcing us to like them, but what she doesn't understand is that all we really want to watch are Charlie and Shawn on the run. Beesley and Blair have great screen chemistry, and even though their characters are mere photocopies of the heroes from preceding action movies, they have genuine charm. And then Lustig makes her second mistake of turning Shawn and Charlie's personal lives into day-time dramas, at which point they become nothing more than caricatures. Kill Me Later is directed with a truly original style: the characters' dialogue continues smoothly while the shots cut between different takes of the actors delivering the lines, with just enough breaks in between each scene to avoid becoming nauseous. But the screenplay has an over-abundance of flaws, including a failed gag involving an obnoxious child, and an undeserved Hollywood ending. While walking away from the film, I had the same feeling I had after watching Luc Besson's over-rated Leon, which is that of missed opportunity. Yet for all of its misfires, Kill Me Later hits enough bull's-eyes to garner a viewing on a Friday night when you have nothing better to do.

*** - Good


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