The Matrix Revolutions (2003)

Directors:

Andy Wachowski
Lana Wachowski

Writers (WGA):

Andy Wachowski (characters) &
Lana Wachowski (characters) ...

Release Date:

5 November 2003 (USA)

Genre:

Action | Adventure | Sci-Fi | Thriller

Tagline:

Everything that has a beginning has an end.

Plot:

The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.

Plot Keywords:

Machine | The Matrix | Battle | Future | Agent

Awards:

1 win & 17 nominations

Cast

Mary Alice	...	The Oracle
Tanveer K. Atwal	...	Sati
Helmut Bakaitis	...	The Architect
Kate Beahan	...	Coat Check Girl
Francine Bell	...	Councillor Grace
Monica Bellucci	...	Persephone
Rachel Blackman	...	Charra
Henry Blasingame	...	Deus Ex Machina
Ian Bliss	...	Bane
David Bowers	...	Q-Ball Gang Member #1
Zeke Castelli	...	Operations Officer Mattis
Collin Chou	...	Seraph
Essie Davis	...	Maggie
Laurence Fishburne	...	Morpheus
Nona Gaye	...	Zee

Also Known As:

The Burly Man (USA) (fake working title)
The Matrix 3 (USA) (working title)
The Matrix Revolutions: The IMAX Experience (USA) (IMAX version (promotional title))

MPAA:

Rated R for sci-fi violence and brief sexual content.

Runtime:

129 min

Country:

Australia | USA

Language:

English | French

Color:

Color

Aspect Ratio:

2.20 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Iceland:12 | Malaysia:18SG | Germany:16 | USA:R (certificate #40389) | Singapore:NC-16 (re-rating) | South Korea:15 | France:U (with warning) | Brazil:14 | New Zealand:M | South Africa:10V (theatrical rating) | South Africa:13V (DVD rating) | India:UA | Argentina:13 | Australia:M | Canada:13+ (Quebec) | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | Canada:14 (Nova Scotia) | Chile:TE | Finland:K-15 | Hong Kong:IIB | Israel:PG | Japan:PG-12 | Netherlands:12 | Norway:15 | Peru:14 | Philippines:PG-13 | Portugal:M/12 | Singapore:PG (cut) | Spain:13 | Sweden:11 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15

Filming Locations:

Alameda, California, USA

Company:

Warner Bros. Pictures

Trivia:

The special effects crew spent two months designing the apparatus to make the perfect rain drop.

Goofs:

Continuity: When Neo is talking to the Oracle, she sits down and slips her bracelet over her wrist. When we cut back to her, she puts on the bracelet again.

Quotes:

[first lines]
AK: I got nothing, sir. No sign of Niobe or Ghost. Nothin' but blue pills.

Movie Connections:

References Aliens (1986)

Soundtrack:

Navras

Action-Packed Tedium

It is hard to believe that the original Matrix's philosophical subtlety came from the same authors of the two sequels.

It seems the brothers must have cribbed the original story for the first Matrix, since the last 2 show none of the original's subtlety or interest, just rehashing and CGI multiplication.

One evil robot, two evil robots, many many evil robots. Wow, what an idea, what creativity!

Viewing the behind-the-scenes on DVD disc 2, you can see the reasons for the incoherence of story and scenes - the huge fractured design team, numerous 'senior this' 'senior that', all contributing to some corporate creation lacking any inspiration. Maybe the corporate cube-farm culture works for making cars, but it doesn't seem to work for films.

I would have liked to have seen another level of reality exposed behind the mindless machines, and why are they so mindlessly evil when they can think up such a subtle ruse to enslave the humans? It isn't consistent. Why not introduce an alien ET culture who is really the master culture enslaving the machine culture by some similar hallucinatory ruse. Or, have the humans escape by transcending their bodies, as in all the traditional gnostic spiritualities.

All in all, the Matrix is just a retread of the movie TRON. TRON at least had some insight into what the machine mindset and motivation for domination might be, e.g. tyrannical game addiction, much like the decadent Roman emperors. The Matrix, after the first film, gives no thought to any subtle motivations of the machine culture, preferring the tired cliché of 'alien villain = mindless unrelenting violence'.