Jeff is taking care of everything Mark left behind when he died. Mark was about to have a visitor, Andrea, an Italian guy he met online. Both of them will have the chance to share memories of the Mark they knew while knowing each other.
Annecy is no tourist destination for three working-class Algerian brothers and their father, in the months after their mother has died. Marc is deeply troubled: he tries to stiff drug ... See full summary »
Eighteen-year-old Mathieu is vacationing at the beach with his family when he meets local teen Cédric. After an extremely erotic kiss, the boys begin a passionate romance, complete with skinny-dipping at night, nude dancing on the beach and intense lovemaking in the dunes. Yet as Mathieu grapples with his sexuality and copes with his sick mother, absent father and annoying kid sister his bond with Cédric grows stronger until it bursts. Written by
Only after some contemplation did I decide I liked this movie. And after reading comments from all the other posters here, and thinking about it some more, I decided that I liked it tremendously. I love American films - probably because they are so narrative. They usually have a well-defined beginning, middle, and end. "Presque rien," on the other hand, makes no such attempt. I disagree with other posters that say it's 'too artsy.' In every way, this film is meant to evoke your sense memories. So often throughout the film you feel like you're there... you feel the summer sun, the breezes, the heat, the winter chill, the companionship, the loneliness, etc., etc.
In every way, the director pulls you into the lives of the characters - which is why so many people feel so strongly that the movie disappointed them. After I finished watching it, I felt the same. But upon some reflection, I recognized that this is how the movie had to be: the 'story' isn't the narrative, it's the emotions you (the viewer) feel.
The lighting, scenery, and camera angles immerse you in the scenes - they're rich, exquisite, and alive with detail and nuance. Although I normally cannot countenance films without a fully developed plot (after all, isn't a movie 'supposed' to tell a story), this film is definitely one of my new favorites.
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