Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her many imperfections. As a New Year's Resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance who Bridget cannot seem to stop running into or help finding quietly attractive. Written by
Anuja Varghese <firstname.lastname@example.org>
This Year's Resolutions: Stop smoking. Stop drinking. Find inner poise. Go to the gym three times a week. Don't flirt with the boss. Reduce thighs. Learn to love thighs. Forget about thighs. Stop making lists. See more »
When Bridget is having dinner with Shazza, Jude and Tom and asks what they would do if their employee made a "harmless little mistake like that" we are led to believe that she's referring to the F.R. Leavis incident. But in one of the scenes that were cut it shows Bridget (on the same day) pitching a marketing idea to one of their writers, the only problem is that she mistakes Michael Naughton, the author of "Teddy Knows Best", for Michael Harper, the author of "The Red Door". This is what she was referring to in the original scripted version of the film. See more »
In the distant shot at the lake scene, just before Daniel is about to fall in the water, you can see sweat stains under his armpits, but in the following closer shot, the stains are gone. See more »
[about Bridget's attempt at caper berry gravy]
I have to say, this really is the most incredible shit.
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After "The End" appears, it's crossed out and "The Beginning" added. See more »
With certain bad movies - "Plan 9 from Outer Space" is a famous extreme example - you start to wonder if there's something wrong with people who don't realise that they're bad. I'm not saying that if someone LIKES "Plan 9" then his or her brain probably needs to be repaired; the suspicious, unhealthy thing is not LIKING the film, but being of the opinion that it's good. (Many people have a soft spot for it precisely BECAUSE they realise how bad it is. In this way it differs from something like "Timecode", where either liking the film OR having a high opinion of it is something to be embarrassed about.) And something similar applies to, say, "Citizen Kane". Disliking it makes sense; thinking it's a bad film does not.
But there's another kind of film that tempts me to be even more presumptuous. "Dumbo" is the best example I can think of at the moment. I can see why one might (mistakenly) have a low opinion of "Dumbo": some of the footage IS mere padding, the triumph at the end is too swift, the charge has been laid (falsely, but not ludicrously) that the crows are racist caricatures ... and so forth. But surely even the people who think "Dumbo" is a bad film must still manage to like it. If they don't, THEN I'm suspicious.
I feel this way, to a greater or lesser degree, about a number of light comedies, and this is one of them. I can't honestly say that I revere or adore "Bridget Jones's Diary" (N.B.: I'm male), but all the same, I can't help thinking that people who take an active dislike to it have something wrong with them. This applies not just to the film as a whole but to Bridget Jones, the central character, in particular. What has she done to merit dislike? She's beautiful (as beautiful as Renée Zellweger has ever been on screen), honest and kind-hearted. The diary she keeps certainly reveals her many flaws, but none is particularly pronounced, most are purely negative and anyway, she shares them all with the rest of us - so don't pretend you're not like this, too.
This is an amiable, well-written and fresh romantic comedy with, for ONCE, an attractive female protagonist. It's far from being the greatest film ever made and there may be grounds for attacking it which I haven't touched upon (I suppose there always are), and so all in all I'll understand your not thinking as much of it as I do, but, dammit, you'd better LIKE it.
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