Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
Eight unsuspecting high school seniors at a posh boarding school, who delight themselves on playing games of lies, come face-to-face with terror and learn that nobody believes a liar - even when they're telling the truth.
Jannicke, Morten Tobias, Eirik, Mikael and Ingunn are on a snowboarding vacation in Jotunheimen. They are forced to take shelter in an abandoned hotel when Morten Tobias breaks his leg and ... See full summary »
Ingrid Bolsø Berdal,
Rolf Kristian Larsen,
Tomas Alf Larsen
One misty morning, Liz Dunn stumbles down the road to her school and screams for help. A police psychologist gets her to reveal her story: A month earlier: three rebellious teenagers - Mike, Frankie and Geoff are trying to ditch the school field trip to Wales. The school nerd Martin helps them out by allowing them to stay in an old war bunker for the three days on the condition that his friend Liz joins them. The teens go down, party and have great fun but Martin doesn't return to let them out and they hope and pray that someone will find them... Written by
If you have seen the trailers (or read some of the reviews), you would be forgiven of thinking of this film as a dark and disturbing thriller, unfortunately, this is not the case.
The acting is first rate from the leading five, though Embeth Davidtz, an experienced actress, is confined to a character with little scope for the talents she has displayed in previous films, and I find it disappointing that her acting skills were curtailed by such a restrictive screenplay.
And herein lies the main problem for this film. The characterisations are excellent, but the limited experience of the writers shines through. This film has none of the twists and turns you would expect from a thriller, an ending that is at once unconvincing, predictable, and weak, and plot holes you could drive a bus through.
Director, Nick Hamm, shows great promise as this film is very well put together, and he certainly gets the best from the main four actors. However he seems to have neglected the talents of everyone else in the film (bar Daniel Brocklebank as Martin).
In my opinion, this film was well acted and directed, if only the plot could have been better, we might have seen another classic British film. However I fear that this film will sink into obscurity. It seems a shame that such talent was not used on a film with better writers.
I await with anticipation Nick Hamm's next offering, and hope that he finds a screenplay to stretch both himself and the whole cast.
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