Jon and Garfield visit the United Kingdom, where a case of mistaken cat identity finds Garfield ruling over a castle. His reign is soon jeopardized by the nefarious Lord Dargis, who has designs on the estate.
Jennifer Love Hewitt,
Boog, a domesticated 900lb. Grizzly bear, finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
Stuart's mother is being over-protective of him, especially when he narrowly escapes injury in a soccer game. His big brother George has also made a new friend, Will, so Stuart is feeing lonely. Stuart rescues a canary, Margalo, from a falcon; she moves in with the Littles. One day, Margalo is nowhere to be found, so Stuart and Snowbell set out across the city to find her while George covers for Stuart (the first time he's had to lie). Written by
Jon Reeves <firstname.lastname@example.org>
The falcon was supposed to have an army of pigeons as his minions. See more »
Toward the beginning of the film when Stuart flies the model plane outside and crashes it, his mother, father, brother, and friend all run out the house and into the park to chase after him. This means the baby was, presumably, left alone in the house - or, the writers just forgot about her completely. See more »
[as he grabs George's glasses]
George, wake up.
[George is still sleeping]
[talking into his pillow]
I know. But it's the first day of Soccer. It's our first game.
[wakes up and puts his glasses on]
Soccer? Uh... I can't today. I caught a cold while sleeping.
You'll be fine. Come on, come on. It's gonna be great.
[Stuart takes his pajama top off and kicks it into the laundry hamper like a soccer ball]
[...] See more »
During the first half of the closing credits, the cast is shown with their name and their character they played in a circle. See more »
I do not exaggerate in giving this my highest rating. I enjoyed it *that* much.
As of present (May 2010), I have never read the E.B. White classic "Stuart Little," however I have had the delightful privilege to see the two films based loosely upon its content. The first "Stuart Little," released in 1999, was a very sweet and charming little family picture that I enjoyed immensely as a kid and still do to this day. I remember I also enjoyed the sequel, "Stuart Little 2" when I was younger, but now having re-watched the film for the first time in a long time, I discover that a rare instance has occurred: I enjoy the movie more now as an adult than I did when I was eleven. Perhaps it's because I now understand the adult humor and Snowbell's hilarious lines better, but overall, "Stuart Little 2" is a very good picture.
In the sequel, Stuart Little (voiced by Michael J. Fox) now has a quintessential relationship to his family. His human brother George has accepted him as a sibling and the cat Snowbell is now his pal instead of his enemy. However, poor Stuart feels a little left-out in the world because of his small size and his lack of real friends. That is until a little bird named Margolo (voiced by Melanie Griffith) literally drops into his life (from the sky), pursued by a vicious falcon. When they are clear of the evil bird's talons, Stuart and Margolo develop a very strong, very heart-warming friendship while teaching to the younger audience members very important lessons about life and friendship.
Those messages were communicated to be very well when I was younger and they still are today. I'm not exactly sure why I like "Stuart Little 2" more as an adult than I did as a kid, but maybe it's because I can understand the full extent of it. The filmmakers made the right choice to film it as a family picture, incorporating elements that children can understand but leaving in great moments of comedy to keep the adults interested. More so than in the first one, the picture is kept upbeat by the hilarious presence of Snowbell the cat, voiced by Nathan Lane, who has one terrific one-liner after another. A favorite moment of mine is when Snowbell is serving as a tool so Stuart can speak into a payphone. Their time runs out and he asks Snowbell for more change. The cat looks at the mouse standing on his head and cackles out: "What do I look like? A fanny pack?" "Stuart Little 2" is a real treat to look at with some gorgeous cinematography and a deliberately over-painted New York City with everybody in the movie wearing extravagant outfits. The special effects used for Stuart, Margolo, Snowbell, the falcon, and the other animated characters in the film is very good, best exemplified by the eyes of Stuart and Margolo. Their eyes are solid black with no visible pupils, but the animators carefully manipulate the characters' expressions to mirror every emotion that could be asked for from a real-life performer.
Perhaps the best element of "Stuart Little 2" is the change of point-of-view from the first one. In the original film, most of the plot involved the Littles' difficulties in adopting a talking mouse as a child and a great portion of the film was people looking down upon little Stuart. Here, the story takes place on Stuart's level, from his point-of-view, and we come to associate and identify more with him this time around. I also really like Hugh Laurie, Geena Davis, and Jonathan Lipnicki as Stuart's adoptive family, who do a really good job at maintaining the illusion that they are communicating to a two-inch mouse adopted as their son and treating him with loving affection.
But the best scenes are the scenes of Margolo and Stuart, particularly a little scene where they are on a date at a makeshift drive-in movie theater: sitting in Stuart's model car in front of a television, watching Alfred Hitchcock's marvelous 1958 film "Vertigo" which we later learn is a poignant choice as there are some parallels in the relationship between Stuart and his avian companion.
"Stuart Little 2" is a wonderful family film. Some may question my judgment and wonder if I exaggerate just a little in shelling out my highest rating for this film. You may ask: maybe it's good, but is it *that* good? Well, maybe not on some critical scales. But the way I review movies, dissecting and analyzing but more or less reporting how I personally responded, than no, not in the least. I enjoyed "Stuart Little 2" so much, every little second of it was a gem for me, and I more than enthusiastically award it ten stars.
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