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The Man Who Wasn't There (2001)

R  |   |  Crime, Drama  |  16 November 2001 (USA)
7.6
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Ratings: 7.6/10 from 80,581 users   Metascore: 73/100
Reviews: 439 user | 189 critic | 33 from Metacritic.com

A laconic, chain-smoking barber blackmails his wife's boss and lover for money to invest in dry cleaning, but his plan goes terribly wrong.

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, (uncredited)

Writers:

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Nominated for 1 Oscar. Another 28 wins & 36 nominations. See more awards »

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Cast

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Lilyan Chauvin ...
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Storyline

1949, Santa Rosa, California. A laconic, chain-smoking barber with fallen arches tells a story of a man trying to escape a humdrum life. It's a tale of suspected adultery, blackmail, foul play, death, Sacramento city slickers, racial slurs, invented war heroics, shaved legs, a gamine piano player, aliens, and Heisenberg's uncertainty principle. Ed Crane cuts hair in his in-law's shop; his wife drinks and may be having an affair with her boss, Big Dave, who has $10,000 to invest in a second department store. Ed gets wind of a chance to make money in dry cleaning. Blackmail and investment are his opportunity to be more than a man no one notices. Settle in the chair and listen. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The last thing on his mind is murder.

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for a scene of violence | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

16 November 2001 (USA)  »

Also Known As:

The Barber Project  »

Filming Locations:

 »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

£419,609 (UK) (26 October 2001)

Gross:

$7,494,849 (USA) (22 February 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jennifer Jason Leigh dubbed in the murmuring voice of the sobbing prisoner's visitor. See more »

Goofs

In the opening scene a reflection of the camera and scaffolding is visible in the barber pole as the angle shifts from looking up to looking down. See more »

Quotes

[first lines]
Ed Crane: Yeah, I worked in a barbershop, but I never considered myself a barber. I stumbled into it. Or married into it, more precisely.
See more »

Crazy Credits

Special thanks to citizens and merchants of Orange, CA and The Bungalow Heaven Neighborhood - City of Pasadena, CA. See more »

Connections

Referenced in Be Kind Rewind (2008) See more »

Soundtracks

Moonlight in Vermont
Music by Karl Suessdorf
Lyrics by John Blackburn (as Johnny Blackburn)
Performed by Hugo Winterhalter and His Orchestra
Courtesy of The RCA Records Label, a unit of BMG Entertainment
Under license from BMG Special Markets
See more »

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User Reviews

 
I'm always there when they screen it
23 March 2007 | by (Hungary) – See all my reviews

Besides being great stuff for film maniacs who like to debate the technical aspects, the cinematography or the artistic ideas and influences in it, 'The Man Who Wasn't There' is also a great film. One of my all-time favorites. The sort of film where the best possible choice of cast plays even the most insignificant walk-on role. The Coens' signature in there: being visually very conscious, especially for their film noir venture, they must have spent a huge amount of time to find the best possible faces for every single shot. Not necessary to waste words on how well they did in their choices for the lead roles. Fortunately these 'faces' they collected can also act, everyone does incredibly well here.

'The Man Who Wasn't There' has a slowly developing story, that at first viewing may require your patience a little bit. But the second and third viewings and so on will be a lot smoother... I have seen the film about five or six times already. There's this weird TV channel that screens it just about every other week and I seem to always happen to be in front of the screen at the time, by mere chance. And I never zap away, I enjoy all the details more and more, and I feel the gloating that's there in the very cold, cruel humor of the film, as well as the saddening feeling it accumulates into, as you continue watching people acting as mere unidentified flying objects in the others' life, just as strongly as the first time.


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