| Photos (See all 172 | slideshow) | Videos (see all 13) |
Directed by | |||
| Chris Columbus | |||
Writing credits(WGA) | ||
| J.K. Rowling | (novel) | |
| Steve Kloves | (screenplay) | |
Produced by | |||
| Todd Arnow | .... | associate producer | |
| Michael Barnathan | .... | executive producer | |
| Chris Columbus | .... | executive producer | |
| Paula DuPré Pesmen | .... | associate producer (as Paula Dupre-Pesman) | |
| Duncan Henderson | .... | executive producer | |
| David Heyman | .... | producer | |
| Mark Radcliffe | .... | executive producer | |
| Tanya Seghatchian | .... | co-producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| John Seale | |||
Film Editing by | |||
| Richard Francis-Bruce | |||
Casting by | |||
| Susie Figgis | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
| Karen Lindsay-Stewart | |||
Production Design by | |||
| Stuart Craig | |||
Art Direction by | |||
| Andrew Ackland-Snow | |||
| Peter Francis | |||
| John King | (supervising art director) | ||
| Michael Lamont | |||
| Neil Lamont | (supervising art director) | ||
| Simon Lamont | |||
| Steven Lawrence | |||
| Lucinda Thomson | |||
| Cliff Robinson | (uncredited) | ||
Set Decoration by | |||
| Stephenie McMillan | |||
Costume Design by | |||
| Judianna Makovsky | |||
Makeup Department | |||
| Jane Body | .... | hair stylist | |
| Mark Coulier | .... | key prosthetic makeup artist | |
| Nick Dudman | .... | special makeup effects artist | |
| Eithne Fennel | .... | hair designer (as Eithné Fennell) | |
| Andrea Finch | .... | hair stylist: second unit (as Andrea Pennell) | |
| Jeanette Freeman | .... | hair stylist: second unit | |
| Betty Glasow | .... | hair stylist | |
| Richard Glass | .... | contact lens optician | |
| Amanda Knight | .... | makeup designer | |
| Clare Le Vesconte | .... | makeup artist | |
| Chris Lyons | .... | dental technician | |
| Lisa McDevitt | .... | makeup artist: second unit | |
| Sharon Nicholas | .... | hair trainee | |
| Sharon Nicholas | .... | makeup trainee | |
| Alex Rouse | .... | wigmaker | |
| Jane Royle | .... | makeup artist | |
| Zoe Tahir | .... | hair stylist | |
| Michelle Taylor | .... | makeup artist: second unit | |
| Julia Wilson | .... | crowd makeup | |
| Sallie Evans | .... | makeup artist (uncredited) | |
| Claire Folkard | .... | creature effects trainee (uncredited) | |
| Claire Matthews | .... | makeup artist: dailies (uncredited) | |
| Nikita Rae | .... | make up artist: crowd (uncredited) | |
| Jemma Scott-Knox-Gore | .... | contact lens technician (uncredited) | |
| Caitlin Tanner | .... | dailies makeup artist (uncredited) | |
Production Management | |||
| Todd Arnow | .... | unit production manager | |
| David Carrigan | .... | assistant production manager | |
| David Carrigan | .... | assistant production supervisor | |
| Russell Lodge | .... | production supervisor: second unit | |
| Mark Marshall | .... | post-production supervisor | |
| R.J. Mino | .... | unit production manager: second unit | |
| Janine Modder | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Chris Carreras | .... | first assistant director | |
| Jamie Christopher | .... | first assistant director: second unit | |
| Ian Dray | .... | additional third assistant director | |
| David R. Ellis | .... | second unit director (as David Ellis) | |
| Robert Grayson | .... | key second assistant director | |
| Duncan Henderson | .... | additional first assistant director | |
| Dan John | .... | second assistant director: second unit | |
| Robert Legato | .... | second unit director | |
| Michael Michael | .... | third assistant director | |
| R.J. Mino | .... | additional second assistant director | |
| David Pearson | .... | first assistant director: motion control & model unit | |
| Fiona Richards | .... | co-second assistant director | |
| Josh Robertson | .... | first assistant director: second unit | |
| Nick Shuttleworth | .... | third assistant director: second unit | |
| Michael Stevenson | .... | second assistant director | |
| Rob Burgess | .... | additional third assistant director: second unit (uncredited) | |
| Simon Emanuel | .... | set second assistant director: dailies (uncredited) | |
Art Department | |||
| Simon Alderton | .... | supervising rigger: Jim Henson's Creature Shop | |
| Ravi Bansal | .... | concept artist | |
| Jim Barr | .... | prop modeller: Jim Henson's Creature Shop | |
| Elena Biggs | .... | assistant modeller: Jim Henson's Creature Shop | |
| Hannah Biggs | .... | assistant modeller: Jim Henson's Creature Shop | |
| Rob Bliss | .... | creative designer | |
| Michael Boone | .... | set designer | |
| Mark Brady | .... | supervising carpenter: Jim Henson's Creature Shop | |
| Adam Brockbank | .... | storyboard artist | |
| Paul Burges | .... | dressing propman: Jim Henson's Creature Shop | |
| Paul Catling | .... | creative designer | |
| Peter Chan | .... | storyboard artist | |
| Bryn Court | .... | sculptor | |
| Tracey Curtis | .... | prop modeller: Jim Henson's Creature Shop | |
| Joe Dipple | .... | chargehand dressing propman: Jim Henson's Creature Shop | |
| Peter Dorme | .... | set designer | |
| Gill Ducker | .... | production buyer | |
| John Fox | .... | dressing propman: Jim Henson's Creature Shop | |
| Adrian Getley | .... | prop modeller: Jim Henson's Creature Shop | |
| Jo Graysmark | .... | assistant set decorator (as Johanna Graysmark) | |
| Glenn Haddock | .... | prop modeller: Jim Henson's Creature Shop (as Glen Haddock) | |
| Gary Handley | .... | drapes master | |
| Rosie Hardwick | .... | set designer | |
| Bernie Hearn | .... | chargehand dressing propman: Jim Henson's Creature Shop | |
| Dan Hearn | .... | dressing propman: Jim Henson's Creature Shop | |
| Paul Hearn | .... | props | |
| Andrew Holder | .... | sculptor | |
| Darren Holland | .... | stagehand: second unit | |
| Michael Howlett | .... | head metal worker: Jim Henson's Creature Shop | |
| Gary Ixer | .... | stand-by props: Jim Henson's Creature Shop | |
| Patricia Johnson | .... | set designer | |
| Dominic Masters | .... | assistant art director | |
| Christian McDonald | .... | dressing propman: Jim Henson's Creature Shop | |
| Micky Mills | .... | dressing propman: Jim Henson's Creature Shop | |
| Miraphora Mina | .... | graphic artist (as Miraphora Caruso) | |
| Stephen Morahan | .... | assistant art director (as Steven Morahan) | |
| David Nicoll | .... | scenic artist | |
| Cyrille Nomberg | .... | illustrator | |
| Gerry O'Connor | .... | dressing propman: Jim Henson's Creature Shop | |
| Eddie O'Neil | .... | supervising stagehand: Jim Henson's Creature Shop | |
| John Palmer | .... | dressing propman: Jim Henson's Creature Shop | |
| Nick Pelham | .... | storyboard artist (as Nicholas Pelham) | |
| John Robinson | .... | sculptor | |
| Steven Sallybanks | .... | scenic art director | |
| Lee Sandales | .... | assistant set decorator | |
| Gert Stevens | .... | concept artist | |
| Dan Sweetman | .... | storyboard artist | |
| Vladimir Todorov | .... | storyboard artist | |
| Gary Tomkins | .... | assistant art director | |
| Sarah 'Toad' Tozer | .... | set designer (as Toad Tozer) | |
| Lisa Turner | .... | art department coordinator | |
| Bob Walker | .... | lettering artist (as Robert Walker) | |
| Julian Walker | .... | lettering artist | |
| Paul Waller | .... | prop modeller: Jim Henson's Creature Shop | |
| John Weller | .... | senior modeller: Jim Henson's Creature Shop | |
| David Wescott | .... | head scenic painter: Jim Henson's Creature Shop | |
| Michael Westcott | .... | supervising scenic painter: Jim Henson's Creature Shop | |
| Brian White | .... | supervising plasterer: Jim Henson's Creature Shop | |
| Terry Whitehouse | .... | prop modeller: Jim Henson's Creature Shop | |
| Barry Wilkinson | .... | property master | |
| Ben Wilkinson | .... | dressing propman: Jim Henson's Creature Shop | |
| Jamie Wilkinson | .... | assistant property master | |
| Simon Wilkinson | .... | supervising propman: Jim Henson's Creature Shop | |
| Sydney Wilson | .... | dressing propman: Jim Henson's Creature Shop (as Sidney Wilson) | |
| Ruth Winick | .... | graphic artist | |
| Tiffany Woods | .... | assistant modeller: Jim Henson's Creature Shop | |
| Tony Wright | .... | storyboard artist | |
| Andy Aitken | .... | scenic plasterer/mould maker (uncredited) | |
| John Alvin | .... | poster artist (uncredited) | |
| Lawrie Ayres | .... | dressing props (uncredited) | |
| Will Ayres | .... | props (uncredited) | |
| Pierre Bohanna | .... | supervising modeler (uncredited) | |
| Toby Britton | .... | art department model maker (uncredited) | |
| Patrick Casey | .... | construction buyer (uncredited) | |
| Paul Cheesman | .... | dressing propman (uncredited) | |
| Paul Couch | .... | stand-by painter (uncredited) | |
| Michael Finlay | .... | painter (uncredited) | |
| Pip Fox | .... | props (uncredited) | |
| Heidi Gibb | .... | junior draughtsman (uncredited) | |
| Mary Grandpré | .... | artist (uncredited) | |
| Dominic Hailstone | .... | concept modeller (uncredited) | |
| Daniel Handley | .... | supervising draper (uncredited) | |
| Robert Jackson | .... | carpenter (uncredited) | |
| Jody King | .... | assistant sculptor (uncredited) | |
| P.K. MacCarthy | .... | storyboard artist (uncredited) | |
| Tony Marks | .... | carpenter (uncredited) | |
| Steve Payne | .... | dressing props (uncredited) | |
| Christian Short | .... | prop man (uncredited) | |
| Drew Struzan | .... | poster artist (uncredited) | |
| Emma Vane | .... | junior draughtsman (uncredited) | |
| Lizzi Wilson | .... | petty cash buyer (uncredited) | |
Special Effects by | |||
| Jonathan Abbas-Klahr | .... | animatronic model designer (as Jonathan Klahr) | |
| Astrig Akseralian | .... | key animatronic model designer | |
| Jonathan Angell | .... | special effects senior technician | |
| Peter Aston | .... | special effects senior technician | |
| Daniel Auber | .... | art finisher: Jim Henson's Creature Shop | |
| Chris Barton | .... | key animatronic model designer | |
| Pete Bell | .... | motion bear electronics & mechanics: Jim Henson's Creature Shop | |
| Brian Best | .... | animatronics model designer | |
| Nigel Brackley | .... | special effects senior technician | |
| Stuart Bray | .... | animatronic model designer | |
| Daniel Brunet | .... | animatronic designer: Jim Henson's Creature Shop | |
| Mark Bullimore | .... | special effects modeller | |
| Michael Clarke | .... | special effects senior technician (as Mike Clarke) | |
| Nik Cooper | .... | senior special effects technician: motion control and model unit | |
| John Coopinger | .... | animatronic model designer | |
| Jamie Courtier | .... | project supervisor: Jim Henson's Creature Shop | |
| Karl Derrick | .... | animatronic model designer | |
| Stuart Digby | .... | special effects senior technician | |
| Nick Dudman | .... | creature effects | |
| David Dunsterville | .... | motion bear electronics & mechanics: Jim Henson's Creature Shop | |
| Michael Durkan | .... | special effects technician | |
| Malcolm Evans | .... | animatronic model designer (as Malcolm Evan) | |
| John Field | .... | head rigger: Jim Henson's Creature Shop | |
| Chris Fitzgerald | .... | creature sculptor: Jim Henson's Creature Shop | |
| Steve Fitzwater | .... | assistant construction manager: Jim Henson's Creature Shop (as Steven Fitzwater) | |
| Marie Fraser | .... | skin technology supervisor: Jim Henson's Creature Shop (as Mari Fraser) | |
| Charlotte Greenwood | .... | animatronic model designer | |
| Verner Gresty | .... | motion bear supervisor: Jim Henson's Creature Shop | |
| Frank Guiney | .... | animatronic engineer | |
| Tamzine Hanks | .... | animatronic model designer | |
| Matthew Harlow | .... | special effects technician | |
| Shaune Harrison | .... | animatronic model designer | |
| Simon Hewitt | .... | animatronic designer: Jim Henson's Creature Shop | |
| Graham High | .... | creature sculptor: Jim Henson's Creature Shop | |
| Kate Hill | .... | animatronic model designer | |
| Myf Hopkins | .... | creatures producer: Jim Henson's Creature Shop | |
| Patrick Johnson | .... | special effects technician | |
| Steve Jolley | .... | creature sculptor: Jim Henson's Creature Shop | |
| Dave Kelly | .... | mold maker: Jim Henson's Creature Shop | |
| Mike Kerby | .... | special effects technician (as Michael Kerby) | |
| Tacy Kneale | .... | art finish supervisor: Jim Henson's Creature Shop | |
| John Lambert | .... | makeup effects coordinator | |
| Andrew Lee | .... | animatronic model designer | |
| Melissa Lenihan | .... | animatronic model designer | |
| Julian Manning | .... | electronic supervisor: Jim Henson's Creature Shop | |
| Kevin Mathews | .... | wire effects supervisor | |
| Jason McCameron | .... | animatronic engineer | |
| Esteban Mendoza | .... | animatronic model designer (as Esteban Mendnoza) | |
| Digby Milner | .... | special effects floor supervisor: second unit | |
| Malcolm Mister | .... | mold maker: Jim Henson's Creature Shop | |
| Tim Mitchell | .... | animatronic engineer | |
| Day Murch | .... | fabrication supervisor | |
| Stephen Murphy | .... | animatronic model designer | |
| Kate Murray | .... | sculptor | |
| Ceri Nicholls | .... | special effects technician | |
| Geoff Paige | .... | workshop supervisor: Jim Henson's Creature Shop | |
| Adrian Parish | .... | animatronic designer: Jim Henson's Creature Shop | |
| Alan Perez | .... | special effects technician | |
| Lee Phelan | .... | assistant special effects technician: second unit | |
| Tony Phelan | .... | senior special effects technician: second unit (as Anthony Phelan) | |
| Peter Pickering | .... | special effects senior technician | |
| Gary Pollard | .... | supervising animatronic model designer | |
| Anton Prickett | .... | animatronic engineer (as Anton Pricket) | |
| Martin Reid | .... | animatronic model designer | |
| John Richardson | .... | special effects supervisor | |
| Marcus Richardson | .... | special effects technician | |
| Rosie Richardson | .... | special effects technician | |
| Bobbi Roberts | .... | art finisher: Jim Henson's Creature Shop (as Bobbie Roberts) | |
| Malcolm Roberts | .... | construction manager: Jim Henson's Creature Shop | |
| Jim Sandys | .... | animatronics model designer (as James Sandys) | |
| Mike Scanlan | .... | animatronic designer: Jim Henson's Creature Shop (as Michael Scanlan) | |
| Terry Sibley | .... | mold maker: Jim Henson's Creature Shop | |
| Sharon Smith | .... | head of creatures design: Jim Henson's Creature Shop | |
| Paul Spateri | .... | key animatronic model designer | |
| Paul Stephenson | .... | special effects workshop supervisor | |
| Guy Stevens | .... | animatronic designer: Jim Henson's Creature Shop | |
| Henrik Svensson | .... | mold maker (as Lars Henrik Svensson) | |
| Annabel Tait | .... | art finisher: Jim Henson's Creature Shop | |
| Paul Taylor | .... | special effects senior technician | |
| Rick Thompson | .... | special effects floor supervisor | |
| Robert Voysey | .... | head plasterer: Jim Henson's Creature Shop | |
| Graham Weames | .... | head carpenter: Jim Henson's Creature Shop | |
| Ian Whittaker | .... | creature sculptor: Jim Henson's Creature Shop | |
| Paul Whybrow | .... | special effects senior technician | |
| Simon Williams | .... | animatronic model designer | |
| Simon Williams | .... | special effects technician | |
| Tim Willis | .... | special effects floor supervisor | |
| Kenny Wilson | .... | mold shop supervisor: Jim Henson's Creature Shop | |
| Mark Woollard | .... | prop manufacturing coordinator: Jim Henson's Creature Shop | |
| Julie Wright | .... | art finisher: Jim Henson's Creature Shop | |
| Tahra Zahra | .... | fabricator: Jim Henson's Creature Shop (as Tahra Kharibian-Zafar) | |
| Barry Best | .... | mold maker (uncredited) | |
| Garry Cooper | .... | special effects model senior technician (uncredited) | |
| Jim Davey | .... | digital film recording (uncredited) | |
| Benjamin M. Esterson | .... | special effects technician (uncredited) | |
| Chris 'Flimsy' Howes | .... | special effects (uncredited) | |
| Daniel Letch | .... | special effects (uncredited) | |
| Noah Meddings | .... | assistant special effects (uncredited) | |
| Charlie Olsen | .... | special effects crew (uncredited) | |
| Ben Philips | .... | special effects creature puppet assistant (uncredited) | |
| Karen Purvis | .... | animatronic designer: The Jim Henson Creature Shop (uncredited) | |
| Dave Sullivan | .... | special effects technician (uncredited) | |
| Simon Webber | .... | animatronic model designer (uncredited) | |
| Kevin Wescott | .... | special effects assistant (uncredited) | |
| Grant White | .... | assistant: Jim Henson's Creature Shop (uncredited) | |
Visual Effects by | |||
| Mimi Abers | .... | digital artist: ILM | |
| Jude Adamson | .... | lead sequence lighter: Rhythm & Hues (as Judith Adamson) | |
| Alia Agha | .... | 3D matchmove artist: ILM | |
| Dave Allum | .... | modeller: motion control & model unit (as David Allum) | |
| Alfonso Alpuerto | .... | digital character animator: SPI | |
| Ana Maria Alvarado | .... | previsualization: SPI | |
| Marilyn Anderson | .... | TA manager: Mill Film | |
| David Andrews | .... | animation supervisor: ILM | |
| Stephen Aplin | .... | animator: ILM | |
| Cynthia Aragon | .... | rotoscoping lead: SPI (as Cynthia E. Aragon) | |
| Eric Armstrong | .... | animation supervisor: SPI | |
| Dan Ashton | .... | film operator: Cinesite | |
| Nicholas Atkinson | .... | visual effects editor: Mill Film (as Nick Atkinson) | |
| Dona Ball | .... | modeller: motion control & model unit | |
| Tom Barrett | .... | visual effects editor | |
| Angela Barson | .... | sequence compositor: MPC | |
| Alistair Bell | .... | modeller: motion control & model unit | |
| Scott Benza | .... | animator: ILM | |
| Jim Berney | .... | visual effects supervisor: SPI | |
| Mark Beverton | .... | modeller: motion control & model unit | |
| Matt Blackwell | .... | digital artist: ILM | |
| Nigel Blake | .... | senior workshop technician: motion control & model unit | |
| Steven Blakey | .... | effects animator: SPI | |
| James Bluma | .... | assistant visual effects editor: SPI | |
| Rod G. Bogart | .... | software research & development: ILM (as Rod Bogart) | |
| Michael Bradley | .... | electrician: motion control & model unit | |
| Timothy Brakensiek | .... | creature developer: ILM | |
| Patrick Brennan | .... | lead digital artist: ILM | |
| Terry Bridle | .... | senior modeller: motion control & model unit | |
| Johnny Brosman | .... | coordinator: motion control & model unit | |
| Jon R. Brown | .... | visual effects matchmover (as Jon Brown) | |
| Steve Brown | .... | senior plasterer: motion control & model unit (as Steven Brown) | |
| Tom Bruno Jr. | .... | cloth & hair: SPI | |
| Andrew Bull | .... | 3D motion control previs: motion control unit (as Andy Bull) | |
| Simon Burchell | .... | assistant visual effects editor | |
| John Butiu | .... | character modeler: SPI | |
| Aimee Campbell | .... | matchmover: SPI (as Aimee E. Campbell) | |
| Grady Campbell | .... | color & lighting: SPI | |
| Jeremy Cantor | .... | lead CG character animator: SPI | |
| Brian Cantwell | .... | 3D matchmove artist: ILM | |
| Tim Caplan | .... | I/O supervisor: Mill Film | |
| Allen Cappuccilli | .... | visual effects editor: SPI (as Alan Cappuccilli) | |
| Derek Carlson | .... | lead technical assistant: SPI | |
| Anthony Ceccomancini | .... | systems research engineer: SPI | |
| Jason Chalmers | .... | modeller: motion control & model unit | |
| Alan Chan | .... | look development lead: SPI | |
| Sophia Chowdhury | .... | modeller: motion control & model unit | |
| Amy Christensen | .... | 3D matchmove artist: ILM | |
| Kyle Clark | .... | lead CG character animator: SPI | |
| Steve Clarke | .... | painter: motion control & model unit (as Steven Clark) | |
| John Clinton | .... | producer: digital visual effects, SPI (as John F. Clinton III) | |
| Allison Coit | .... | visual effects production assistant: SPI | |
| Tony Coldham | .... | plasterer: motion control & model unit | |
| Rich Cole | .... | visual effects coordinator | |
| Clint Colver | .... | color & lighting: SPI (as Clinton Colver) | |
| Ryan Cook | .... | digital artist: ILM | |
| Colin Coull | .... | colot timer: Mill Film | |
| Joyce Cox | .... | visual effects producer: Rhythm & Hues | |
| Doug Creel | .... | effects animator: SPI | |
| Beth D'Amato | .... | digital paint lead: ILM | |
| Beth D'Amato | .... | rotoscope lead: ILM | |
| Johanna D'Amato | .... | CG production technician: ILM | |
| Matthew D'Angibau | .... | motion control operator: motion control unit | |
| Bryan Davis | .... | CG production technician: ILM | |
| Nick Davis | .... | visual effects supervisor | |
| Steven Deahl | .... | modeller: motion control & model unit | |
| Lisa Deaner | .... | lead high speed compositor: SPI | |
| Rob Delicata | .... | visual effects producer: motion control unit | |
| Lou Dellarosa | .... | animator: ILM | |
| Debbie Denise | .... | visual effects executive producer: SPI | |
| Mark DeSousa | .... | cloth & hair: SPI (as Mark E.A. De Sousa) | |
| Keith Devlin | .... | compositor: Cinesite | |
| Michael Di Como | .... | lead digital artist: ILM | |
| Gavin Digby | .... | compositor: Cinesite | |
| Jenny Dodwell | .... | modeller: motion control & model unit | |
| Christina Drahos | .... | digital artist: ILM | |
| Robert Duncan | .... | digital visual effects supervisor: CFC | |
| Nika Dunne | .... | digital paint: ILM | |
| Russell Earl | .... | digital artist: ILM | |
| Dave Early | .... | lead digital matte artist: Mill Film | |
| Selwyn Eddy | .... | 3D matchmove supervisor: ILM (as Selwyn Eddy III) | |
| Curtis Edwards | .... | cloth & hair: SPI (as Curtis 'NZ' Edwards) | |
| Paul Edwards | .... | visual effects producer: Mill Film | |
| Julia Egerton | .... | compositing artist: CFC | |
| Sander Ellers | .... | modeller: motion control & model unit | |
| Mike Ellis | .... | film recording engineer: ILM | |
| Michael Elson | .... | head of production: MPC | |
| Raul Essig | .... | digital artist: ILM | |
| Ricardo Evangelista | .... | modeller: motion control & model unit | |
| Fred Evans | .... | model sculptor: motion control & model unit | |
| Trevor Eve | .... | painter: motion control & model unit | |
| Jonathan Fawkner | .... | compositing artist: CFC | |
| Daev Finn | .... | lead sequence lighter: Rhythm & Hues | |
| James Flux | .... | color & lighting: SPI | |
| Micky Flynn | .... | electrician: motion control & model unit | |
| Doug Forrest | .... | high speed compositor: SPI | |
| Crys Forsyth-Smith | .... | visual effects producer: SPI | |
| David E. Franks | .... | digital asset coordinator | |
| Mike Frevert | .... | digital artist | |
| Derek Friesenborg | .... | digital character animator: SPI | |
| Quentin Frost | .... | color & lighting: SPI | |
| Lisa Garner | .... | digital paint and rotoscope artist: ILM | |
| Dawn Gates | .... | digital paint and rotoscope artist: ILM | |
| Marcia Gay | .... | visual effects production supervisor | |
| Joshua Geisler-Amhowitz | .... | digital matte painter: SPI | |
| Paul Giacoppo | .... | creature supervisor: ILM | |
| Tracey Gibbons | .... | visual effects post-production supervisor | |
| Scott Gibson | .... | rigger: motion control & model unit | |
| Kevin Gilmartin | .... | modeller: motion control & model unit | |
| Adam Glasman | .... | digital colourist: CFC | |
| Matthew Glen | .... | additional visual effects editor (as Matt Glen) | |
| Meher Gourjian | .... | cloth & hair: SPI | |
| Jason Greenblum | .... | lead digital compositor: Rhythm & Hues | |
| Charlotte Greenwood | .... | model sculptor: motion control & model unit | |
| Cam Griffin | .... | digital paint and rotoscope artist: ILM | |
| Sarah Griggs | .... | coordinator: build unit, motion control unit, model unit (as Sarah Jane Griggs) | |
| Gerald Gutschmidt | .... | computer graphics supervisor: ILM | |
| Roger Guyett | .... | visual effects supervisor: ILM | |
| Joanne Hafner | .... | digital paint and rotoscope artist: ILM | |
| Jennie Hall | .... | visual effects coordinator | |
| Mark Hall | .... | look development: SPI (as Mark R. Hall) | |
| Yan Hammond | .... | motion control operator: motion control unit | |
| Emma Hanson | .... | model sculptor: motion control & model unit | |
| Jordan Harris | .... | digital character animator: SPI | |
| Philip Harrison | .... | modeller: motion control & model unit | |
| Laurence Harvey | .... | modeller: motion control & model unit | |
| Jeff Hatchel | .... | digital artist: ILM | |
| Ed Hawkins | .... | sequence compositor: MPC | |
| Christopher Hayes | .... | modeller: motion control & model unit (as Chris Hayes) | |
| Jane Headford | .... | sculptor/modeller | |
| Wendy Hendrickson | .... | 3D matchmove artist: ILM (as Wendy Hendrickson-Ellis) | |
| Nick Hendy | .... | electrician: motion control & model unit | |
| Jenny Heppenstall | .... | modeller: motion control & model unit | |
| Garman Herigstad | .... | cloth & hair: SPI | |
| Rebecca Heskes | .... | viewpaint artist: ILM | |
| Christopher Hobbs | .... | modeller: motion control & model unit | |
| Martin Hobbs | .... | visual effects producer: MPC | |
| Sofia Hodges | .... | visual effects coordinator | |
| Richard E. Hollander | .... | visual effects supervisor: Rhythm & Hues | |
| Katja Hollmann | .... | scanning and recording operator: Cinesite | |
| Greg Horswill | .... | modeller: motion control & model unit | |
| Peter Seymour Howell | .... | modeller: motion control & model unit (as Peter Seymour-Howell) | |
| Kevin Hudson | .... | CG character modelling lead: SPI | |
| Angela Hunt | .... | visual effects producer: Mill Film | |
| Antony Hunt | .... | visual effects executive producer: Mill Film | |
| Peg Hunter | .... | digital artist: ILM | |
| Greg Hyman | .... | visual effects editor: ILM | |
| Sean Hyunin Lee | .... | lead sequence compositor: Rhythm & Hues (as Sean Lee) | |
| Sho Igarashi | .... | cloth lead: SPI | |
| Chas Jarrett | .... | CGI animation supervisor: MPC | |
| Paul Jessel | .... | lead CG character animator: SPI | |
| Drew Jones | .... | visual effects executive producer: CFC | |
| Robert Jones | .... | modeller: motion control & model unit | |
| Peter Joslin | .... | electrician: motion control & model unit | |
| Jennifer Juen | .... | visual effects digital coordinator: SPI | |
| Ross Kameny | .... | software developer: SPI | |
| Michael Kanfer | .... | associate visual effects supervisor (as Michael D. Kanfer) | |
| Joanie Karnowski | .... | lead matchmover: SPI | |
| Paul Kavanagh | .... | animator: ILM | |
| Ian Kerr | .... | modeller: motion control & model unit | |
| Marvin Kim | .... | character modeller: SPI | |
| MacDuff Knox | .... | look development lead: SPI | |
| Hilmar Koch | .... | CG sequence supervisor: ILM | |
| Susan Kornfeld | .... | texture painter: SPI | |
| Zsolt Krajcsik | .... | effects animator: SPI | |
| Marshall Richard Krasser | .... | compositing supervisor: ILM (as Marshall Krasser) | |
| Daniel Kuehn | .... | visual effects animation production manager: SPI | |
| Daniel La Chapelle | .... | cloth & hair: SPI (as Daniel Lachapelle) | |
| Harry Lam | .... | 2D compositing supervisor: Rhythm & Hues (as Hoiyue 'Harry' Lam) | |
| Mark Lambert | .... | CG supervisor: SPI | |
| Paul Lambert | .... | Inferno artist: Cinesite | |
| David C. Lawson | .... | look development lead: SPI | |
| James Do Young Lee | .... | rotoscoping: SPI (as James Doyoung Lee) | |
| Simon Lee | .... | modeller: motion control & model unit | |
| Robert Legato | .... | visual effects supervisor | |
| Lyndon Li | .... | color & lighting: SPI | |
| Benjamin Lishka | .... | color & lighting: SPI (as Benjamin F. Lishka) | |
| Lauren A. Littleton | .... | visual effects production manager: SPI (as Lauren Ann Littleton) | |
| Francis Liu | .... | look development (as Francis P. Liu) | |
| John Lockwood | .... | compositor: Cinesite | |
| Roger Lofting | .... | financial liaison: Mill Film | |
| Roger Lofting | .... | legal liaison: Mill Film | |
| David Lomax | .... | CG supervisor: Mill Film | |
| Steve Loveday | .... | modeller: motion control & model unit | |
| Darren Lurie | .... | hair lead: SPI | |
| Skye Lyons | .... | visual effects digital coordinator: SPI | |
| Jodie Maier | .... | 3D matchmove artist: ILM | |
| Jay Mallet | .... | motion control operator: motion control unit | |
| Jennifer Mangan | .... | previsualization editor | |
| Alyson Markell | .... | digital modeller: ILM | |
| Tia L. Marshall | .... | digital artist: ILM (as Tia Marshall) | |
| Seth Maury | .... | CG supervisor: SPI | |
| Jason McDade | .... | digital character animator: SPI | |
| Paul McGhee | .... | digital color timer: SPI | |
| M. Scott McKee | .... | color & lighting: SPI | |
| James McKeown | .... | modeller: motion control & model unit (as James McGowan) | |
| Jeff McLean | .... | lead sequence compositor: Rhythm & Hues | |
| Jim 'Cerberus' McLean | .... | color & lighting: SPI | |
| Ian McWilliams | .... | modeller: motion control & model unit | |
| Jon Meakins | .... | modeller: motion control & model unit | |
| Bob Mercier | .... | 3D sequence lead: Rhythm & Hues | |
| Mark Michaels | .... | composite supervisor: Cinesite | |
| Ray Moody | .... | motion control operator: motion control unit | |
| Karl Mooney | .... | visual effects supervisor: Mill Film | |
| Sarah Moore | .... | color & lighting: SPI | |
| Raquel Morales | .... | texture painter: SPI | |
| Greg Morgan | .... | senior workshop technician: motion control & model unit | |
| Lauren Morimoto | .... | digital paint and rotoscope artist: ILM | |
| David Manos Morris | .... | 3D matchmove artist: ILM | |
| Michelle Motta | .... | digital paint and rotoscope artist: ILM | |
| Duncan Mude | .... | modeller: motion control & model unit | |
| Michael Mulholland | .... | 3D modelling & lighting animator: Cinesite (as Mike Mulholland) | |
| Del Murphy | .... | stagehand: motion control & model unit | |
| John Murphy | .... | modeller: motion control & model unit | |
| Karen M. Murphy | .... | visual effects producer | |
| Peter Muyzers | .... | lead technical director: MPC | |
| Maks Naporowski | .... | CG character set-up: SPI (as Maksymillan Naporoski) | |
| Craig Narramore | .... | modeller: motion control & model unit | |
| Ronald Nash | .... | plasterer: motion control & model unit | |
| Jonathan Neill | .... | 3D modelling & lighting animator: Cinesite | |
| Peter Nicolai | .... | animation coordinator: ILM | |
| Peter Nicolai | .... | visual effects coordinator: ILM | |
| Digna Nigoumi | .... | encoding crane operator: motion control unit | |
| Digna Nigoumi | .... | motion control operator: motion control unit | |
| Richard Northcroft | .... | sculptor/modeller | |
| Samuel Nunez | .... | lead matchmover: Rhythm & Hues | |
| Matt Oakley | .... | modeller: motion control & model unit | |
| Pia Odell-Foster | .... | visual effects coordinator (as Pia Turchyn) | |
| Pete Oldroyd | .... | compositor: Cinesite | |
| Jeff Olm | .... | high speed compositor: SPI | |
| Khatsho John Orfali | .... | digital artist: ILM (as Kahtsho Orfali) | |
| Carolyn Oros | .... | character modeller: SPI | |
| Julie Orosz | .... | production manager: Rhythm & Hues (as Julie Orszo) | |
| Andrea Lackey Pace | .... | technical assistant: SPI | |
| David Palmer | .... | texture painter: SPI | |
| Dominic Parker | .... | supervising CG animator: CFC | |
| David Parrish | .... | color & lighting: SPI (as David A. Parrish) | |
| Stuart Partridge | .... | senior compositor | |
| Jamie Peters | .... | rigger: motion control & model unit | |
| Aaron Pfau | .... | lead creature developer: ILM | |
| Cary Phillips | .... | software research & development: ILM | |
| David Phillips | .... | digital compositor | |
| Franco Pietrantonio | .... | visual effects digital production manager: SPI | |
| Todd Pilger | .... | CG character set-up lead: SPI | |
| Bruce Powell | .... | digital artist: ILM | |
| Andrew Proctor | .... | modeller: motion control & model unit | |
| Derrick Quarles | .... | lead film recordist: SPI (as Derrick Troy Quarles) | |
| Leigh Raby | .... | filmout manager: Mill Film | |
| Denise Ream | .... | animation producer: ILM | |
| Denise Ream | .... | visual effects producer: ILM | |
| Kevin Reuter | .... | lead digital artist: ILM | |
| Mark Rodahl | .... | visual effects producer: Rhythm & Hues | |
| Adam Rogers | .... | electrician: motion control & model unit | |
| John Rogers | .... | gaffer: motion control & model unit | |
| Tomás Rosenfeldt | .... | lead effects artist: Rhythm & Hues (as Tomas Rosenfeldt) | |
| Sally Ross | .... | coordinator: motion control & model unit | |
| Susan Ross | .... | viewpaint supervisor: ILM | |
| Jason Rosson | .... | digital artist: ILM | |
| Cherie Rye | .... | cloth & hair: SPI | |
| Gregory Salter | .... | supervising compositor: MPC (as Greg Salter) | |
| Nicole Samarron | .... | CG production technician: ILM | |
| Brian Schindler | .... | digital character animator: SPI | |
| Laura Scholl | .... | look development lead: SPI | |
| Eric Scott | .... | visual effects production coordinator: SPI | |
| Robbie Scott | .... | model unit supervisor (as Robert Scott) | |
| Jules Senior | .... | film editor & library: Cinesite | |
| Ralph Sevazlian | .... | cloth & hair: SPI | |
| Naz Shams | .... | cloth & hair: SPI | |
| Chad Shattuck | .... | lead sequence animator: Rhythm & Hues | |
| Chris Shaw | .... | 3D motion control previs supervisor: motion control & model unit | |
| Andy Sheng | .... | lead effects artist: Rhythm & Hues | |
| Rick Shick | .... | high speed compositor: SPI (as Richard Shick) | |
| Karen N. Sickles | .... | animation coordinator: ILM (as Karen Sickles) | |
| Karen N. Sickles | .... | visual effects coordinator: ILM (as Karen Sickles) | |
| Dominic Sidoli | .... | visual effects producer: CFC | |
| Alex Smith | .... | compositor: Cinesite | |
| David A. Smith | .... | CG supervisor: SPI (as Dave A. Smith) | |
| Keith W. Smith | .... | digital character animator: SPI | |
| Kenneth Smith | .... | digital timing supervisor: ILM | |
| Brian Smithies | .... | senior modeller: motion control & model unit | |
| Evan Smyth | .... | software developer: SPI | |
| Alexander E. Sokoloff | .... | digital character animator: SPI (as Alexander Sokoloff) | |
| Aliza Sorotzkin | .... | color & lighting: SPI | |
| Natalie Staniforth | .... | sculptor/modeller | |
| Simon Stanley-Clamp | .... | compositing supervisor: Mill Film (as Simon Stanley Clamp) | |
| David Stephens | .... | effects lead: SPI (as David J. Stephens) | |
| Sam Stewart | .... | digital paint and rotoscope artist: ILM | |
| Nigel Stone | .... | director of photography: motion control & model unit | |
| Dee Storm | .... | assistant visual effects editor: SPI | |
| Steve Street | .... | 3D modelling & lighting animator: Cinesite | |
| Baudouin Struye | .... | look development lead: SPI | |
| Sebastian Sue | .... | modeller: motion control & model unit | |
| Doug Sutton | .... | lead digital artist: ILM | |
| David Takemura | .... | visual effects plate supervisor | |
| Craig Talmy | .... | senior animation supervisor: Rhythm & Hues | |
| Paul Tappin | .... | plasterer: motion control & model unit | |
| Will Telford | .... | lead animation set-up: Rhythm & Hues | |
| Bill Tessier | .... | digital character animator: SPI | |
| George Theophanous | .... | motion control cameraman: motion control & model unit | |
| Bill Thomas | .... | model sculptor: motion control & model unit | |
| Cari Thomas | .... | visual effects producer | |
| Richard Thomas | .... | modeller: motion control & model unit | |
| Brian Thompson | .... | CG character set-up: SPI | |
| Simon Thorpe | .... | graphic artist: motion control & model unit | |
| Gavin Toomey | .... | compositing artist: CFC | |
| Mark Topping | .... | modeller: motion control & model unit | |
| Donna Tracy | .... | texture painter: SPI | |
| Peter G. Travers | .... | CG supervisor: SPI | |
| Michael Trujillo | .... | senior video/hardware engineer: SPI | |
| Pauline Ts'o | .... | co-senior lighting supervisor: Rhythm & Hues (as Pauline T-so) | |
| Alex Tysowsky | .... | digital character animator: SPI | |
| Michelle Urbano | .... | matchmove lead | |
| Darren Urbaszewski | .... | character modeller: SPI | |
| Pepe Valencia | .... | lead co-character animator: SPI | |
| James Van Der Keyl | .... | digital character animator: SPI | |
| Tom Vane | .... | modeller: motion control & model unit | |
| Omz Velasco | .... | digital modeller: ILM | |
| Anthony Vice | .... | plasterer: motion control & model unit | |
| Heide Waldbaum | .... | visual effects digital coordinator: SPI | |
| Jan Walker | .... | modeller: motion control & model unit | |
| Tara Walker | .... | digital lab operator | |
| Tania Wanstall | .... | sculptor/modeller | |
| Gina Warr | .... | color & lighting: SPI (as Gina Warr-Lawes) | |
| Roland Watson | .... | visual effects production coordinator: Mill Film | |
| Simon Wearne | .... | previsualization editor | |
| David Weitzberg | .... | digital artist: ILM | |
| Ken Wesley | .... | lead digital artist: ILM | |
| Erin West | .... | digital paint and rotoscope artist: ILM | |
| Kelly Wilcox | .... | CG character set-up: SPI | |
| Todd Wilderman | .... | lead CG character animator: SPI | |
| Marc Wilhite | .... | creature developer: ILM | |
| Caroline Wilson | .... | motion control operator: motion control unit | |
| Chris Winters | .... | color & lighting: SPI | |
| Jonathan Wood | .... | look development: SPI | |
| Malcolm Woolridge | .... | cameraman: motion control unit (as Malcolm Wooldridge) | |
| Malcolm Woolridge | .... | supervisor: motion control unit (as Malcolm Wooldridge) | |
| David Worman | .... | matchmover: SPI | |
| Gregory Yepes | .... | lead sequence lighter: Rhythm & Hues (as Greg Yepes) | |
| Kent Yoshida | .... | lead sequence animator: Rhythm & Hues | |
| Gary Abrahamian | .... | previs animation and final animation (uncredited) | |
| Erik Akutagawa | .... | scan/record manager (uncredited) | |
| Rob Allman | .... | technical director (uncredited) | |
| Hani AlYousif | .... | digital compositor (uncredited) | |
| Stewart Anderson | .... | technical support: MPC (uncredited) | |
| Christopher Anthony | .... | visual effects (uncredited) | |
| Hunter Athey | .... | CG animator: Rhythm & Hues (uncredited) | |
| John Attard | .... | digital effects artist (uncredited) | |
| Kenneth Au | .... | digital compositor (uncredited) | |
| Chris Bailey | .... | gaffer: visual effects (uncredited) | |
| Leslie Baker | .... | senior technical director (uncredited) | |
| Steve Baker | .... | CG animator: Rhythm & Hues (uncredited) | |
| Giacomo Bargellesi | .... | technical assistant: Mill Film (uncredited) | |
| Dave Barnard | .... | systems engineer: Smoke & Mirrors, UK (uncredited) | |
| Steve Barnes | .... | digital compositor: MillFilm (uncredited) | |
| Keith Barton | .... | technical services: Cinesite (uncredited) | |
| Yakov Baytler | .... | senior technical director (uncredited) | |
| Susanne Becker | .... | digital artist (uncredited) | |
| John Bennett | .... | technical support: MPC (uncredited) | |
| Sara Bennett | .... | digital compositor (uncredited) | |
| Kevin Bertazzon | .... | CG animator: Rhythm & Hues (uncredited) | |
| Lloyd Bettell-Higgins | .... | motion control operator (uncredited) | |
| Hitesh Bharadia | .... | digital artist: Mill Film (uncredited) | |
| Christian Boudman | .... | digital compositor (uncredited) | |
| David A.T. Bowman | .... | digital compositor (uncredited) | |
| Helena Brackley | .... | model unit (uncredited) | |
| Sam Breach | .... | previsualisation (uncredited) | |
| Jonah Brennan | .... | visual effects (uncredited) | |
| Will Broadbent | .... | CG artist: Mill Film (uncredited) | |
| Sean Broughton | .... | digital effects artist (uncredited) | |
| Simon Brown | .... | visual effects (uncredited) | |
| Andy Burrow | .... | digital lab operator: CFC (uncredited) | |
| Scot Byrd | .... | publicist: Rhythm & Hues (uncredited) | |
| Timothy Michael Cairns | .... | roto artist: SPI (uncredited) | |
| Mario Calamita | .... | visual effects artist (uncredited) | |
| Sean Callan | .... | technical assistant (uncredited) | |
| Beau Cameron | .... | digital artist (uncredited) | |
| Aimee Campbell | .... | cloth artist: SPI (uncredited) | |
| Kevin Campbell | .... | software developer (uncredited) | |
| Martin Chamney | .... | digital artist (uncredited) | |
| Damien Cheetham | .... | post production engineer: Mill Film (uncredited) | |
| Lee Chidwick | .... | digital I/O (uncredited) | |
| Zachary Cole | .... | technical support: ILM (uncredited) | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues (uncredited) | |
| Grant Connor | .... | digital compositor (uncredited) | |
| Danielle Conroy | .... | director of digital production: SPI (uncredited) | |
| Paul Conway | .... | digital compositor: MPC (uncredited) | |
| Martin Cook | .... | rotoscope artist: MPC (uncredited) | |
| Simon Cox | .... | data operator: MPC (uncredited) | |
| Brandon Craig | .... | render supervisor: Rhythm & Hues (uncredited) | |
| Stuart Cripps | .... | digital compositor (uncredited) | |
| Todd Daugherty | .... | render support: Rhythm & Hues (uncredited) | |
| Richard Davenport | .... | digital artist (uncredited) | |
| Alan Davidson | .... | senior technical director: SPI (uncredited) | |
| Paul Davies | .... | assistant colourist (uncredited) | |
| Yves De Bono | .... | special effects coordinator: CGI unit (uncredited) | |
| Virginie Degorgue | .... | model maker (uncredited) | |
| Neyda E. Dejesus | .... | visual effects senior technical assistant: SPI (uncredited) | |
| Michael Deming | .... | digital lab operator: CFC (uncredited) | |
| Thomas R. Dickens | .... | design lead: designed Norbert the Dragon for another studio, SPI (uncredited) | |
| Tony Diep | .... | high speed compositor: SPI (uncredited) | |
| Brian Dowrick | .... | CG animator: Rhythm & Hues (uncredited) | |
| Ditch Doy | .... | CG animator: MPC (uncredited) | |
| Stefan Drury | .... | visual effects coordinator: MPC (uncredited) | |
| Simon Dunsdon | .... | animatics artist: Mill Film (uncredited) | |
| Dan Duran | .... | data operator: MPC (uncredited) | |
| Paddy Eason | .... | digital compositor: MPC (uncredited) | |
| Areito Echevarria | .... | digital compositor: Mill Film (uncredited) | |
| Chris Elson | .... | rotoscope artist: MPC (uncredited) | |
| Richard Etchells | .... | data operator: MPC (uncredited) | |
| Greg Fisher | .... | digital artist (uncredited) | |
| Thomas F. Ford IV | .... | Inferno digital production (uncredited) | |
| Ben Forster | .... | 3D digital artist: MillFilm (uncredited) | |
| Martin Foster | .... | color and lighting: SPI (uncredited) | |
| Kayser Foyz | .... | data operator: MPC (uncredited) | |
| Pawl Fulker | .... | previsualisation supervisor (uncredited) | |
| James Furlong | .... | matchmover: Framestore CFC (uncredited) | |
| Andrew Garnet-Lawson | .... | matte painter: MPC (uncredited) | |
| Andy Gauvreau | .... | digital effects: Rhythm & Hues (uncredited) | |
| Sally Goldberg | .... | computer animator (uncredited) | |
| John Goodman | .... | digital artist (uncredited) | |
| Davina Gottschalk | .... | digital compositor (uncredited) | |
| Katherine Granger | .... | digital compositor (uncredited) | |
| Steve Gray | .... | rotoscope artist: MPC (uncredited) | |
| Jeff Grebe | .... | technical assistant: ILM (uncredited) | |
| Peter Grecian | .... | technical support: MPC (uncredited) | |
| Phil Green | .... | data operator (uncredited) | |
| Darrel Griffin | .... | data aupport: CFC (uncredited) | |
| Metin Gungor | .... | roto/prep artist (uncredited) | |
| Rosanne Gunn | .... | visual effects (uncredited) | |
| David Gutman | .... | digital compositor: Rhythm & Hues (uncredited) | |
| Andy Hague | .... | visual effects editorial: CFC (uncredited) | |
| Robert Hall | .... | digital paint artist: CFC (uncredited) | |
| Taigne Hammock | .... | resource administrator (uncredited) | |
| Anthony Harris | .... | digital color timer (uncredited) | |
| Joey Harris | .... | technical assistant (uncredited) | |
| Nic Hatch | .... | CG artist: Mill Film (uncredited) | |
| Kieron Helsdon | .... | digital artist (uncredited) | |
| Robert Hemmings | .... | digital artist (uncredited) | |
| Kirk Henderson | .... | concept artist (uncredited) | |
| Charley Henley | .... | digital compositor: MPC (uncredited) | |
| Nicole Herr | .... | senior digital artist: SPI (uncredited) | |
| Lloyd Hess | .... | technical support (uncredited) | |
| Grant Hewlett | .... | digital artist: tracking (uncredited) | |
| Jep Hill | .... | technical director: SPI (uncredited) | |
| Jan Hogevold | .... | digital lab producer: CFC (uncredited) | |
| Phil Holland | .... | scanning & recording operator (uncredited) | |
| Ivo Horvat | .... | matte painter: SPI (uncredited) | |
| Adam Howarth | .... | visual effects: practical effects elements for post production inclusion (uncredited) | |
| Robin Huffer | .... | CG artist (uncredited) | |
| Simon Hughes | .... | scanning and recording supervisor (uncredited) | |
| Ian Hulbert | .... | digital artist: Rhythm & Hues (uncredited) | |
| Michael Illingworth | .... | digital artist (uncredited) | |
| Adam Inglis | .... | digital lab operator: CFC (uncredited) | |
| Elie Jamaa | .... | technical director: MPC (uncredited) | |
| Merrin Jensen | .... | digital lab operator: CFC (uncredited) | |
| Pete Jopling | .... | digital compositor (uncredited) | |
| Matt Kasmir | .... | digital compositor (uncredited) | |
| Theano Kazagli | .... | digital I/O: Cinesite (uncredited) | |
| Elizabeth Maxwell Keith | .... | shader writer (uncredited) | |
| Laurent Kermel | .... | technical director (uncredited) | |
| Laurent Kermel | .... | texture supervisor (uncredited) | |
| Lance Kimes | .... | visual effects (uncredited) | |
| Andy Kind | .... | visual effects (uncredited) | |
| Stephen Kowalski | .... | senior systems engineer (uncredited) | |
| Michael La Fave | .... | digital effects artist (uncredited) | |
| Paul Ladd | .... | visual effects coordinator: Cinesite (uncredited) | |
| James Lamb | .... | digital effects producer: Smoke and Mirrors Productions Ltd, UK (uncredited) | |
| Douglas Larmour | .... | digital compositor: MPC (uncredited) | |
| Aaron M. Lawn | .... | production services technician (uncredited) | |
| Phillip Leonhardt | .... | rotoscope artist (uncredited) | |
| John Leonti | .... | CG animator: MPC (uncredited) | |
| Raymond K.L. Liu | .... | digital artist (uncredited) | |
| Nick Lloyd | .... | digital artist (uncredited) | |
| Charlotte Loughnane | .... | data operator: MPC (uncredited) | |
| Stuart Lowder | .... | manager (uncredited) | |
| Roz Lowrie | .... | visual effects editorial: CFC (uncredited) | |
| Veronica Luthcke | .... | matte monkey (uncredited) | |
| Alasdair MacCuish | .... | data operations manager: Cinesite, UK (uncredited) | |
| Joe Mancewicz | .... | animation setup (uncredited) | |
| Joe Mandia | .... | previsualization artist (uncredited) | |
| Julian Mann | .... | technical director: MPC (uncredited) | |
| Ethan Marak | .... | CG animator: Rhythm & Hues (uncredited) | |
| Scott Marriott | .... | digital paint artist: CFC (uncredited) | |
| Jeffrey Martin | .... | digital artist: SPI (uncredited) | |
| Jason McDonald | .... | animator (uncredited) | |
| Jason McDonald | .... | digital artist (uncredited) | |
| Adam McInnes | .... | digital compositor: Mill Film (uncredited) | |
| Joel Meire | .... | digital artist: CFC (uncredited) | |
| Gustav Melich | .... | digital artist: SPI (uncredited) | |
| Joel Román Mendías | .... | production executive: Rhythm & Hues (uncredited) | |
| Ivor Middleton | .... | lead animator (uncredited) | |
| Aung Min | .... | visual effects artist (uncredited) | |
| Rob Moggach | .... | digital compositor (uncredited) | |
| Amanda Morrison | .... | digital artist (uncredited) | |
| Jake Morrison | .... | senior lighting technical director (uncredited) | |
| Steve Murgatroyd | .... | digital artist (uncredited) | |
| Mike L. Murphy | .... | character animator (uncredited) | |
| Jeremy Nelligan | .... | digital compositor (uncredited) | |
| Ian Nichols | .... | Lidar operator (uncredited) | |
| Jessica Norman | .... | digital compositor: MPC (uncredited) | |
| Dylan Owen | .... | data aupport: CFC (uncredited) | |
| Matthew Packham | .... | data operator: MPC (uncredited) | |
| Martin Parsons | .... | technical support: MPC (uncredited) | |
| Steve Parsons | .... | senior data operator (uncredited) | |
| Simon Payne | .... | digital artist (uncredited) | |
| Craig Penn | .... | cloth dynamics: Mill Film (uncredited) | |
| Antoinette Perez | .... | visual effects coordinator: Cinesite (uncredited) | |
| Mark Pinheiro | .... | rotoscope artist (uncredited) | |
| Ian Plumb | .... | digital compositor (uncredited) | |
| Susan Polk Little | .... | senior cloth technical director (uncredited) | |
| Ryan Pollreisz | .... | visual effects production assistant: Rhythm & Hues (uncredited) | |
| Alan Precourt | .... | technical director (uncredited) | |
| Rudy Raijmakers | .... | CG animator (uncredited) | |
| Dean Rasmussen | .... | digital artist (uncredited) | |
| Keith Roberts | .... | CG animator: Rhythm & Hues (uncredited) | |
| John Roberts-Cox | .... | CG modeller: Mill Film (uncredited) | |
| Chad Rogers | .... | data support: CFC (uncredited) | |
| Craig Rowe | .... | technical assistant: Mill Film (uncredited) | |
| Amy Ryan Gunson | .... | visual effects (uncredited) | |
| George Sakellariou | .... | production engineering: ILM (uncredited) | |
| John Sanders | .... | production services technician (uncredited) | |
| Mike Sanders | .... | digital artist (uncredited) | |
| Olivier Sarda | .... | digital compositor (uncredited) | |
| Michael Q. Schmidt | .... | CG model: mountain troll, SPI (uncredited) | |
| Sean Schur | .... | visual effects supervisor (uncredited) | |
| Lopsie Schwartz | .... | texture painter: Rhythm & Hues (uncredited) | |
| Nick Seresin | .... | digital compositor: MPC (uncredited) | |
| Jeff Shank | .... | digital effects: SPI (uncredited) | |
| Toby Shears | .... | modeler (uncredited) | |
| Ben Shepherd | .... | CG animator: MPC (uncredited) | |
| Jennifer Simonds | .... | digital lab operator: CFC (uncredited) | |
| Dan Smiczek | .... | technical animator: Rhythm & Hues (uncredited) | |
| Jason Snyman | .... | visual effects (uncredited) | |
| Richard Stammers | .... | digital compositor: MPC (uncredited) | |
| Mark Stannard | .... | digital compositor: MPC (uncredited) | |
| Kev Stenning | .... | laser scanning (uncredited) | |
| Andy Stevens | .... | visual effects camera assistant: Millfilm (uncredited) | |
| Jelena Stojanovic | .... | digital compositor: MPC (uncredited) | |
| Hayley Easton Street | .... | digital artist (uncredited) | |
| Maria Stroka | .... | digital lab operator: CFC (uncredited) | |
| Jonathan Stroud | .... | technical director: MPC (uncredited) | |
| Lee F. Sullivan | .... | technical director: SPI (uncredited) | |
| David Sweeney | .... | Inferno assistant: Rhythm & Hues Studios (uncredited) | |
| Evan S. Tallas | .... | technical assistant (uncredited) | |
| Olcun Tan | .... | renderman software development (uncredited) | |
| Kevin Tengan | .... | systems administrator (uncredited) | |
| Joseph Thomas | .... | matchmover (uncredited) | |
| Andrew Titcomb | .... | digital artist (uncredited) | |
| Vincent Toscano | .... | software development (uncredited) | |
| Simon Trafford | .... | data operator: MPC (uncredited) | |
| Ben Turner | .... | digital compositor (uncredited) | |
| Matthew Twyford | .... | compositing artist: CFC (uncredited) | |
| Van Phan | .... | animator (uncredited) | |
| Courtney Vanderslice | .... | head of production: Cinesite (uncredited) | |
| Victor Wade | .... | digital paint artist: CFC (uncredited) | |
| Mark Wallman | .... | digital artist (uncredited) | |
| Val Wardlaw | .... | digital artist: Mill Film (uncredited) | |
| Darrin Wehser | .... | digital artist (uncredited) | |
| Barry Weiss | .... | senior staff: SPI (uncredited) | |
| Gabriel White | .... | 3D digital artist: Mill Film (uncredited) | |
| Royston Willcocks | .... | head of CG modelling: Mill Film (uncredited) | |
| Corrina Wilson | .... | digital paint artist: CFC (uncredited) | |
| Kathy Wise | .... | data operater (uncredited) | |
| Tom Wood | .... | digital compositor: MPC (uncredited) | |
| Aviv Yaron | .... | 2D technical director: Cinesite (uncredited) | |
| Tsz 'Gee' Yeung | .... | digital effects artist (uncredited) | |
| Dustin Zachary | .... | modeler (uncredited) | |
| Serkan Zelzele | .... | digital artist (uncredited) | |
| Ziggy Zigouras | .... | digital compositor: MPC (uncredited) | |
Animation Department | |||
| Andrew Brownlow | .... | animator (uncredited) | |
| Jason McDonald | .... | animator (uncredited) | |
| Bill Tessier | .... | animator (uncredited) | |
Casting Department | |||
| Buffy Hall | .... | casting assistant | |
| Elizabeth Kirkpatrick | .... | casting assistant | |
| Chuck Douglas | .... | extras casting (uncredited) | |
| Louis Elman | .... | adr voice casting (uncredited) | |
| Michelle Lewitt | .... | casting assistant (uncredited) | |
| Amy McKee | .... | casting assistant (uncredited) | |
| Carolyn McLeod | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Rosemary Burrows | .... | assistant costume designer | |
| Anabel Campbell | .... | wardrobe assistant | |
| Graham Churchyard | .... | costume supervisor | |
| Lee Clayton | .... | costume cutter | |
| Lee Clayton | .... | tailor | |
| Isobel Denton | .... | wardrobe assistant | |
| Colleen Kelsall | .... | assistant costume designer | |
| Martin Mandeville | .... | costume buyer | |
| Martin Mandeville | .... | costume coordinator | |
| Sally Puttick | .... | wardrobe assistant | |
| Sarah Touaibi | .... | wardrobe fitting supervisor (as Sarah Toubai) | |
| Jeeda Barford | .... | costume buyer (uncredited) | |
| Alex Carey | .... | costume breakdown artist (uncredited) | |
| Lucy Denny | .... | costumer (uncredited) | |
| David J. Evans | .... | costume assistant (uncredited) | |
| Tom Hornsby | .... | wardrobe assistant (uncredited) | |
| Jacqueline Mulligan | .... | costume maker (uncredited) | |
| Sunny Rowley | .... | costume assistant (uncredited) | |
| William Steggle | .... | wardrobe assistant (uncredited) | |
| Justine Warhurst | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Jo Dixon | .... | second second assistant film editor | |
| Peter Hunt | .... | color timer | |
| Toby Lloyd | .... | projectionist | |
| Jennifer Mangan | .... | first assistant editor | |
| Julian Pryce | .... | second assistant film editor | |
| Mark Sale | .... | first assistant film editor | |
| John Stanborough | .... | color timer | |
| Jessie Thiele | .... | post-production coordinator | |
| Jane Winkles | .... | second assistant film editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
| Claus Wehlisch | .... | assistant editor (uncredited) | |
Music Department | |||
| Leslie Bricusse | .... | lyrics by | |
| Peter Davies | .... | musician | |
| Terry Edwards | .... | choir master: London Voices | |
| Edward Karam | .... | orchestrator (as Eddie Karam) | |
| London Voices | .... | choir | |
| Peter Myles | .... | music editor | |
| Conrad Pope | .... | orchestrator | |
| Simon Rhodes | .... | music scoring mixer | |
| Kenneth Wannberg | .... | supervising music editor (as Ken Wannberg) | |
| John Williams | .... | song: music by | |
| Steve Browell | .... | assistant temp music editor (uncredited) | |
| Mark Graham | .... | music copyist (uncredited) | |
| Isobel Griffiths | .... | orchestra contractor (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| Randy Kerber | .... | musician: celeste (uncredited) | |
| Kelly Mahan-Jaramillo | .... | assistant music editor (uncredited) | |
| Jon Olive | .... | music editing technical consultant (uncredited) | |
| Larry Rench | .... | additional orchestrator (uncredited) | |
| John Williams | .... | conductor (uncredited) | |
Transportation Department | |||
| Terry Abel | .... | transportation: second unit | |
| Murray Burnett | .... | assistant transportation co-captain | |
| Warren Deluce | .... | unit driver | |
| Brian Estabrook | .... | transportation co-captain | |
| Chris Hammond | .... | minibus driver | |
| Brian Hathaway | .... | transportation coordinator | |
| Martin Lewis | .... | transportation: second unit | |
| Jason Mortlock | .... | unit driver | |
| Maurice Newsome | .... | transportation coordinator | |
| David Rosenbaum | .... | transportation coordinator | |
| Chris Streeter | .... | transportation co-captain | |
| Harry Taylor | .... | assistant transportation co-captain | |
| Alan Watts | .... | assistant transportation co-captain | |
| Glen Carroll | .... | driver (uncredited) | |
| Jimmy Carruthers | .... | unit driver (uncredited) | |
| Dave Williams | .... | facilities department (uncredited) | |
Thanks | |||
| Rik Mayall | .... | special thanks | |
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| Harry Potter and the Chamber of Secrets | Harry Potter and the Goblet of Fire | Harry Potter and the Prisoner of Azkaban | Harry Potter and the Order of the Phoenix | Harry Potter and the Deathly Hallows: Part 2 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
Once upon a time (and not that long ago), in the vivid, fertile imagination of author J.K. Rowling, a character was born: A boy. A young boy named Harry, who was destined to become one of the most beloved characters to emerge from a work of fiction in a long, long time, and was quickly embraced by young and old alike in all corners of the world. And now, thanks to the magic of the cinema, Harry and his companions fairly leap from the pages of the novel to the silver screen in the phenomenal motion picture, `Harry Potter and the Sorcerer's Stone,' directed by Chris Columbus and written for the screen by Steve Kloves. Indeed, Harry Potter is a boy, but not just any boy; because Harry (Daniel Radcliffe) just happens to be a wizard. But, orphaned as a baby, Harry has been raised by his Aunt Petunia (Fiona Shaw) and Uncle Vernon Dursley (Richard Griffiths), who never let him in on the fact that he was, well-- what he was. It seems that Petunia didn't approve of her own sister-- Harry's mother-- because she was a witch; nor of Harry's father because he, too, was a wizard. When Harry turns eleven, however, the secret is out of the bag when-- after some strange goings-on-- a giant of a man named Rubeus Hagrid (Robbie Coltrane) shows up at the Dursley's door to collect Harry and take him off to `Hogwarts,' a school for wizards and witches and all who would perfect the gift with which they were born: The gift of magic! And from the moment Harry boards the train (from station platform nine-and-three-quarters) that will take him to his destiny, the magic is alive-- for Harry, and for the audience, as well; and it's a journey you will never forget.
What a monumental undertaking to even think of attempting-- translating and transferring this passionately beloved work from novel to the screen. Because to millions of people, Harry and his companions are so much more than merely characters in a book; these are characters for whom people have made a special place in their hearts, which puts a great burden of trust upon the man who would attempt to bring them to life. And Chris Columbus, it turns out, was the right man for the job. More than rising to the occasion and with some magic of his own-- and a lot of help from an extraordinarily talented cast and crew-- Columbus has delivered a film that is not only true to the story, but true to the very spirit that makes Harry Potter so special. The special effects are absolutely beyond astounding, and Columbus, with a keen eye for detail and without missing a beat, keeps it all on track and moving right along at a pace and with a sense of timing that makes this an absorbing, thoroughly entertaining and enjoyable experience from beginning to end. From the opening frame you get the feeling that you're about to have a singular experience; and you're right. Because you've just entered the world of Harry Potter. And it's magic.
Even having the best special effects do not a great movie make, however, and this film is no exception; what catapults this one to the top are the performances, beginning with Radcliffe, whom you quickly forget is an actor playing a part. And that about sums up what kind of a job this young man does here. Without question, he IS Harry Potter, physically and emotionally, and when he waves his wand and does what he does, you believe it. A wonderful performance by a gifted actor who has a great career ahead of him; without question the perfect choice for the role of Harry.
Also turning in excellent performances are Rupert Grint as Ron Weasley, and Emma Watson as Hermione. As with Radcliffe, the casting here could not have been more perfect. Grint is `Everyboy,' with that special glint in his eye and a manner that makes him especially endearing. And the spunky Watson adds some real sparkle to the film as Hermione, the one with the sense of urgency and the wherewithal to get things done; a real role model for young girls everywhere.
It's obvious that a lot of care went into the casting of this film, and it's a big part of why it is so successful. Richard Harris, as Headmaster Albus Dumbledore; Maggie Smith as Professor McGonagall; John Hurt as Mr. Ollivander; Ian Hart as Professor Quirrell. Exceptional performances from one and all, with two that stand out as especially memorable: Robbie Coltrane, who readily conveys the fact that Hagrid's heart is of a size that matches that of the man; and Alan Rickman, as Professor Severus Snape, deliciously droll while demonstrating menace through the fine art of articulation.
The additional supporting cast includes John Cleese (Nearly Headless Nick), Warwick Davis (Professor Flitwick), Julie Walters (Mrs. Weasley), Zoe Wanamaker (Madame Hooch), Tom Felton (Draco Malfoy), Harry Melling (Dudley) and David Bradley (Filch). From Rowling's imagination to the written page to real life (albeit via the movie screen), `Harry Potter and the Sorcerer's Stone' is a triumph many times over; a unique film of truly universal appeal, the likes of which is as rare as, well-- a sorcerer's stone. A film in which adults and children alike will rejoice, because it speaks to the heart in a universal language of life, love, experience and imagination; a film that states unequivocally that magic exists-- as long as there's a single child with a single dream somewhere in the world, and real wizards like J.K. Rowling, Chris Columbus, Steve Kloves and every member of this wonderful cast and crew around to bring it to life as they have here. An instant classic in every sense of the word, this is truly a film for the ages. A remarkable achievement, this IS the magic of the movies. I rate this one 10/10.