1949, Santa Rosa, California. A laconic, chain-smoking barber with fallen arches tells a story of a man trying to escape a humdrum life. It's a tale of suspected adultery, blackmail, foul play, death, Sacramento city slickers, racial slurs, invented war heroics, shaved legs, a gamine piano player, aliens, and Heisenberg's uncertainty principle. Ed Crane cuts hair in his in-law's shop; his wife drinks and may be having an affair with her boss, Big Dave, who has $10,000 to invest in a second department store. Ed gets wind of a chance to make money in dry cleaning. Blackmail and investment are his opportunity to be more than a man no one notices. Settle in the chair and listen. Written by
When Ed Crane is at the French piano teacher's studio (Jacques Carcanogues), the actor portraying him, Adam Alexi-Malle, plays the opening of the Piano Concerto #1 by Franz Liszt. This was unplanned and spontaneous during one of the takes during shooting as Joel Coen and Ethan Coen were unaware that Adam was in fact an accomplished concert pianist. See more »
Birdy Abundas says that Ludwig van Beethoven "was deaf when he wrote this. [...] He never actually heard it", referring to his Piano Sonata No. 8 in C Minor, Op. 13, "Pathetique". When Beethoven composed this specific Sonata in 1798, he wasn't deaf. He already had some auditory troubles but he became totally deaf later, around 1815. During the very beginning of the 19th century he was still able to play public concerts and to hear the pieces he was composing. See more »
Yeah, I worked in a barbershop, but I never considered myself a barber. I stumbled into it. Or married into it, more precisely.
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The opening titles cast shadows on the wall as if they are real. See more »
What a difference a good director makes! Billy Bob Thornton, who was sadly misused in Bandits, gets to recover himself in his brilliant characterization of Ed Crane in this film directed by Joel Coen. His performance is so detailed and subtle that he uses his face to great advantage in the close-ups while the narration goes on in the background. The use of black and white heightens the atmosphere of this 40s-style film noir. The brilliant cinematography is incredible in the use of shadows and dark tones that enhances the story to such an extent. Frances McDormand is incredible in the film as well. And what could one say about James Gandolfini? He gets better and better all the time. The atmosphere of the era is captured even in the small details. It's very refreshing to see the Coen brothers get over their last disaster of "State and Main" with such panache, aided of course by their star, Billy Bob Thornton and the ensemble cast and a great and ironic story.
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