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The Matrix Revolutions (2003)

R  |   |  Action, Sci-Fi  |  5 November 2003 (USA)
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Ratings: 6.7/10 from 346,337 users   Metascore: 47/100
Reviews: 2,120 user | 246 critic | 41 from Metacritic.com

The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.


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Cast overview, first billed only:
Tanveer K. Atwal ...
Rachel Blackman ...
Henry Blasingame ...
Q-Ball Gang Member #1
Zeke Castelli ...


Neo discovers that somehow he is able to use his powers in the real world too and that his mind can be freed from his body, as a result of which he finds himself trapped on a train station between the Matrix and the Real World. Meanwhile, Zion is preparing for the oncoming war with the machines with very little chances of survival. Neo's associates set out to free him from The Merovingian since it's believed that he is the One who will end the war between humans and the machines. What they do not know is that there is a threat from a third party, someone who has plans to destroy both the worlds. Written by Soumitra

Plot Summary | Plot Synopsis

Plot Keywords:

machine | battle | fight | future | epic | See All (148) »


Everything that has a beginning has an end. See more »


Action | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for sci-fi violence and brief sexual content | See all certifications »

Parents Guide:







Release Date:

5 November 2003 (USA)  »

Also Known As:

The Burly Man  »

Filming Locations:


Box Office


$110,000,000 (estimated)

Opening Weekend:

£8,712,350 (UK) (7 November 2003)


$139,259,759 (USA) (20 February 2004)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| | | (IMAX version)


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


A machine called "The Tuning Fork" (rotatable at 360 degrees) was specially constructed for the effect of Neo and Smith fighting in the air, heading upwards into the sky See more »


When Neo is talking to the Oracle, she sits down and slips her bracelet over her wrist. When we cut back to her, she puts on the bracelet again. See more »


[first lines]
AK: I got nothing, sir. No sign of Niobe or Ghost. Nothin' but blue pills.
See more »

Crazy Credits

The giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation. See more »


The Trainman Cometh
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Performed by Juno Reactor and Don Davis
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Finding Neo
26 September 2004 | by (United States) – See all my reviews

'The Matrix Revolutions' is the much-anticipated conclusion to the Wachowski Brothers' cultic sci-fi trilogy, whose previous entries were 'The Matrix' and 'The Matrix Reloaded.' In the series' final installment, the messiah figure, Neo, does battle with the diabolical forces that have imprisoned most of humanity in a world of cyber unreality via a massive computer program known as The Matrix.

Of the three films, 'Revolutions' is definitely the least imaginative and the least interesting. What separated the first two episodes in the series from most other action films was the willingness on the part of the filmmakers to bring some thematic depth and narrative complexity to a genre that, all too often, finds no room for such qualities. The previous two films didn't always succeed in their endeavor - often emerging as more hollow and pretentious than meaningful and profound - but they managed to remain intriguing even in their moments of failure. Unfortunately, the same cannot be said for 'Revolutions,' which spends so much time on repetitive action scenes and special effects that there is little time left over for storyline and theme. In a strange way, Neo himself ends up getting lost in this film, dropping off the radar screen for astonishingly long stretches of time, only to re-emerge periodically to remind us that there really is supposed to be a purpose buried somewhere beneath all this ear-splitting commotion (this could be re-titled 'Finding Neo'). The sad fact, though, is that, once we arrive at the climactic scene to which all three films have been building, the resolution turns out to be a ham-handed muddle, utterly lacking in clarity and coherence After an almost six-hour-long buildup over the course of the three films, the audience is left scratching its collective head wondering just what it was that happened before the closing credits started rolling by. Perhaps smarter people than I can figure all this out for, frankly, after the overall disappointment occasioned by this film, I couldn't muster either the desire or the effort to probe very deeply into the matter.

It goes without saying that the special effects in this film are spectacular - we would expect nothing less - but what we don't get from 'Revolutions' - which we did from the two previous 'Matrix' films - is that little something extra in the form of intelligence and sophistication that made them more than just the bland, over-produced, assembly-line products they easily could have become - and which 'Revolutions' very nearly is. Even the stolid earnestness of Keanu Reeves can't convince us this time around that there is anything hidden under all those cool gadgets and explosions worth our looking into.

Thus endeth the Matrix series, not with a bang but with a whimper - intellectually speaking that is.

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