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Va Savoir (Who Knows?) (2001)

Va savoir (original title)
Quick-witted, well-read cultured types revolve around each other in a delightful potpourri of theatre, romanticism and theft.

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Writers:

(scenario), (scenario) | 3 more credits »

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3 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Marianne Basler ...
...
Catherine Rouvel ...
Madame Desprez
...
Ugo
Jacques Bonnaffé ...
...
...
Librarian
Attilio Cucari ...
Salter
Bettina Kee ...
Mop
Luciana Castellucci ...
Lena
Emanuele Vacca ...
Salesio
Arturo Armone Caruso ...
Bruno
Valéria Cavalli ...
Ines
...
Silvio
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Storyline

The theatre world is a familiar setting for the films of Rivette. In Va savoir, the characters, all quick-witted, well-read and cultured types, revolve around each other in a delightful potpourri of theatre, romance and theft. In the end, everything lands on its feet and they all get the partner they deserve, but before then, long filmer Rivette takes two and a half hours to dwell lightly on the vicissitudes around the six protagonists. Camille is an actress with an Italian company that is in Paris to perform a play by Pirandello, Come tu mi vuoi. Her boyfriend Ugo is the director and the company's most important actor. Both have a hidden agenda for their trip to Paris: Camille meets her ex Pierre, a professor of philosophy, while Ugo is secretly researching a supposedly lost play by Goldoni. In the archives, he is assisted by the charming student Do, who steals his heart. In turn, Do has a link with Pierre: her stepbrother, the playwright Arthur, namely steals an expensive ring from ... Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Comedy | Crime | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for brief nudity | See all certifications »
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Details

Official Sites:

Country:

| |

Language:

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Release Date:

10 October 2001 (France)  »

Also Known As:

Va Savoir (Who Knows?)  »

Filming Locations:


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Box Office

Opening Weekend USA:

$43,010, 30 September 2001, Limited Release

Gross USA:

$907,323, 31 March 2002
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (director's cut)

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Sergio Castellitto dubbed himself in the french version, while Jeanne Balibar dubbed herself in the italian's. See more »

Goofs

A child and a bicycle in the background disappears between shots in the park. See more »

Quotes

Ugo: Why are you staring at me?
Dominique 'Do': I think you're handsome. I'm just joking. Well, no. You have shadows under your eyes. Tired?
Ugo: This play is harder and harder.
Dominique 'Do': Mother and I plan to go tomorrow. It's not full?
Ugo: Far from it, unfortunately. I'm delighted you're coming.
Dominique 'Do': Mother will ask me to translate and explain everything. There will be "shhs" all around us.
See more »

Connections

References As You Desire Me (1932) See more »

Soundtracks

Senza Fine
Written by Gino Paoli / Alec Wilder
Sung by Peggy Lee
Performed by Lou Levy (piano)
John Pisano (guitar)
Charles Berghofer (bass)
Stan Levey (drum)
Avec l'autorisation de BMG Music Vision et d'EMI Music France
See more »

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User Reviews

Relationship angst in Paris theatre scene
14 May 2002 | by See all my reviews

I felt I should like this film more than I did. It is set in current day Paris where a theatre troupe is putting on a Italian production. The story revolves around a French actress in the troupe who is married to the director of the theatre group who is returning to Paris for the first time in years and still has unresolved feelings for an ex who resides in the city. The acting is solid if not very good, and the plot does hold interest and hangs together well. Having said this I could not help but feel the whole thing was somewhat slight and the payoff in time (it is or seemed like a very long movie) was somewhat unjustified. In some ways the characters seemed almost distant to me, they were real but I couldnt get inside their head, which in some ways is a silly criticism because life is like that and that is not necessarily a detraction for the film but I felt as though they were drifting through a series of set pieces with not all that much at stake. Having said this it is definitely worth a look and certainly should be sought if you enjoy cinema that goes beyond the pedestrian plot lines and pyrotechnics of all too many mainstream features today.


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