After 20 years on the road with Blue Oyster Cult, Jimmy Testagros returns to his hometown to life with his ailing mother. Complications arise when he falls for an old friend, who is now married to his longtime nemesis.
Sensitive, somewhat effeminate farm-boy Duncan Mudge can barely cope with grim, since Ma's death even gloomier father Edgar's manly expectations, and seeks comfort in petting a chicken he ... See full summary »
Realism and fantasy collide in Jonathan Lethem's genre-bending coming-of-age story, which follows two estranged brothers as they try to leave New York City for a new life in California only... See full summary »
Anthony M. Bertram
A resourceful and high-spirited woman deals with financial distress and her asthmatic thirteen-year-old son when his life is gravely complicated by a new friendship with the son of her former drunken and abusive husband.
Fifteen-year-old Howie loses just about everything and everyone in the space of a single week, but ends up finding himself in the process. His mother has just died. His father, a building contractor, can barely keep tabs on his young girlfriend, let alone his own son. Thusly, the teen must navigate his adolescence virtually unsupervised. Floating towards an ill-behaved existence, Howie and his crowd begin robbing houses in the middle-class neighborhoods off the Long Island Expressway. Together, he and his best friend Gary break into a place belonging to an old guy named Big John, a local man who is a respected pillar of the community. When Big John fingers Gary for the crime, Howie learns that his pal has been leading a secret, dangerous but also alluring double life. Subsequently, we also discover that Big John has secrets of his own. Written by
Sujit R. Varma
The distributor, Lot 47, appealed against the NC-17 rating at the same time as launching a publicity campaign about how arbitrary the rating system was. Both failed. See more »
When Marty parks his car to confront Howie and Gary in the parking lot, he obviously parks it in a vacant lot (no other cars are around). However, when he returns to his car a few moments later, several cars have now appeared in the parking lot although there hasn't been time for them to arrive and park. See more »
L.I.E. Long Island Expressway. You got the lanes going east, and you got the lanes going west. And you also got the lanes going straight to hell. Lot of people died on it. Harry Chapin, Alan Pakula, the movie director. You probably heard of them. But you never heard of Sylvia Blitzer, my mom. She died on a crash on Exit 52. I really miss her. It's taken a lot of people and I hope it doesn't get me.
See more »
A true to life tale of a young suburban male teenager.
I've practically lived this film so I know what it portray's isn't exploitive or audacious in the negative sense. It's a simple story of a kid growing up in the suburbs. The meaninglessness and frustration of this way of life I felt was painted nicely by the cinematographer and the director. The omnipotent lukewarm attempts by the high school and social structure were represented in a fair manner. It's a story of a teenager dealing with many things straight on. This movie is really an interesting look into modern western life as seen by a young kid. The movie draw's you in like all good film-making should. The acting is great. The story will hold your attention and be engaging to you regardless of your childhood. The only stumbling blocks will be your own pretenses or cynicism. It's not a complex story on the surface but everything that isn't spelled out is where the weight of the film resides.
20 of 25 people found this review helpful.
Was this review helpful to you?