Waking Life (2001) - News Poster



Canon Of Film: Toy Story

In this edition of Canon Of Film, we take a look at one of John Lasseter‘s seminal masterpiece– ‘Toy Story‘, in honor of the release of Pixar’s latest,‘Coco’. For the story behind the genesis of the Canon, you can click here.

Director: John Lasseter

Screenplay: John Whedon, Andrew Stanton, Joel Cohen and Alec Sokolow from the story by John Lasseter, Pete Docter, Andrew Stanton and Jon Ranft

(In case you haven’t seen it for some reason, here’s the trailer for the film)

It’s been over 20 years since ‘Toy Story‘ was first released. In that time, the landscape of film animation has changed so dramatically that you can separate the time difference as before as after ‘Toy Story.’ At one time, every animated feature release by Disney was a must-see event because: A–they were the results of years of painstaking detail and were made
See full article at Age of the Nerd »

1 of Your Favorite Disney Movies Is Disappearing From Netflix Next Month

  • BuzzSugar
December is the month of giving, but that hasn't stopped Netflix from taking away some of our favorite shows and movies. While there are some great titles heading our way next month, we'll also have to part ways with a number of classics, namely those scary movies you binge-watched in October. See what's leaving below. Related46 New Titles Are Coming to Netflix in November to Help You Survive Thanksgiving Dec. 1 All I Want For Christmas Bedazzled Black Snake Moan Compulsion Cousin Bette Hoffa La Viuda Negra, season one Picture Perfect Practical Magic Rebelde Scary Movie 2 Scary Movie 3 Super Size Me Terriers, season one The Crucible The Gospel Road: A Story of Jesus The Man from Snowy River Touch, season two Toys Two Girls and a Guy Waking Life Young Frankenstein Yu-Gi-Oh! Bonds Beyond Time Yu-Gi-Oh! Zexal, seasons one-two Dec. 5 Holes Dec. 9 It's Always Sunny in Philadelphia, seasons 1-11 Dec.
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Richard Linklater on ‘Last Flag Flying’, Patriotism, and More

Richard Linklater’s new film Last Flag Flying, starring Bryan Cranston, Steve Carell and Laurence Fishburne, came out in time for Veterans Day last week. The writer/director of such films as Boyhood, Before Sunrise, Dazed and Confused, School of Rock and Waking Life stopped by Collider Studios to talk to John Rocha about the film. During the discussion, he talks about the genesis of the project, what motivated him to make it and what he hopes people will take from the movie. The film is set in 2003 focuses on Cranston, Carrell and Fishburne as three Vietnam veterans who …
See full article at Collider.com »

All 20 Richard Linklater Movies Ranked, From Worst to Best (Photos)

  • The Wrap
All 20 Richard Linklater Movies Ranked, From Worst to Best (Photos)
With “Last Flag Flying” arriving in theaters, we’re taking on the not-so-simple task of ranking the movies of genre-hopping director Richard Linklater. The top titles on this list could rightfully be called modern classics, but every one of his films somehow evokes the heartfelt philosophy of his hypnotic “Waking Life”: human interaction is the highest form of spiritual communion. 20. “Bad News Bears” (2005) The 1976 original was a true product of its time, with an all-star lineup led by Walter Matthau and Tatum O’Neal, but this unnecessary remake just felt like it was trying too hard. By 2005, the sight.
See full article at The Wrap »

‘Loving Vincent’ Review: The World’s First Oil-Painted Feature is a Truly Insane Vincent van Gogh Tribute — Telluride

‘Loving Vincent’ Review: The World’s First Oil-Painted Feature is a Truly Insane Vincent van Gogh Tribute — Telluride
Vladimir Nakobov’s 1938 novel “Laughter in the Dark” begins with its rich and horny (but happily married) hero arriving at the vision that will ultimately ruin his life. A retired art critic with cinematic aspirations, old Albinus is struck by the idea of taking a famous painter, “preferably of the Dutch School,” and animating one of his signature works into the stuff of motion pictures. Film technology was still in its infancy, and it made anything seem possible. What if someone could use it to breathe new life into a static canvas, adding new dimensions to the artist’s vision and illustrating what might have happened in the moments before and after the one that was immortalized in oil?

Albinus, to his credit, recognized the unique challenges that might be involved in such an endeavor. “It would entail a delicacy of work calling for novel improvements in the method of animation,
See full article at Indiewire »

Ethan Hawke Still Has Hope for Jesse and Celine’s Future, Teases A Fourth ‘Before’ Movie

Ethan Hawke Still Has Hope for Jesse and Celine’s Future, Teases A Fourth ‘Before’ Movie
It’s been four years since Jesse and Celine’s hotel fight in Greece broke our hearts, and anyone wondering what the couple at the center of Richard Linklater’s “Before” trilogy is up to nowadays certainly isn’t alone. Is the couple still happily married? Or did that cataclysmic event uproot their entire love story? Linklater’s ambiguous ending to “Before Midnight” hinted at reconciliation, but it didn’t necessarily guarantee it.

Read MoreRichard Linklater’s ‘Before’ Trilogy Hits Criterion: Everything You Need to Know About the Romantic Saga

Hawke recently sat down with The Independent to promote his new movie “Maudie,” in which he stars opposite Sally Hawkins, and the conversation couldn’t help but find its way to the “Before” trilogy, which the actor says is “connected to [his] soul, for lack of a better word.” Every nine years since “Before Sunrise” in 1995, Hawke has reunited with Linklater
See full article at Indiewire »

Annecy Film Review: ‘Loving Vincent’

Annecy Film Review: ‘Loving Vincent’
Stand in front of a painting by Vincent van Gogh for more than five minutes, and your brain starts to react in strange ways. Even today, more than a century after the artist’s death, the brushstrokes pack an almost psychedelic energy, vibrating with an intensity that seems to have sprung directly from van Gogh’s tortured personal life. Now imagine staring at one of these paintings for 90 minutes straight — or crazier still, watching a series of them actually start to move.

Such was the vision Polish animator Dorota Kobiela had for “Loving Vincent,” a truly awe-inspiring portrait of the great Dutch artist that boasts the distinction of being “the world’s first fully painted feature film.” That means every one of the nearly 65,000 frames in this near-lunatic labor of love was rendered by hand with oil paints, following a style intended to mimic that of the master — which has
See full article at Variety - Film News »

A Brief History of the ‘Hangout’ Film

More than a sub-genre; a way of life.

Filmmakers have worked within recognizable genres for nearly as long as they’ve told stories. Initially film appropriated genres from literature and theatre, but as the new medium found its footing in Hollywood’s Classical Era of the 40s and 50s, a distinctly cinematic set of generic conventions were codified. Since that time, genres have come in and out favor, but most new films have still defined themselves either in accordance with or opposition to the Classical Hollywood models. Even innovative filmmakers like Jean-Luc Godard and David Lynch have self-consciously manipulated the language of genre, treating it like another tool in the director’s toolkit. But films are living things, and there are as many ways to draw the lines of categorization as there are films. Reevaluating movies of the past according to new and different models is one of the best ways to keep the medium from ossifying
See full article at FilmSchoolRejects »


A fateful day is re-examined by its survivors, whose stories are told via a brilliant narrative arrangement, and the use of animated recreations is only one aspect of it. The Texas tower shootings put our present, everyday reign of violent terror in a humanist context. It’s not exploitative — the killer’s name is barely mentioned. It works, it’s riveting, and its positive message is one of calm sanity. Highly recommended.



Kino Lorber

2016 / Color / 1:78 widescreen / 82 96 min. / Street Date March 21, 2017 / available through Kino Lorber / 34.95

Starring: Violett Beane, Louie Arnette, Blair Jackson, Monty Muir, Chris Doubek, Reece Everett Ryan, Josephine McAdam, Aldo Ordoñez, Vicky Illk, John Fitch, Karen Davidson, Jeremy Brown.

Cinematography: Keith Maitland, Sarah Wilson

Film Editor: Austin Reedy

Original Music: Osei Essed

Produced by Megan Gilbride, Keith Maitland

Directed by Keith Maitland

Advance publicity on Keith Maitland’s Tower set me against it from the start.
See full article at Trailers from Hell »

Is It Time to Revive the Animated Live-Action Movie?

As the major studios tinker with photorealistic character designs, can Hollywood find the future of animation in its past?

This weekend, families with hit their local multiplex to relive the wonder of Beauty and the Beast in its new live-action format. And whether the film is a runaway hit or only a modest success, Disney shows no signs of plugging its pipeline of live-action remakes. According to this 2016 Time piece, Disney is currently working on no fewer than twelve (that’s one-two) remakes of their popular animated films, meaning twelve more movies featuring up-and-coming actresses, revamped musical numbers, and CGI creatures that take a deep, deep dive into the uncanny valley.

While this brand new surge of Disney movies are likely to each be a technical wonder, for my money, there’s something oddly pedestrian about converting the beautiful Disney animated character designs into a series of photorealistic CGI models. While
See full article at FilmSchoolRejects »

Richard Linklater’s ‘Before’ Trilogy Hits Criterion: Everything You Need to Know About the Romantic Saga, According to Its Creators

  • Indiewire
Richard Linklater’s ‘Before’ Trilogy Hits Criterion: Everything You Need to Know About the Romantic Saga, According to Its Creators
Richard Linklater’s “Before” trilogy encapsulates the way love feels in a way few films can match. Twenty years in the making, the story of Jesse (Ethan Hawke) and Céline (Julie Delpy) follows the beginning (“Before Sunrise,” 1995), re-beginning (“Before Sunset,” 2004), and eventual strain (“Before Midnight,” 2013) of one relationship. And the Criterion Collection has released a 2K restoration of the three films, along with hours of bonus features and behind-the-scenes footage.

Read More: Robert Downey Jr. Teaming Up With Director Richard Linklater for ‘Man of the People’ Podcast Film Adaptation

Linklater wrote all three films with the stars of his trilogy. In honor of its Criterion release, IndieWire has assembled this guide to the collaborative production in the words of the people who brought it to life.

The Writing Process Was the Biggest Challenge

Linklater collaborated with his two leads to develop the characters over the course of several years. It
See full article at Indiewire »

Berlinale 2017 Review: Liu Jian Triumphs With Have A Nice Day

Animated movies for adults are painfully undervalued, both at a festival level and as an art form, but Liu Jian's Have A Nice Day is a title that could smash through those barriers. Certainly one of the more interesting features in Berlinale's Main Competition this year, Have A Nice Day may not have the philosophical depths of something like Richard Linklater's Waking Life, but it's definitely among a small group of animated crime thrillers in which you can tell that a lot more is going on beneath the surface. Deeply Chinese in terms of its bathetic dark humour and social topics, this intense 75-minute labour of love nevertheless feels deeply (and unsurprisingly) influenced by Western culture. What's more, it also feels as though its perhaps...

[Read the whole post on screenanarchy.com...]
See full article at Screen Anarchy »

Tower review – documentary of a mass shooting

Animation and eyewitness accounts read by actors bring tension and emotion to this account of the day a sniper killed 16 at the University of Texas in 1966

Deftly combining archive footage, interviews and handsome rotoscoped animation, Tower is an innovative documentary account of the mass shootings on the University of Texas campus on 1 August 1966. A sniper armed with a cache of assault rifles opened fire from the observation platform of the clock tower. Sixteen people were killed and many more injured before the gunman was finally killed by two police officers and one civilian. Using actors (subsequently animated) reading the real-life accounts of the victims and witnesses, the film is as taut as a thriller but also creative in a way that a straight-up reconstruction could never be. The animation technique gives the film a similar look to Richard Linklater’s Waking Life or Ari Folman’s Waltz With Bashir, though
See full article at The Guardian - Film News »

Groundhog Day and 10 more films about time, dreams, and perception

  • Cineplex
Groundhog Day and 10 more films about time, dreams, and perceptionGroundhog Day and 10 more films about time, dreams, and perceptionAdriana Floridia2/2/2017 10:30:00 Am

Today is Groundhog Day, where the myth lives on that a groundhog who sees his shadow will doom us to a longer winter than we deserve. Then there is Harold RamisGroundhog Day, the film in which Bill Murray’s weatherman, Phil Connors mysteriously finds himself living the same day over and over again. On a traditional level the movie is a comedy, but it actually touches upon some really dark philosophical themes. It’s estimated by the filmmakers that Phil lives the same day for 10 years.

In honour of Groundhog Day, we’re taking a look back at ten other films that deal with time, memory, dreams, and repeated experiences. While there may be no film that tackles the topic as precisely as Groundhog Day, these
See full article at Cineplex »

How the ‘Pulp Fiction’ Adrenaline Shot Scene Was Inspired by Scorsese’s ‘Lost Film’ — Watch

How the ‘Pulp Fiction’ Adrenaline Shot Scene Was Inspired by Scorsese’s ‘Lost Film’ — Watch
In 1978, Martin Scorsese shot a documentary called “American Boy: A Profile of Steven Prince” about his friend, a former Neil Diamond roadie and drug-addict best known for playing the small role of Easy Andy in “Taxi Driver.” Considered Scorsese’s “lost film,” the documentary was never released, though it lived on in bootleg copies.

In it, Scorsese interspersed home videos of Prince’s childhood with his narrations of his wild stories, including a particularly outrageous one about the time he plunged an adrenaline shot into the heart of a girl who had overdosed on heroin. The scene was made famous by Quentin Tarantino’s “Pulp Fiction,” and Prince also tells the story in Richard Linklater’s “Waking Life.”

Read More: ‘Silence’ Review: Martin Scorsese Delivers a Gorgeous Crisis-of-Faith Drama

In a recently published video, one can hear Prince’s original version of the story that inspired Tarantino, alongside the famous scene it inspired,
See full article at Indiewire »

Plan B’s Dede Gardner and Jeremy Kleiner Tell Sundance Producers to Look ‘Beyond Dollars and Cents’ (Exclusive)

  • Indiewire
Plan B’s Dede Gardner and Jeremy Kleiner Tell Sundance Producers to Look ‘Beyond Dollars and Cents’ (Exclusive)
[Editors’s Note: Earlier today, producers and Plan B co-presidents Jeremy Kleiner and Dede Gardner were honored at the 2017 Sundance Film Festival’s Producers Lunch. Below is Kleiner’s keynote speech in its entirety.]

Dede Gardner and I want to thank Michelle Satter and Anne Lai. It is extremely humbling to have this opportunity and to follow in a tradition of producers we respect and admire, speaking to their peers in a spirit of solidarity – producers being the boundary-less, restless misfits who clearly do not fit into any other facet of civilized society.

Read More: How ‘Moonlight’ Beat the Odds to Reach Theaters In African-American Neighborhoods

We want to thank Sundance Institute. Standing on the precipice of mass conglomeration, the disruption of the theatrical distribution business, and peak television, all this uncertainty, it is very hard to overstate what Sundance Institute, and the Sundance Film Festival, have given all of us all of these years.

I remember January 1999 like it was yesterday. This is the height of the Clinton impeachment proceedings. I was working an assistant job fresh out of college. I was very passionate about film,
See full article at Indiewire »

Tower – Review

One of 2016’s best documentaries is another look at a seminal moment in America’s struggle with crime and violence. Like many previous docs, it’s an examination of a mass murder. Now basic cable TV channels (and network “newsmagazines”) are filled with such, now almost commonplace, events. What makes this film unique is the subject, namely the very first mass shooting just over fifty years ago. The other aspect that makes this work is special is its approach and use of a high-tech upgrade of a movie device that dates back over 90 years. This enables the film makers to expertly transport us to that hot summer day in 1966, as a madman spewed death from the top of a college Tower.

Director Keith Maitland, like many documentarians, makes use of archival news footage and radio recordings to convey the horror of Charles Whitman’s rampage at the University of Texas.
See full article at WeAreMovieGeeks.com »

The Best Movies Directed by Women in 2016

Our 22 Favorite Movies Directed by Women in 2016Looking to support great female-directed films? Start here.

Over the years, we’ve heard from our readers that one of the most important things we can do is to help you discover movies that may have slipped by mainstream audiences. And often just as important, our readers ask that we highlight voices that are in the minority in Hollywood. While we’re known for not taking ourselves very seriously, we take this part of our work seriously. Because as many studies have shown, there are some voices that aren’t as well-represented as others. Them’s the facts.

Beyond that, our team has a passion for seeking out and celebrating films directed by women. This is where we often find, as you’re about to see in this list, some of the most unique and interesting stories in the whole of cinema. Another thing we hear often from readers is
See full article at FilmSchoolRejects »

Oscar Odds Stacked Against Documentary Directors

Oscar Odds Stacked Against Documentary Directors
In the nearly 75 years since the Oscars began awarding a documentary feature, no non-fiction filmmaker has ever been nominated for director, despite being eligible for the prize.

The most obvious reason is that “directing” seems antithetical to the spirit of nonfiction, which is about revealing unsullied truths about the world in which we live. Documentary directors have been generally regarded as observers or journalists, rather than as creative artists, and the Oscar process has, until recently, rewarded more conservative approaches to the form.

Such prominent documentary figures as Errol Morris and Werner Herzog worked for decades before the Academy honored them. Morris’ “The Fog of War” won the 2004 Oscar and Herzog’s “Encounters at the End of the World” was nominated in 2009. But even those films, as quirky and iconoclastic as they are, operated in the familiar spheres of journalistic interrogation and fact-filled nature docs. It’s always been expected
See full article at Variety - Film News »

How ‘Tower’ Demonstrates the Possibilities of Art and Healing in Nonfiction Filmmaking — Consider This

How ‘Tower’ Demonstrates the Possibilities of Art and Healing in Nonfiction Filmmaking — Consider This
In the documentary short “Speaking is Difficult,” director Aj Schnack marries B-roll shots of public spaces where mass shootings took place with voiceover of the events’ 911 calls. It captures the mundanity of grocery parking lots, main streets, schools invaded by extreme violence, and how quickly life appears, superficially, to return to normal.

Read More: Field of Vision Founder Aj Schnack’s Powerful Short Visits Sites of Mass Shootings – Watch

Keith Maitland’s “Tower” is about the trauma that persists and how it’s sometimes possible to unearth and heal those wounds.

In broad daylight on August 1, 1966, the Austin campus of the University Texas was host to the United States’ first mass shooting at a school. From atop a tower in an open courtyard, sniper Charles Whitman held what was the equivalent of five city blocks of the campus hostage for 96 minutes, killing 17 people and wounding 32 others.

Dallas-born filmmaker Keith Maitland
See full article at Indiewire »
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