It's Harry's third year at Hogwarts; not only does he have a new "Defense Against the Dark Arts" teacher, but there is also trouble brewing. Convicted murderer Sirius Black has escaped the Wizards' Prison and is coming after Harry.
Harry Potter and the Sorcerer's Stone is the first film in the Harry Potter series based on the novels by J.K. Rowling. It is the tale of Harry Potter, an ordinary 11-year-old boy serving as a sort of slave for his aunt and uncle who learns that he is actually a wizard and has been invited to attend the Hogwarts School for Witchcraft and Wizardry. Harry is snatched away from his mundane existence by Hagrid, the grounds keeper for Hogwarts, and quickly thrown into a world completely foreign to both him and the viewer. Famous for an incident that happened at his birth, Harry makes friends easily at his new school. He soon finds, however, that the wizarding world is far more dangerous for him than he would have imagined, and he quickly learns that not all wizards are ones to be trusted. Written by
Platform 9 3/4 was filmed at King's Cross, but on platforms 4 and 5. J.K. Rowling has admitted that she mixed up the layout of London's King's Cross railway station when she assigned the Hogwarts Express to platform 9 3/4, reached by using magic between platforms 9 and 10. She meant the location to be in the inter-city part of the station, but 9 and 10 are actually among the rather less grand suburban platforms. The movie conformed to the book: the platforms seen as 9 and 10 are in real life inter-city platforms 4 and 5. However, there is, in fact a "Platform 9 3/4" at King's Cross. It's located in the walkway area between the real platforms 9 and 10, as a treat for fans of Harry Potter. See more »
In the scene where Harry and the Dursleys are getting into the car before going to the zoo, Vernon is seen speaking to Harry. From the backside, Harry's button up plaid shirt is seen on his shoulder, then from the front it is hanging off his shoulder. See more »
[as a cat]
I should have known that you would be here, Professor McGonagall.
[Professor McGonagall transfigures into her human self]
See more »
In the final credits, the word "baron" is mispelled as "barron" See more »
To millions of children of all ages, November 16 has been more eagerly anticipated than Christmas, as the long-awaited film version of J. K. Rowling's beloved novel "Harry Potter and the Sorceror's Stone" hits the screen.
Each of Rowling's four Harry Potter books have been critically acclaimed worldwide best-sellers, turning a generation of video-game playing children into avid readers.
In translating Rowling's world of wizards and magic to the screen, the film makers claimed to be intensely aware of the fans' high expectations and had sworn to be faithful to the book.
"Harry Potter and the Sorceror's Stone" is indeed the most loyal film adaptation of a book that this fan has ever seen.
It's the story of an orphaned boy who discovers on his eleventh birthday that his parents were wizards and that he is in fact a famous and powerful wizard himself.
Released from the clutches of his desperately ordinary (and non-magical) Uncle Vernon and Aunt Petunia - and their deliciously obnoxious son Dudley - Harry takes his place in the wizarding world as a first year student at the venerated Hogwarts School of Witchcraft and Wizardry.
A great deal of "Harry Potter and the Sorceror's Stone" is an introduction to this fantastic and dangerous world and its richly drawn characters. There's not only a lot of plot to cover in this film, but an entire world to create.
At two and a half hours long (hit the restroom before it starts), the film includes the book's most memorable scenes, bringing many of them to life with pure cinematic wizardry.
The Quidditch match (a soccer/hockey/rugby thing played on broomsticks) is much more exciting on the screen than on the page, as is the bathroom battle with an enormous mountain troll and the larger-than-life game of wizard's chess.
The frightening aspects of the book are in full force in the film, and its PG rating (for some scary moments) should be taken seriously.
Screenwriter Steven Kloves ("Wonder Boys") has done a fine job of streamlining Rowling's tale while maintaining its spirit. Director Chris Columbus ("Home Alone") makes good on his promise to be faithful to the book. But at times the film is a bit too reverent; you want the actors to cut loose and have a bit more fun.
Columbus clearly understands that fantasy works best when it's played most real. Across the board, his fine ensemble of actors are so perfectly cast that they appear to have literally stepped out of Rowling's book.
In the title role, Daniel Radcliffe pulls off the very difficult task of playing an introverted hero who spends most of the movie reacting to the amazing sights and events around him. He beautifully captures the deep soul and untapped potential of Harry Potter. And when this kid smiles the screen lights up.
Rupert Grint is delightful as Harry's sardonic buddy Ron Weasley and Emma Watson nearly steals the film as their overachieving friend Hermione Granger. Three cheers to the film makers for giving three unknown child actors the top billing they deserve.
The strong cast of veteran actors includes Richard Harris as the wise Headmaster Dumbledore and Robbie Coltrane as the lovable giant Hagrid. Alan Rickman is wonderfully villainous as Professor Snape and Zoe Wanamaker has just the right touch of girls gym teacher as flying instructor Madame Hooch.
As the strict but just Professor McGonagall, Oscar winner Maggie Smith seems born to play the role - and is ready for another Oscar.
John Cleese (as Nearly Headless Nick) and Julie Walters (as Mrs. Weasley) have all-too-brief cameo roles, but if the next film "Harry Potter and the Chamber of Secrets" remains true to the book, we'll be seeing more of them.
In addition to being highly engaging, the film is a marvelous thing to look at. From the bustling wizard street Diagon Alley to the magnificently gothic Hogwarts School to the dark and misty Forbidden Forest, the film breaks new ground in imaginative production design.
To paraphrase the film's tagline, let the magic (and box office records) begin.
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