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The Man Who Wasn't There (2001)

 -  Crime | Drama  -  26 October 2001 (UK)
7.6
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Ratings: 7.6/10 from 75,426 users   Metascore: 73/100
Reviews: 428 user | 191 critic | 33 from Metacritic.com

A laconic, chain-smoking barber blackmails his wife's boss and lover for money to invest in dry cleaning, but his plan goes terribly wrong.

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Cast

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Lilyan Chauvin ...
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Storyline

1949, Santa Rosa, California. A laconic, chain-smoking barber with fallen arches tells a story of a man trying to escape a humdrum life. It's a tale of suspected adultery, blackmail, foul play, death, Sacramento city slickers, racial slurs, invented war heroics, shaved legs, a gamine piano player, aliens, and Heisenberg's uncertainty principle. Ed Crane cuts hair in his in-law's shop; his wife drinks and may be having an affair with her boss, Big Dave, who has $10,000 to invest in a second department store. Ed gets wind of a chance to make money in dry cleaning. Blackmail and investment are his opportunity to be more than a man no one notices. Settle in the chair and listen. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The last thing on his mind is murder.

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for a scene of violence | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

26 October 2001 (UK)  »

Also Known As:

The Barber Project  »

Filming Locations:

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$664,404 (USA) (2 November 2001)

Gross:

$7,494,849 (USA) (22 February 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Ed Crane is at the French piano teacher's studio (Jacques Carcanogues), the actor portraying him, Adam Alexi-Malle, plays the opening of the Piano Concerto #1 by Franz Liszt. This was unplanned and spontaneous during one of the takes during shooting as Joel Coen and Ethan Coen were unaware that Adam was in fact an accomplished concert pianist. See more »

Goofs

After her concert, Birdy says "I messed up a little on the agitato". There is no agitato in Ludwig van Beethoven's Op. 13 (Pathetique) sonata, whose 2nd movement she was playing. See more »

Quotes

[first lines]
Ed Crane: Yeah, I worked in a barbershop, but I never considered myself a barber. I stumbled into it. Or married into it, more precisely.
See more »

Crazy Credits

The opening titles cast shadows on the wall as if they are real. See more »

Connections

References Shadow of a Doubt (1943) See more »

Soundtracks

Piano Sonata No.23 in F minor, Op.57 (Appassionata)
(1805)
Written by Ludwig van Beethoven
See more »

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User Reviews

an interesting contribution to the Coen's ouvre
31 October 2001 | by See all my reviews

I found this to be a pretty interesting film by the Coens'. I was well aware of the ability to do noir, as evidenced by 'Blood Simple', as well as many-layered, dialogue-driven narratives as in 'Miller's Crossing.' But what I found intriging about this movie was that it was about inconsequence. Billy Bob Thornton's character, Ed Crane, is similar to William H. Macy's in 'Fargo.' Both have unsatisfying positions in lowly lives. Both had received their jobs by "marrying" into them- Ed at the Barber Shop, and William's at the car dealership. The difference is, whereas the kidnapping plot is sought out in "Fargo", the blackmailing plot falls into Ed's lap by sheer choice (luck? fate?)

Ed's just a guy who wants to improve his lot in life- nothing too different then you or me. His wife's affair simply gives him the opportunity to do so. He didn't mind the infidelity, it is after all " a free country." But, of course, if she was faithful, there would be no noirish plot to pursue, correct? Quiet ambition drives Ed. After the dry-cleaning attempt goes sour, he sets his sights of Scarlett Johansenn's (who is quite remarkable) character's piano playing ability, in hopes of becoming her manager and "making enough to get by."

Thornton's "Ed Crane" really is the man who wasn't there. He sits- nearly brooding- quietly, observing life laconically. I actually found this movie quite sad. In the end, the only one who cares about his story is a men's magazine. And that's another big difference from 'Fargo" in which the pregnant Frances McDormand curls up with her husband, and you feel as if everything is just right in the world. That feeling is definitely lacking from "The Man Who Wasn't There."

Some viewers in the theater I saw it at said it was "the funniest movie they've seen all year." Sadly, I think they're missing it. Most of the humor is typical Coen's deadpan, but it is mostly generated from a tone of unease and tension. It's clever, but you waon't be slapping your knees like in "Raising Arizona" or "The Big Lewboski."

Instead, you'll just be intrigued by the wonderful story that the Coens- who have become quite the master of their craft- have weaved in this beautifully textured, perfectly cast, and incredibly nuanced film.


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