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The Affair of the Necklace (2001)

 -  Drama | History  -  30 November 2001 (USA)
6.1
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Ratings: 6.1/10 from 4,013 users   Metascore: 42/100
Reviews: 59 user | 47 critic | 22 from Metacritic.com

In pre-Revolutionary France, a young aristocratic woman left penniless by the political unrest in the country, must avenge her family's fall from grace by scheming to steal a priceless necklace.

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Title: The Affair of the Necklace (2001)

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Cast

Cast overview, first billed only:
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Simon Kunz ...
Minister of Titles
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Peter Eyre ...
Monsieur Bassenge
Frank McCusker ...
Abel Duphot
Simon Shackleton ...
Hermione Gulliford ...
Geoffrey Hutchings ...
President D'Aligre
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Storyline

Paris, 1786: a woman in court. The Crown murdered her father for his views about the poor, now Jeanne wants her home and good name back. She believes all can be set right if she can talk to the Queen, whose House Minister rebuffs her. With the help of a courtside gigolo, she learns to use what others desire to get what she wants. She needs a patron: with forged letters, she convinces Cardinal de Rohan she is the Queen's confidante and can help him regain royal favor. Jeanne conspires to have the Cardinal purchase a fabulous diamond necklace for the Queen. He delivers it to Jeanne for Marie Antoinette. If the scheme breaks down, what then? Might this affair spark revolution? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Her Birthright Was Stolen. Her Dignity Taken. Her Rights Denied. Deception Was The Only Option. See more »

Genres:

Drama | History

Motion Picture Rating (MPAA)

Rated R for some sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

30 November 2001 (USA)  »

Also Known As:

Farlig intrig  »

Filming Locations:

 »

Box Office

Opening Weekend:

$125,523 (USA) (30 November 2001)

Gross:

$430,313 (USA) (11 January 2002)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the 1938 film Marie Antoinette (1938), Norma Shearer refused any complimentary make-up for the final scene showing her character going to the guillotine. She wanted to look as haggard and exhausted as the real queen had in her final moments. In the final scene for this movie, Joely Richardson expressed the same effects as she tried to convey as her reflection can be viewed in the water bucket beside guillotine before the beheading. See more »

Quotes

[first lines]
Narrator: Napoleon wrote that military blunders and domestic catastrophes fanned the flames of the French Revolution. But the cu-de-gras was a curious palace scandal involving woman of nobility denied, a member of the royal family, and the most magnificent string of jewels in all of Europe. This notorious intrigue came to be known as, L'affaire du Collier.
See more »

Connections

Version of Marie-Antoinette (2006) See more »

Soundtracks

Air: Quà Votre Gloire Tout Conspire
Written by Louis-Nicolas Clérembault
Performed by Nancy Argenta & Trio Sonnerie
Courtesy of Harmonia Mundi USA
See more »

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User Reviews

 
Dispassionate waste of film
14 July 2002 | by (miami,fl) – See all my reviews

I love period dramas. I love the costumes, the sets, the horses, the street scenes. I love the fact that maybe I can learn a little bit about history along with being entertained. So it was with hope that I rented this movie even though it had only been in the theater two days and there were only two copies of it at Blockbuster (both bad signs). I understand now why no one had wanted anything to do with it from the beginning.

This film simply did not click. There was nothing in it that made me interested in or care about the protagonists. The main fault should go to the casting director who terribly miscast Hillary Swank as an 18th century French noblewoman. Don't get me wrong, I do like Hillary and have recently praised her depiction of the young cop in "Insomnia", but in "The Affair" she was like a fish out of water, too angular, too wooden and quite obviously a modern American actress faking an English accent depicting a French character.

Then we must blame the director, because the sense of tension in this film was minimal. This was a movie about a court intrigue where the stakes were huge both monetarily and punitively. Much more passion should have been injected, more fear, more highs, more lows, intense love and ferocious hate, anything to get the viewer engaged. That this was not done was unfortunate, because the film has a beautiful look to it and the sets and costumes do not disappoint.




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