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The Matrix Revolutions (2003)

6.7
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Ratings: 6.7/10 from 291,592 users   Metascore: 47/100
Reviews: 2,117 user | 243 critic | 41 from Metacritic.com

The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.

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(as The Wachowski Brothers) , (as The Wachowski Brothers)
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Title: The Matrix Revolutions (2003)

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Cast

Cast overview, first billed only:
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Tanveer K. Atwal ...
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Rachel Blackman ...
Henry Blasingame ...
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Q-Ball Gang Member #1
Zeke Castelli ...
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Zee
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Storyline

Neo discovers that somehow he is able to use his powers in the real world too and that his mind can be freed from his body, as a result of which he finds himself trapped on a train station between the Matrix and the Real World. Meanwhile, Zion is preparing for the oncoming war with the machines with very little chances of survival. Neo's associates set out to free him from The Merovingian since it's believed that he is the One who will end the war between humans and the machines. What they do not know is that there is a threat from a third party, someone who has plans to destroy both the worlds. Written by Soumitra

Plot Summary | Plot Synopsis

Plot Keywords:

machine | battle | fight | future | epic | See more »

Taglines:

The IMAX Revolution See more »


Motion Picture Rating (MPAA)

Rated R for sci-fi violence and brief sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

5 November 2003 (USA)  »

Also Known As:

The Burly Man  »

Filming Locations:

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Box Office

Budget:

$110,000,000 (estimated)

Opening Weekend:

$1,093,075 (Australia) (21 November 2003)

Gross:

$139,259,759 (USA) (20 February 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| | | (IMAX version)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The brand of cigarettes the Oracle smokes is "Double Destiny". See more »

Goofs

When the upside down fight at Club Hell is over, Trinity walks past a man stuck upside down in a wall (from a kick delivered to him by Trinity during the fight). As Trinity walks by, the man falls to the ground and a wire can be seen attached to his neck for a split second before the shot cuts to him falling on the ground. See more »

Quotes

[first lines]
AK: I got nothing, sir. No sign of Niobe or Ghost. Nothin' but blue pills.
See more »

Crazy Credits

The giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation. See more »


Soundtracks

I'm Beginning To See the Light
Written by Duke Ellington, Don George, Johnny Hodges and Harry James
Performed by Ben Webster
Courtesy of Reprise Records
By Arrangement with Warner Strategic Marketing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Still trying to absorb what I've seen
5 November 2003 | by (Irving, TX) – See all my reviews

Going into this movie I had one wish: To leave feeling that it was a successful conclusion to a two-part film. Taking Reloaded/Revolutions as a single (very large) movie with an intermission is the best way to evaluate it. Viewed that way I think it succeeded. I thought Revolutions was the equal of Reloaded, yet I can see how many will think it failed. The ending gave us everything we needed to know, but did not show us all we wanted to see. I'm speaking of the last twenty minutes or so here. After a visually robust middle, in which I felt my eyes grow larger in their sockets more than once, the ending seemed like an anticlimax. It needed to be longer, and I would gladly have traded some of the fx flair used earlier to give the final part of the film it's justified due. It will be awhile before I can look at it more objectively (perhaps I'll have to wait to view the two parts as one on DVD). I only suggest now that anyone seeing it let it sink in completely before being too critical.


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