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The Man Who Wasn't There (2001)

R  |   |  Crime, Drama  |  16 November 2001 (USA)
7.6
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Ratings: 7.6/10 from 80,102 users   Metascore: 73/100
Reviews: 437 user | 188 critic | 33 from Metacritic.com

A laconic, chain-smoking barber blackmails his wife's boss and lover for money to invest in dry cleaning, but his plan goes terribly wrong.

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Nominated for 1 Oscar. Another 28 wins & 36 nominations. See more awards »

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Cast

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Lilyan Chauvin ...
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Storyline

1949, Santa Rosa, California. A laconic, chain-smoking barber with fallen arches tells a story of a man trying to escape a humdrum life. It's a tale of suspected adultery, blackmail, foul play, death, Sacramento city slickers, racial slurs, invented war heroics, shaved legs, a gamine piano player, aliens, and Heisenberg's uncertainty principle. Ed Crane cuts hair in his in-law's shop; his wife drinks and may be having an affair with her boss, Big Dave, who has $10,000 to invest in a second department store. Ed gets wind of a chance to make money in dry cleaning. Blackmail and investment are his opportunity to be more than a man no one notices. Settle in the chair and listen. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The last thing on his mind is murder.

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for a scene of violence | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

16 November 2001 (USA)  »

Also Known As:

The Barber Project  »

Filming Locations:

 »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

£419,609 (UK) (26 October 2001)

Gross:

$7,494,849 (USA) (22 February 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The title is taken from the William Hughes Mearns poem "Antigonish". See more »

Goofs

Ed Crane says that human hair continues to grow after death. This is not actually true; since the skin dries out, shrinking and tightening around the hair follicles after death, this is in fact an optical illusion. See more »

Quotes

[first lines]
Ed Crane: Yeah, I worked in a barbershop, but I never considered myself a barber. I stumbled into it. Or married into it, more precisely.
See more »

Crazy Credits

The opening titles cast shadows on the wall as if they are real. See more »

Connections

Referenced in Strictly Background (2007) See more »

Soundtracks

Piano Sonata No.23 in F minor, Op.57 (Appassionata)
(1805)
Written by Ludwig van Beethoven
See more »

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User Reviews

 
Oh the Coen Brothers, how we cant live without you...
23 June 2002 | by (Sussex, England) – See all my reviews

This newest film by the Coen brothers is a masterpiece by all standards in my opinion. Once again the Coens have succeeded in doing what they have done in all 8 of their previous movies, making a simple story more interesting than you could ever imagine possible!

Billy Bob Thornton adds to the noir atmosphere with his superb emotionless portrayal of the barber (of the title) Ed Crane. Essays could be written just on the way he smokes his cigarette! Of course the Coens have recalled other faces from their little black book of actors-we'll-use-again-in-some-small-part. Jon Polito is truly very annoying (in a good way) in his role as someone trying to sell a dry cleaning idea to Thornton (and you never thought dry cleaning could be interesting?). Whereas Tony Shalhoub is a humorous addition as the ridiculously confusing attorney. How can we also forget Mrs Joel Coen, aka Frances McDormand. As Thorntons wife she excels and towards the end shows real emotion and acting prowess as seen previously in Fargo and Blood Simple.

The fact that this film was shot in black and white is a first for the Coens and adds a 1940's atmosphere that no color film could do. The denouement is an excellent study of Crane's life with his emotionless voice over accompanying it.

Overall, this film is an example of what film should be. With the crew and cast an example of what a film cast and crew should be. How This film was nominated for no Oscars is criminal, especially Thornton. However the Coens had their usual Cannes reception to fall back on (Cannes is the only one that counts for REAL movies anyway!). Winning the directors prize (shared) for Joel Coen, although as always with the Coens, where Joel goes, Ethan follows, so the credit is really to both of them.

10/10 In my opinion the Coens best work.


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