Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her many imperfections. As a New Year's Resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance who Bridget cannot seem to stop running into or help finding quietly attractive. Written by
Anuja Varghese <firstname.lastname@example.org>
This Year's Resolutions: Stop smoking. Stop drinking. Find inner poise. Go to the gym three times a week. Don't flirt with the boss. Reduce thighs. Learn to love thighs. Forget about thighs. Stop making lists. See more »
The film has different end-credits in different countries. In Europe, Australia and Latin America the credits show a montage of stills plus "interviews" about Bridget and Darcy with Daniel Cleaver, Mark Darcy's parents and Bridget's boss. In America, they show a young Bridget and Mark running around the backyard and paddling pool in a home video. The "interviews" can be found as the final deleted scene on the North American DVD, while the North American credits are found in the 'Deleted Scenes' material on the European DVD. See more »
When they are in the lake, and Daniel is about to fall down, the overtaking gets close to Bridget and she is combed, when you go away his uncombed hair is seen, you approach and again he right now is combed with the totally straight hair. See more »
So how autobiographical is your work, Salman?
You know, its an amazing thing, nobody has ever asked me that question.
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During the end credits, we see footage of a home movie taken during a birthday party, which also happens to be the birthday party that both Bridget and Mark are at that is referred to several times during the movie. See more »
Me and Mrs. Jones
Written by Kenny Gamble (as Gamble), Leon Huff (as Huff) and Cary Gilbert (as Gilbert)
Performed by The Dramatics
Courtesy of Universal-MCA Music (UK) Limited
Licensed by kind permission from The Film & TV Licensing Division, part of the Universal Music Group See more »
With certain bad movies - "Plan 9 from Outer Space" is a famous extreme example - you start to wonder if there's something wrong with people who don't realise that they're bad. I'm not saying that if someone LIKES "Plan 9" then his or her brain probably needs to be repaired; the suspicious, unhealthy thing is not LIKING the film, but being of the opinion that it's good. (Many people have a soft spot for it precisely BECAUSE they realise how bad it is. In this way it differs from something like "Timecode", where either liking the film OR having a high opinion of it is something to be embarrassed about.) And something similar applies to, say, "Citizen Kane". Disliking it makes sense; thinking it's a bad film does not.
But there's another kind of film that tempts me to be even more presumptuous. "Dumbo" is the best example I can think of at the moment. I can see why one might (mistakenly) have a low opinion of "Dumbo": some of the footage IS mere padding, the triumph at the end is too swift, the charge has been laid (falsely, but not ludicrously) that the crows are racist caricatures ... and so forth. But surely even the people who think "Dumbo" is a bad film must still manage to like it. If they don't, THEN I'm suspicious.
I feel this way, to a greater or lesser degree, about a number of light comedies, and this is one of them. I can't honestly say that I revere or adore "Bridget Jones's Diary" (N.B.: I'm male), but all the same, I can't help thinking that people who take an active dislike to it have something wrong with them. This applies not just to the film as a whole but to Bridget Jones, the central character, in particular. What has she done to merit dislike? She's beautiful (as beautiful as Renée Zellweger has ever been on screen), honest and kind-hearted. The diary she keeps certainly reveals her many flaws, but none is particularly pronounced, most are purely negative and anyway, she shares them all with the rest of us - so don't pretend you're not like this, too.
This is an amiable, well-written and fresh romantic comedy with, for ONCE, an attractive female protagonist. It's far from being the greatest film ever made and there may be grounds for attacking it which I haven't touched upon (I suppose there always are), and so all in all I'll understand your not thinking as much of it as I do, but, dammit, you'd better LIKE it.
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