The gruesome murder of a Brooklyn Detective will turn the case into a personal vendetta when the deceased's best friend and fellow officer will unleash an all-out attack against a psychotic Mafia enforcer's brutal gang.
Environmental protection agent Jack Taggart is fighting big business types led by Orin Hanner who are dumping toxic waste somewhere in the Kentucky hills region. They also killed his fellow... See full summary »
Félix Enríquez Alcalá
This movie tells the story of a man who goes undercover in a hi-tech prison to find out information to help prosecute those who killed his wife. While there he stumbles onto a plot involving a death-row inmate and his $200 million stash of gold.
Don Michael Paul
Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
Orin Boyd (Seagal) is a Detroit cop who doesn't follow rules. After he saved the Vice President by violating every order he received he is transferred to one of the worst precincts in the city. There he quickly encounters some corrupt cops selling heroin to drug dealers. The problem is, it's very difficult to tell who is the bad guy and who you can trust. Written by
Boris Shafir <email@example.com>
There is a Flashpoint (2008) episode with the same name. But, the plot of the episode doesn't share with the movie. See more »
Obvious stunt double in the e motorcycle chase. See more »
Ladies and gentleman, it's a pleasure for me to be here on such a beautiful day, in the great city of Detroit. And I'd love to tell you all to sit back, relax, and enjoy yourselves. I'd love to, but unfortunately, I can't do that. There's a very serious issue that's spiraling out of control in this country. Illegal handguns ending up in the hands of our children. But instead of reading off a bunch of statistics that you might not already know that last year, more preschoolers died ...
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When the end credits start rolling, T.K. is a guest on Henry Wayne's TV talk show. They talk about T.K.'s operation. T.K. greets his parents. Then they talk about things that turn them on. See more »
Anybody should know when you're getting ready to see a Steven Seagal movie
you're not getting ready to see a Greek tragedy. What makes "Exit Wounds"
special is it's all in good fun. There's no pretentions whatsoever. In
fact, it even leaves a good share of the running time for comic relief. You
have spectacular action in one corner...you have hilarious comedy in the
other...what the hell more can you ask for?
Seagal hasn't made an action flick in a while, so it was great to see him
again on the silver screen. He takes a lot of flack for gaining a little
weight. OK, so he's heavier than normal. So maybe him and Sammo Hung been
hanging out in the same buffet. But Seagal can still kick butt like he did
back in "Above the Law" and "Hard to Kill." His action scenes are always
fun to watch. As I tell people, I'm not easily aroused by action scenes. I
can be just as bored by an action scene as one would get bored during an
episode of "Masterpiece Theater." But Seagal's action scenes have a sense
of originality and flare. Big deal. He's not the best actor. Does his
work require great dramatic acting? Would a dramatic monologue be
appropriate during one of HIS movies? Let's be sensible. I think people
are way too hard on the man. He's still cool with me.
In the comedy department, we have the uninhibited Tom Arnold. Arnold plays
the stereotypical cheesy talk show host, who takes anger-management classes
with Seagal. There's a hilarious scene where Seagal loses his temper and
throws a fit, yelling to the teacher "I'm a happy person!" with anger in his
eyes. Then Arnold decides that Seagal would be a perfect guest for his
show. Also, we have Anthony Anderson of "Me Myself and Irene" fame. He was
one of the foul-mouthed African-American brothers in the Farrelly Brothers
comedy. He gets an even bigger opportunity to flaunt his comic chops in
this flick. In fact, him and Tom Arnold have a hysterically funny
conversation at the end credits, so PLEASE don't be so quick to walk out the
DMX is not a terrific actor, but he's fairly good. He proves his discipline
as an actor in a more restrained role than his starring role in Hype
Williams' "Belly." In that film, he pretty much portrayed a character out
of all his rap videos. So that wasn't a big stretch. "EW" gives him more
to work with. Not the role of a lifetime, but meatier than a drug-dealing
"gangsta." And did I mention Jill Hennesy is in the cast? Oh...mannnnn!
She is an absolute knockout! Perfect eye candy! Throw in a gratuitous
strip club scene(which this film has), and we have the ultimate guy flick.
With DMX in the lead, naturally we have to expect some of his songs on the
soundtrack. And he provides some good stuff. One--which was used in the
previews and thankfully was used in the movie too--is a remix of "Ain't No
Sunshine When She's Gone." It's quite innovative how they insert an
artist's songs into a movie's soundtrack. There's also a scene where DMX is
picking out a car and blasts on the stereo his song "Why Do Good Girls Love
There isn't much depth to "Exit Wounds." In fact, I don't know if there's
any depth. But a film like this is meant strictly for exhibition. And in
that department, it really really delivers! It's exciting! It's funny!
It's rousing! It's a thrill a minute! You won't be bored for a second! An
hour and thirty minutes of sheer, uninhibited fun! "Exit Wounds" won't have
you heading to the exit. In fact, you probably won't even want to go out
for popcorn you'll be having such a great time! Strap
My score: 7 (out of 10)
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