7.2/10
8,875
109 user 66 critic

L.I.E. (2001)

A 15-year-old Long Island boy loses everything and everyone he knows, soon becoming involved in a relationship with a much older man.

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20 wins & 18 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Howie Blitzer (as Paul Franklin Dano)
...
Marty Blitzer
...
James Costa ...
Tony Michael Donnelly ...
Brian (as Tony Donnelly)
Michelle Carano ...
Newscaster
Tatiana Burgos ...
Marty's Girlfriend
...
B. Constance Barry ...
Anne Harrigan
...
Scott
Brad Silnutzer ...
Henry
Bob Gerardi ...
Clifford
...
Elliot
Frank Rivers ...
Man with Pizza (as Frank G. Rivers)
Anthony F. Peragine ...
Tough Kid #1
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Storyline

Fifteen-year-old Howie loses just about everything and everyone in the space of a single week, but ends up finding himself in the process. His mother has just died. His father, a building contractor, can barely keep tabs on his young girlfriend, let alone his own son. Thusly, the teen must navigate his adolescence virtually unsupervised. Floating towards an ill-behaved existence, Howie and his crowd begin robbing houses in the middle-class neighborhoods off the Long Island Expressway. Together, he and his best friend Gary break into a place belonging to an old guy named Big John, a local man who is a respected pillar of the community. When Big John fingers Gary for the crime, Howie learns that his pal has been leading a secret, dangerous but also alluring double life. Subsequently, we also discover that Big John has secrets of his own. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

On the Long Island Expressway there are lanes going east, lanes going west, and lanes going straight to hell.

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content involving teens, language and brief violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 November 2002 (UK)  »

Also Known As:

L.I.E. Long Island Expressway  »

Box Office

Budget:

$700,000 (estimated)

Opening Weekend:

$82,530 (USA) (9 September 2001)

Gross:

$1,141,829 (USA) (24 February 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Brian Cox took the part of Big John Harrigan against the advice of most of his colleagues and his agent. See more »

Goofs

The second black eye that Howie receives disappears and reappears from shot to shot. It is absent in the scene in which Howie and Big John shave; however, it is present in several scenes beforehand and afterward. See more »

Quotes

[first lines]
Howie: L.I.E. Long Island Expressway. You got the lanes going east, and you got the lanes going west. And you also got the lanes going straight to hell. Lot of people died on it. Harry Chapin, Alan Pakula, the movie director. You probably heard of them. But you never heard of Sylvia Blitzer, my mom. She died on a crash on Exit 52. I really miss her. It's taken a lot of people and I hope it doesn't get me.
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Connections

Featured in Beyond Clueless (2014) See more »

Soundtracks

The Bugs
Written and Performed by Walken
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User Reviews

Realistic, pulls no punches.
19 July 2002 | by (Darkest New Jersey) – See all my reviews

This story rings true because it's something that happens in the real world all the time, whether people want to admit it or not. The film captures events and emotions that are complex, challenging, and confusing.

Howie, a young, intelligent, good-looking boy attracts attention from the same sex and isn't sure how he feels about it. He meets "Big John", and finds himself fascinated and impressed by the man's life, flattered and a bit scared at the attention he shows, and also somewhat repulsed by the man's attraction for young boys.

John, for his part, begins the relationship from a position he's quite familiar with: using his power as a worldly and canny adult to manipulate someone else. He feels physically attracted to Howie, but as they spend more time together, he sees the depth of the boy's character and a sensitivity similar to his own. Howie brings out the good side in John (and some people may be shocked that the film shows how a pedophile can have a "good side", but this is reality and it is well depicted).

Howie's feelings are excellently illustrated as they run a wide spectrum: confused, repulsed, lonely, defiant, confident, aroused, at times even suicidal. I empathized with and admired the character, and found myself rooting strongly for him to rise above the tragic and frustrating circumstances in which he found himself. In the end I felt a sense of triumph as we saw that, despite his unfortunate situation and his own flaws and weaknesses, he does possess the strength and character to face the world and become his own person.


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