| Joseph Rye | ... | Stevie | |
| Francis Fallon | ... | Johnny | |
| Elyse Ashton | ... | Lisa | |
| David Goldman | ... | Bob | |
| Alex Lange | ... | Walter | |
| Wendy Latta | ... | Janie | |
| Mo Gallini | ... | Bartender (as Matt Gallini) | |
| rest of cast listed alphabetically: | |||
| Laura Niemi | ... | Beth Anderson | |
| Mary Ann Schmidt | ... | Blonde Groupie | |
Directed by | |||
| Doug Cawker | |||
Writing credits(in alphabetical order) | ||
| Doug Cawker | writer | |
| Howard Roth | writer | |
Produced by | |||
| Doug Cawker | .... | producer | |
| John Rhode | .... | co-producer | |
| Howard Roth | .... | producer | |
Original Music by | |||
| Greg Kuehn | |||
Cinematography by | |||
| John Rhode | |||
Film Editing by | |||
| Jennifer Calbi | |||
| Lawrence A. Maddox | |||
Casting by | |||
| Liz Braunstein | |||
Art Direction by | |||
| Jennifer Calbi | |||
Makeup Department | |||
| Monica Kubina | .... | key makeup artist | |
Sound Department | |||
| Rob Disner | .... | boom operator | |
Stunts | |||
| Hubie Kerns Jr. | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Mike Longo | .... | assistant camera | |
| Patrick Murphy | .... | assistant camera | |
| Patrick Murphy | .... | gaffer | |
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| Punk: Attitude | 24 Hour Party People | End of the Century | Rock Star | 1991: The Year Punk Broke |
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| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb USA section |
A film for punks and would be punks, a story for pukes, assholes and people who think they are neither. It's characters are for people a little tired of the "world mall" we are all forced to live in. It is not a film for people with a "ma and pa" rosey world view . It is not for the puking punks with an "ain't music fun" as they react to their ma and pa's rosey world for the weekend. Back to their real life; Monday at 8:00 am.
This film is for people who believe in something and are struck by the pain of not being able to reach it because they know they are the hurdle that must be over come. This film will dig at a hidden part of any human heart.
This film came from an honest place. Yes, at times, it was very rough in it's presentation (a great tip-off that it wasn't made by some unexamined film school, suburban cog or a son of a big wheel that really should really be a butcher, a baker or a candlestick maker). This film didn't posed (even though some of its characters did.) There was a inner hardness in some of the characters that was presented in a plain manner. Not everyone will like this style.
The events and images are not bright and happy (or even unnecessarily dark) but it has a respect for its subject. This is not another outsiders view of a world that is "cool". This is not another fake mockumentary made with a mind fueled by a Big Gulp diet.
There is no risk in laughing at someone you don't really know.
This film mocks itself. Born to Lose is fuelled by all that can be destructive about booze, drugs and human beings.
It is also not a glorification of a musical rant or a ranting personality. It's the blah, blah, blah of music and one ordinary guy.
Yes, some of the support acting seemed a lot like trying hard to act but somehow that didn't matter to the story or even the characters. There was always this sense of tumbling and falling with the events. It's as if the characters had seen their end - our end - and said screw it, "it just doesn't matter what I think or what I do". A viewer doesn't have to agree or disagree with this P.O.V. because the characters don't care if they do or don't or die.
"Born to Lose" shows you the dog s**t in the middle of the sidewalk and allows you to step around the s**t or jump on it and track it around your own 'hood.
I give it an 8 out of 10 (if this was baseball that would be a batting average of ......? Note: If you can answer a baseball trivia question you should skip this movie and go to the mall - shop or hang-out or shoot a mockumentary, it just doesn't matter.