Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from an most advanced robotic assassin and to ensure they both survive a nuclear attack.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
An "extras-only" DVD, packed with documentaries and behind-the-scenes footage from the filming of the ground-breaking 1999 movie "The Matrix". Includes a rare interview with the elusive ... See full summary »
Lorenzo di Bonaventura,
As the Clone Wars near an end, the Sith Lord Darth Sidious steps out of the shadows, at which time Anakin succumbs to his emotions, becoming Darth Vader and putting his relationships with Obi-Wan and Padme at risk.
Neo discovers that somehow he is able to use his powers in the real world too and that his mind can be freed from his body, as a result of which he finds himself trapped on a train station between the Matrix and the Real World. Meanwhile, Zion is preparing for the oncoming war with the machines with very little chances of survival. Neo's associates set out to free him from The Merovingian since it's believed that he is the One who will end the war between humans and the machines. What they do not know is that there is a threat from a third party, someone who has plans to destroy both the worlds. Written by
The name of the station between the Machine World and The Matrix is called Mobil Ave. Mobil is an anagram of Limbo, the traditional station between Heaven and Earth. See more »
When Smith and Neo are running at each other in the rain for the final battle, the camera focuses behind their feet in slow motion. You can visibly see both lines of Smiths on either side of the street. However, you cannot see their opponents, just the feet of whoever it is focusing on. See more »
I got nothing, sir. No sign of Niobe or Ghost. Nothin' but blue pills.
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As in the first two "Matrix" films, the opening Warner Bros. logo is green on a gray sky, and the opening Village Roadshow logo is green. See more »
Half I expected, and half was better than expected.
Revolutions is much more concise and to the point than Reloaded was. The action is much more focused and purposeful, mostly because the movie is working its way toward a conclusion, rather than an open ending or a cliffhanger like either of the first two movies. The dialog is geared toward answering unanswered questions rather than raising new ones, and even the new questions raised in the third film can be answered by watching the film again (watch all three a few times over and you'll be as pointlessly knowledgeable about The Matrix universe as I am!).
Unlike Reloaded, even the score fits well with every scene in the movie. I didn't care too much for the rave scene (the scene or the music) in Reloaded, but I can't recall a moment in Revolutions when any scene or sounds felt contrived or unnecessary. If nothing else, I was more disappointed that some scenes and characters didn't appear in the movie! For instance, the Merovingian and his goons were grossly underused in this film! Such an egotistical, maniacal character should be the focus of more attention than what he received in what is supposed to be the best movie of the trilogy.
(One thing I must say to any viewers who criticize the film because it doesn't look real enough or doesn't feel right: you need to stop thinking like an illogical human and treat The Matrix like what it is: something that isn't real. It's science fiction, and much of the action takes place in a computer simulated dream world that is described as an imperfect simulation of the "real world". That is all.)
I have been more involved in The Matrix than I have been in any other media phenomenon to hit pop culture, which means that it is simply, for whatever reason, the realization of an idea that works very well for me. The Wachowski brothers put together an excellent body of work with these films and accompanying works on various media -- so excellent, in fact, that I am easily distracted by discussion of The Matrix, both within the context of the story and above and beyond the story (symbolism, allegorical applications, etc.)
My only complaints were that the Merovingian was grossly underused, the fate of the Twins and some other characters was not explained, and the Kid's triumphant "The war is over!" at the end was a bit premature, given what we had just watched for the last two hours.
Finally, everyone should keep in mind that the machines have Neo's code, and whether Keanu Reeves comes back or not, his intellect may yet survive in the Matrix somehow...
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