Jon and Garfield visit the United Kingdom, where a case of mistaken cat identity finds Garfield ruling over a castle. His reign is soon jeopardized by the nefarious Lord Dargis, who has designs on the estate.
Jennifer Love Hewitt,
Boog, a domesticated 900lb. Grizzly bear, finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
Stuart's mother is being over-protective of him, especially when he narrowly escapes injury in a soccer game. His big brother George has also made a new friend, Will, so Stuart is feeing lonely. Stuart rescues a canary, Margalo, from a falcon; she moves in with the Littles. One day, Margalo is nowhere to be found, so Stuart and Snowbell set out across the city to find her while George covers for Stuart (the first time he's had to lie). Written by
Jon Reeves <firstname.lastname@example.org>
When Stuart confronts Falcon in the Pishkin Building, Stuart and Margalo are alternately standing on and off of the grillwork surrounding the water valve on which Falcon is perched. See more »
[as he grabs George's glasses]
George, wake up.
[George is still sleeping]
[talking into his pillow]
I know. But it's the first day of Soccer. It's our first game.
[wakes up and puts his glasses on]
Soccer? Uh... I can't today. I caught a cold while sleeping.
You'll be fine. Come on, come on. It's gonna be great.
[Stuart takes his pajama top off and kicks it into the laundry hamper like a soccer ball]
[...] See more »
During the first half of the closing credits, the cast is shown with their name and their character they played in a circle. See more »
While less isn't always more, the makers of "Stuart Little 2" resisted the temptation to pad it out from its shorthand running time, meaning it goes by quickly and painlessly. Not that the actual plot of this followup to the original charmer is hard to take in itself (Stuart is starting to feel a bit left out, and when Margalo the wren literally drops into his life he gets a new dimension).
In terms of technical levels it's only slightly easier to fault (Margalo looks a bit too cartoonish to be real, unlike Stuart Little himself and the falcon that's the movie's villain - but then again, Melanie Griffith [the voice of Margalo] always seems like a cartoon anyway), but the story by screenwriter Bruce Joel Rubin and the movie's producer Douglas Wick is what makes this ultimately inferior to its predecessor; what helped drive "Stuart Little" was our hero's wish to be accepted by his human brother and by the cat - sneer all you want, but the family message was hard to ignore. For the sequel it's more standard - the friend who's acting out of ulterior motives at first but then turns out to be a real friend, etc. Stuart isn't so much the protagonist this time, and it hurts a little.
So the freshness is reduced, but this still isn't stale - the charm and humour of the first movie remains, Michael J. Fox and Nathan Lane are as adept as ever as Stuart and Snowbell ("This better be important." "Margalo is missing." "I'd better be more specific - I meant important to ME."), and the human Littles remain just right - loving but not without making you want to slit your own throats. HBO Family has recently aired an animated version with all the principals except Hugh Laurie absent - it'll have to go a long way to live up to the two movies. (In-joke for score fans: Alan Silvestri slips in a quote from his "Back to the Future" theme in the climax.)
But I can see why this didn't do as well at the box-office as it should have
having a soccer match plus including Gilbert O'Sullivan AND Celine Dion on
the soundtrack was asking for trouble...
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