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Demasiado amor (2002)
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Overview
User Rating:
Director:
Writers:
Release Date:
30 January 2002 (France)
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Plot Keywords:
Awards:
1 win
&
5 nominations
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User Comments:
not so good
more (2 total)
Cast
(Credited cast) | Juan Alonso | ... | Gómez |
| Martín Altomaro | ... | Vecino |
| Alma Rosa Añorve | ... | Estelita, secretaria |
| Carmen Beato | ... | Jackie, mesera |
| Juan Manuel Bernal | ... | Golpeador |
| Gabriela Canudas | ... | Mujer agresiva |
| Rubén Cristiany | ... | Doctor 1 |
| María del Carmen Farias | ... | Señora en el baho |
| Hernán del Riego | ... | Doctor 2 |
| Xabier Elorriaga | ... | Esposo de Laura (as Xavier Elorriaga) |
| Lila Engler | ... | Entrometida de la cafeteria |
 | Karina Gidi | ... | Beatríz |
| Ana Guevara | ... | Laura 'hermana de Beatriz' (as Ana Karina Guevara) |
| Luisa Huertas | ... | Vendedora de flores |
| Ana La Salvia | ... | Asistente del arquitecto |
| Enoc Leaño | ... | Político |
| Erika de la Llave | ... | Teresa |
| Daniel Martínez | ... | Arquitecto |
 | Raúl Méndez | ... | Sergio, guitarrista |
| Cristina Michaus | ... | Mamá de Beatriz |
| Gerardo Moscoso | ... | Gerente de la cafetería |
| Silverio Palacios | ... | La Conquista navideña |
| Juan Carlos Remolina | ... | Amigo del arquitecto |
| José Carlos Rodríguez | ... | Ingeniero |
 | Gabriela Roel | ... | Genoveva |
| María Rojo | ... | Tía Greta |
| Andrea Salmeron | ... | Amiga de la mujer agresiva |
| Karen Sandoval | ... | Laura (niña) |
| Eva Saraga | ... | Encargada de la boutique |
 | José Sefami | ... | Jefe |
| Ari Telch | ... | Carlos |
| Ernesto Villa | ... | Papa de Beatriz |
| Tania Viramontes | ... | Mesera |
| Juan Carlos Vives | ... | La Conquista intelectual |
Additional Details
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Runtime:
100 min
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| Full cast and crew | Company credits | IMDb Drama section |
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After watching this film, I was a bit disappointed. While I enjoyed Karina Gidi's performance, portions of her character mystify me. The plot is not very engaging and most of the emotions/meanings of the film, while promising, never seem to deepen. The cinematography and editing were simple and average. I enjoyed myself during portions, especially the development of Gidi's character in the beginning. I think my basic problem was that the symbolisms and motifs were not developed enough to keep the tempo and narrative from lagging. The director (and the author of the novel) clearly had something to say but the film failed to make the point. A director can have an incredible concept but if he or she fails to communicate it through the film, there is nothing to look forward to but popcorn.