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The Man Who Wasn't There (2001)

 -  Crime | Drama  -  26 October 2001 (UK)
7.6
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Ratings: 7.6/10 from 75,942 users   Metascore: 73/100
Reviews: 428 user | 191 critic | 33 from Metacritic.com

A laconic, chain-smoking barber blackmails his wife's boss and lover for money to invest in dry cleaning, but his plan goes terribly wrong.

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Cast

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Lilyan Chauvin ...
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Storyline

1949, Santa Rosa, California. A laconic, chain-smoking barber with fallen arches tells a story of a man trying to escape a humdrum life. It's a tale of suspected adultery, blackmail, foul play, death, Sacramento city slickers, racial slurs, invented war heroics, shaved legs, a gamine piano player, aliens, and Heisenberg's uncertainty principle. Ed Crane cuts hair in his in-law's shop; his wife drinks and may be having an affair with her boss, Big Dave, who has $10,000 to invest in a second department store. Ed gets wind of a chance to make money in dry cleaning. Blackmail and investment are his opportunity to be more than a man no one notices. Settle in the chair and listen. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The last thing on his mind is murder.

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for a scene of violence | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

26 October 2001 (UK)  »

Also Known As:

The Barber Project  »

Filming Locations:

 »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$664,404 (USA) (2 November 2001)

Gross:

$7,494,849 (USA) (22 February 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The title is taken from the William Hughes Mearns poem "Antigonish". See more »

Goofs

When Doris is in jail and is talking to Ed across the table, when the camera is behind Ed's shoulder, smoke is billowing from the cigarette, but when the camera switches to the one behind Doris' shoulder, no smoke is coming from the cigarette. See more »

Quotes

[first lines]
Ed Crane: Yeah, I worked in a barbershop, but I never considered myself a barber. I stumbled into it. Or married into it, more precisely.
See more »

Crazy Credits

Special thanks to citizens and merchants of Orange, CA and The Bungalow Heaven Neighborhood - City of Pasadena, CA. See more »

Connections

Referenced in Big Bang: Episode #1.2 (2007) See more »

Soundtracks

Three O'Clock in the Morning
(1922)
Music by Julián Robledo (as Julian Robkedo)
Lyrics by Dolly Morse (as Theodora Morse)
Published by EMI Feist Music, Inc. and Bienstock Publishing Company
o/b/o Redwood Music Ltd.
Performed Hugo Peretti (as Hugo) & Luigi Creatore (as Luigi)
Courtesy of The RCA Records Label, a unit of BMG Entertainment
Under license from BMG Special Markets
See more »

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User Reviews

Great pastiche of the noir genre
19 July 2002 | by (United Kingdom) – See all my reviews

Ed Crane is a barber who quietly wants more from his life. When he meets a man with a business proposition he decides to go for it. He suspects his wife is having an affair with her boss and anonymously blackmails him – however things in noir are never straightforward and blackmail leads to murder and a series of events are sparked off around Ed.

I must say I'm surprised this is as high up the imdb charts as it is, but I'm not surprised by the lukewarm reception it had from multiplex audiences. This is a slow, moody homage where things just happen, rather than a neat `start-middle-tidy finish-bad guy dies' type thing. The Cohen brothers have a reputation for the old quirks and here is no different – mixing the steady noir narration with talk of haircuts and bingo makes for a strange if humorous mix. The plot is good but the noir feel mixed with weird going-ons may alienate many audiences.

Thornton is a perfect choice – his features fit well in the black and white shadows and his voice suits the noir narration. McDormand is good and Gandolfini gets another good role and does well. The support is very good – Badalucco, Shalhoub, Polito are all very good. Some elements of it are like a spot the TV face – we have Benrubi from ER, Higgins from Ally McBeal and Abundas from Six Feet Under all in small roles. It's even nice to see a cameo from McDonald.

Overall this isn't as funny as it was billed, simply because it is a noir. As such the Cohens mix the familiar themes of that genre with all new subjects and create a great effect.


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